熱門Ptt文章

[爆卦]Subjectivity是什麼？優點缺點精華區懶人包

雖然這篇Subjectivity鄉民發文沒有被收入到精華區：在Subjectivity這個話題中，我們另外找到其它相關的精選爆讚文章

在 subjectivity產品中有21篇Facebook貼文，粉絲數超過4萬的網紅百工裡的人類學家，也在其Facebook貼文中提到， 如果人類學是一種對於他者凝視參與觀察，進而透過理解他者反過來認識自己的學門，哪麼或許我們不用走到遙遠的部落，在身邊即可以透過和他人的互動來反思我們自身。其中，當代社會當中的精神疾病患者即有這樣的位置，他們就在我們身邊，卻好像被客體化一樣，讓不少人想要在與他們畫之間想要劃下界線，但也透過與他們的互動，...

　同時也有12部Youtube影片，追蹤數超過15萬的網紅ロイドごはん，也在其Youtube影片中提到，2021年1月〜3月、この３ヶ月で食べてきた家系ラーメン店をまとめ、その印象などをお伝えしていきます。早速ご覧ください。なお、今回のまとめはあくまで個人の主観によるものです。何とぞご了承ください。 ＊実際のトッピングと異なる場合があります。 ＊感染対策を徹底して撮影を行っています。 ＊撮影に際して...

「subjectivity」的推薦目錄

subjectivity 在 王樂儀 Instagram 的精選貼文

2021-06-03 04:47:48

Super thanks to Ka Ying! ❤️Please don’t miss this! Posted @withregram • @hedoesntgiveashit I will be talking about my (barely) exercise on resilienc...

  • 百工裡的人類學家

    subjectivity 在 百工裡的人類學家 Facebook 的精選貼文

    2021-08-21 08:20:45
    有 26 人按讚

    如果人類學是一種對於他者凝視參與觀察，進而透過理解他者反過來認識自己的學門，哪麼或許我們不用走到遙遠的部落，在身邊即可以透過和他人的互動來反思我們自身。其中，當代社會當中的精神疾病患者即有這樣的位置，他們就在我們身邊，卻好像被客體化一樣，讓不少人想要在與他們畫之間想要劃下界線，但也透過與他們的互動，進一步思考什麼是人的基本狀態與條件。

    這篇來自【聯合新聞網】上的文章轉載介紹了《兩種心靈：一個人類學家對精神醫學的觀察》這本書。這篇文章帶我們從「精神動力取向」和「生物醫學取向」的解釋路徑之外的人類學視角出發，思考當代精神科醫師「文化」以及因此對應的患者「文化」是如何產生出來？也帶我們進一步思考，在當代精神醫學越來越普遍的今天，「人」被看待的方式又正在發生哪些變化？
    ————————————
    因此，理解精神科醫師如何看待這些疾病，以及我們如何回過頭來理解這件事就顯得尤其重要（精神醫學知識就像是紅色襯衫上的染料滲到熱水裡一般，滲透進流行文化之中）。我們理解這些病痛的方式不僅影響了患者被對待的方法，還影響到他們經驗的方式、治療結果，以及我們對那些受苦者的責任感。

    這就是人類學家能夠觀察到的。畢竟，我當時正看著這群人，看著他們如何學習。他們以非精神科醫師的身分進入精神科住院醫師訓練，離開時已是合格的精神科專業人員。我可以看到那些被任命負責教導的人所明確教導的內容；我還可以看到每天與精神病患相處的經驗對他們造成的挑戰是什麼，以及他們如何相互學習以抵禦這些衝擊。

    我看到他們是如何學會在別人甚至沒有注意到的行為中尋找意義和價值，以及他們如何學會表達他們對這種行為的感覺——這些表達使用的是一般語言，他人卻不一定能夠理解，甚至有可能理解了句子中的每一個字，卻仍無法掌握整個句子的意義。所以我能夠觀察到現在人類學家所說的「主體性的轉變」（transformation of subjectivity）。

    你無法觀察到一個人的思考和感受，但如果有一群人，你可以看到他需要做什麼才能成為這個群體的一員。你可以看到他學會了如何應對、他是如何學會的、他是如何開某些事情的玩笑，還有什麼東西會讓他害怕。人類學家克利弗德．紀爾茲指出，人類學家透過田野可以發現的是人與人交往互動中那些公開的部分。這並不意味著我們仍然無法觀察心靈（psyche）。它意味著，你可以觀察到心靈是如何被實際的、世俗的事物所塑造。

    （以上引用網頁原文）

    引用網址：https://opinion.udn.com/opinion/story/11664/5679452?fbclid=IwAR3g9DFLMj_fdCX4_PYTPsrAld4PFxCZoXHnDLC-0i-HNYLBZG_UFNKD98U

  • 林郁晉- Yu Jun LIN

    subjectivity 在 林郁晉- Yu Jun LIN Facebook 的精選貼文

    2021-08-07 13:49:30
    有 10 人按讚

    《 #籠罩下的巨大哀愁 》
    正式開展啦～
    歡迎各位到台北當代藝術館

    /
    詳細資訊｜https://reurl.cc/bXy09v

    ________________________________________________

    A Dark Cloud of Sorrow Looms Over

    by Yu-Jun LIN

    Late mornings and sleepless nights. Frustration. Anxiety.

    They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

    In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

    However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

    Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

    A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

    Zheng Er Qi | People
    “People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

    Chung Chih Ting｜I Am by Your Side
    With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

    Wu Bo Sian | Chimps with Mona Lisa’s Smile
    In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

    Wang Ding Yeh | One-One
    “One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

    Tsai Jie | When the Dust Settles
    “When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

    Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
    Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

    Wong Shu Lian | I found myself floating and sinking down once in a while
    The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

    Chen Chia Jen | SWEETWATER
    “SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
    ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

    《籠罩下的巨大哀愁》展覽資訊
    展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
    展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
    播映時間｜ Mon. ─ Sun. 16:00-21:00

    特別感謝｜ 贊助單位
    厭世會社 @mis.society

    #王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
    #MisanthropeSociety厭世會社
    #厭世會社

  • Food of Hong Kong by Epicurushongkong

    subjectivity 在 Food of Hong Kong by Epicurushongkong Facebook 的最讚貼文

    2020-10-23 23:46:51
    有 19 人按讚

    『日本宮崎快樂豬 叉燒 Miyazaki 'Marumi' BBQ Charsiu Pork』$200. A lot of people continuously ask me where is the absolute Best BBQ Charsiu or Roast Goose, Duck Intestine rolls, etc in Hong Kong. My subjectivity aside, its also hard to pinpoint straight forward answers because shops do fluctuate, the micro Muscle parts you received that instant matters, and very honest suburban Shops with actual great Roasting skills you befriended over the years might tell customers outright that sorry, today's Pork or Chicken they received from their local supplier is just shxt sometimes, but they still had to try roast it to sell for their living 😅😂🥺.
    •
    【鋒膳 Flower Drum, Wanchai】therefore comes recommended definitely as amongst the Top shops 🔝, especially if you order A La Carte portion which is a smidgen better than Lunch Rice Plates! Not only that, both Father & Son are passionate veterans & father is considered a Top Expert in Cantonese cuisine for decades, I have tried all of their shops previously & it's consistent, produce is always ace & they continuously improve. Sister shop『井巷子 Jing Alley』, which doesn't require pressing a button to get in upstairs like here, is duly awarded a Michelin 🍽. If Flower Drum HK moved locations or becomes easier to access I am sure they will get one too instantly without questioning! 😋😍

你可能也想看看

搜尋相關網站