郵資不足Insufficient Postage - 音樂實驗劇場Music Experimental Theatre

“We are our choices.”
― Jean-Paul Sartre

2018年8月10日，地平線航空（Horizon Air）機械員工29歲理查羅素（ Richard Russell），突然開走一架龐巴迪Dash 8 Q400客機，機上雖然沒有其他乘客，但軍方出動2架F-15戰機想要阻止未果，最後羅素自殺式墜毀在附近華盛頓州科特羅島（Ketron island）上，當場身亡。空中交通管制員要求他降落時，他說：「我不知道。」他補充：「並沒有計劃過怎麼降落。」

飛行是潛藏於人類心底千百年來最深處、最久遠的渴望之一，每人心中皆有一個在如此的夢想。為著飛機離開地面而慶祝後，人才意識到實現夢想原是個旅程，而起飛只是個起點。怎樣在繼續空中停留，怎樣回到地面，怎樣抵抗現實的地心吸力，種種的現實問題，在離開地面後才會意識到。站在飛機殘骸前，只有自己才知道，這一切是否值得。

話梅鹿樂隊的第三張專輯"Insuffiient Postage"，以是次事故作啟發，創作出三首純音樂，兩首不同語言的歌與兩段環境聲效。音樂本身可以表達的內容有限，需要更多藝術媒介與觀眾溝通，將各種不同範疇藝術結合而成一個完整的演出。科技作為引線，由音樂穿針。包括但不限於互動戲劇，音樂，裝置藝術，Audiovisual art 等元素，將意志、選擇、個人責任發現自我和生命的意義的意念，以藝術方式跟觀眾作對話。

地點：MOM LiveHouse
日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉
完整陣容：

話梅鹿
Just a broken machine
周漢寧

日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

直播頻道：
YouTube: 話梅鹿 https://www.youtube.com/user/PruneDeer/featured
Facebook: 話梅鹿 https://www.facebook.com/PruneDeer/
Facebook: MusicSurveillance https://www.facebook.com/MusicSurveillance/

贊助支持方法
香港地區：Payme ( QR code 或 https://payme.hsbc/insufficientpostage)
其他地區：https://www.paypal.me/naturehin

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉

關於媒體伙伴Music Surveillance
Vic Shing is a photographer capturing Hong Kong’s independent live music performances. Since 2009, he has been shooting and documenting the changes and continuity in the indie music scene in Hong Kong under the moniker Music Surveillance, tirelessly and relentlessly chronicling gigs and performances in the city. The name Music Surveillance refers to how the cameras are arranged like CCTVs before each show, with Vic Shing oscillating between filming in a fixed location and darting back and forth the venue. Vic Shing does not discriminate between music genres—he’s at every show that interests him. The photographs and video recordings of these shows are uploaded onto the Music Surveillance Facebook, Instagram, and Youtube pages, with almost daily updates.

關於六合文化
六合文化(香港) 認為人人享有接觸文化藝術的權利，希望將香港建立成一個充滿動力和多元化的文化藝術都市。致力於支持新一代創意人才，持續進行獨立創作，孵化文化產業新網絡，並搭建進軍國際的專業平台。匯聚國際及兩岸四地創意先驅，打破地域界限，融合社區 ，傳承創作經驗，期望連結多元社群，以創新的視野和態度，改善社區，為公民社會拓展空間。一直透過藝術培養人的文化修養，充權，讓人能夠掌握和面對社會的轉變。以促進藝術整體發展，造就多樣化及多元化藝術環境的信念，開拓藝術家的發展空間。

[CLIL英文詞彙] 你知道你的頭裡有「 耳石」嗎？

I did not know this until I went to the doctor’s today. Let’s not waste the opportunity to turn this into an English lesson.

在今天去看醫生以前，一直都不知道這件事。讓我們藉著這個機會一起學習英文吧。

★★★★★★★★★★★★

What is BPPV? 什麼是良性陣發性姿勢性眩暈？

Benign paroxysmal positional vertigo (BPPV) is a disorder arising from a problem in the inner ear. Symptoms are repeated, brief periods of vertigo with movement, that is, of a spinning sensation upon changes in the position of the head. This can occur with turning in bed or changing position. Each episode of vertigo typically lasts less than one minute. Nausea is commonly associated. BPPV is one of the most common causes of vertigo.

1. a disorder 失調
2. arise from 由……引起
3. inner ear 內耳
4. display/show symptoms 出現症狀
5. experience vertigo 感到暈眩
6. a spinning sensation 旋轉的感覺
7. changing position 改變位置
8. an episode of （相關的）一連串事件；一段經歷
9. nausea 噁心
10. be commonly associated with 通常伴隨著
11. be accompanied by 伴隨著
12. common cause of ⋯⋯的常見原因

良性陣發性姿勢性眩暈（Benign paroxysmal positional vertigo，簡稱BPPV）為一種內耳誘發的疾病，患者會有重複性短暫眩暈的症狀，頭部移動時會感到天旋地轉，甚至連就寢翻身時都會有暈眩感。每次眩暈通常不會超過一分鐘，患者常會有噁心的症狀。該疾病為導致眩暈的疾病中最常見的一種。

★★★★★★★★★★★★

The ear's role 耳朵的角色

Inside your ear is a tiny organ called the vestibular labyrinth. It includes three loop-shaped structures (semicircular canals) that contain fluid and fine, hair-like sensors that monitor the rotation of your head.

13. a tiny organ 微小器官
14. vestibular labyrinth 前庭迷路*
15. loop-shaped structure 環形結構
16. semicircular 半圓的
17. hair-like 及類似頭髮的
18. the rotation of 的旋轉

耳內有一個稱作「前庭迷路」的微小器官。其中有三個環形結構（半規管），內含液體以及類似頭髮的細小傳感器，用於監測你的頭部旋轉。

*labyrinth: 1. 迷宮；曲徑；2. 令人迷惑的東西，迷宮一樣的東西：https://dictionary.cambridge.org/dictionary/english-chinese-traditional/labyrinth

★★★★★★★★★★★★

Other structures (otolith organs) in your ear monitor movements of your head — up and down, right and left, back and forth — and your head's position related to gravity. These otolith organs contain crystals that make you sensitive to gravity.

19. monitor 監測
20. be related to 跟...有聯繫
21. sensitive to 對...敏感
22. otolith organs 耳石器官*

耳朵中的其它結構（耳石器官）可監測你的頭部運動——上下、左右、前後——以及受重力影響的頭部位置。這些耳石器官含有讓你敏銳感知重力的晶體。

*otolith: oto-，耳朵 + lithos，石頭

★★★★★★★★★★★★

For a variety of reasons, these crystals can become dislodged. When they become dislodged, they can move into one of the semicircular canals — especially while you're lying down. This causes the semicircular canal to become sensitive to head position changes it would normally not respond to, which is what makes you feel dizzy.

23. for a variety of reason 出於各種原因
24. be dislodged 被脫落*
25. canal 管，道
26. feel dizzy 感到眩暈
27. dizziness 頭暈目眩; 眩暈
28. a loss of balance or unsteadiness 失去平衡或不穩定
29. vomit 嘔吐

出於各種原因，這些晶體可能會脫落。當它們脫落，可以進入半規管——尤其是在你躺下的時候。這使得半規管對頭部位置的一般變化變得敏感，這就是你會感到頭暈的原因。

*dislodge: https://dictionary.cambridge.org/dictionary/english-chinese-traditional/dislodge

★★★★★★★★★★★★

BPPV can result from a head injury or simply occur among those who are older. A specific cause is often not found. The underlying mechanism involves a small calcified otolith moving around loose in the inner ear. Diagnosis is typically made when the Dix–Hallpike test results in nystagmus (a specific movement pattern of the eyes) and other possible causes have been ruled out. In typical cases, medical imaging is not needed

30. result from 肇因於
31. a head injury 頭部創傷
32. underlying mechanism 潛在機制
33. a small calcified otolith* 一個小的鈣化耳石
34. a balance disorder 平衡障礙
35. diagnosis 診斷
36. result in 導致
37. be ruled out 被排除
38. typical cases 典型案例
39. medical imaging 醫學照影

*otolith: oto-，耳朵 + lithos，石頭

良性陣發性姿勢性眩暈可能肇因於頭部創傷，或單純發生在年長者身上，通常無法找到確切原因，可能的致病機轉是內耳的耳石鬆動，此一疾病與內耳迷路炎以及美尼爾氏症同屬平衡障礙。診斷此一疾病時，通常會進行頭位變換眼振檢查。若患有此一疾病，應會出現眼球震顫的情形，同時必須排除其它可能的原因。在一般情況下，患者不需進行醫學照影。

關於BPPV的完整資訊: https://mayocl.in/2JpzZXV

完整文章: https://bit.ly/39zLGGe

★★★★★★★★★★★★

CLIL: Content and Language Integrated Learning，是將學科內容和外語學習相結合，用外語教授科學、地理、歷史、藝術等內容，從而促進語言和學科知識的雙重學習: http://bit.ly/2K5l3PM

CLIL, STEAM 和跨領域教學有何異同？
https://bit.ly/3dJBPB6

▪️音樂裡的靈觀▪️首篇：

我之於海。
My Relationship with the Ocean

我。常常喜歡一個人來看海
因為，海，她夠大～
足以包容世界一些的不完美
因為，海，她是大地宇宙萬物的開始
所以，氣息最早運行是在那片海面上
人類，才有了sasela’an呼吸與生命～

I often enjoy seeing the ocean by myself because she is vast enough to embrace the imperfections of the world; because she is the beginning of everything, of the earth, and the universe. Thus, I believe that the breath was first moving on the surface of the ocean, and then there are sasela’an ( or breath) and life within humans.

早期，就是有些在生存上的不舒服
關於呼吸之間的不順暢
所以，常常回家後在台11線上來回、來回
跟海撒嬌完了後，就好了。
There were some life’s struggles and discomforts in my earlier years – my breath was not smooth and steady. Thus, I often went home and traveled back and forth on Hualien-Taitung Coastal Highway. I felt much better after being affectionate to the ocean.


一個人，可以找到她
關於屬於她的神奇力量～
就像
太陽、風、星星、雨水ㄧ樣
彼此懂得在宇宙間依存的關係，關乎靈魂的那種愛與自由～
Being by myself, I can find her and the magical powers that belong to her, just like the sun, wind, stars, and rain. They understand the interdependent relationship with each other regarding one’s love and freedom of soul.

我很多的歌，創作源自於她。海～
從關乎失去的、被剝奪的、被傷害的一直到討論神話裡的、最後到跨越太平洋的，海給我了身為島嶼後裔來自一個Pangcah族人身為女性的能量～
I have written many songs and compositions that are inspired by her, the ocean. My songs include those about being lost, being plundered, being hurt. They also discuss our mythology and narrate my ocean-crossing journeys. The ocean has given me the power of being a Pangcah woman and being a descendant of the island.


因為發了新專輯，因為sasela’an氣息為名，再次不斷驅使著我去思考我這樣的一個島嶼歌者，要如何好好詮釋這些海洋、島嶼、氣息的思想～
最近上很多廣播通告時，我常常口裡講著氣息、風啊、雨啊、日月星辰啊、精靈、靈魂啊⋯這種⋯🙄
直到有些主持人會透露疑惑不解的表情後，🤔才驚覺自己早已在脫離了台北那斗大的錄音間，飛翔在大海與山林間🌲😇🌊

Once again, I am motivated to contemplate ways of interpreting the thoughts of the ocean, islands, and breath because of the newly released album, entitled Salela’an (Breath). Lately, many hosts of radio shows have scheduled interviews to discuss my music. During these interviews, I always include topics such as breath, wind, rain, the sun, the moon, deities, spirits, etc…until some of them looked puzzled. I suddenly realized that I have already detached myself from the large studios located in Taipei and am flying in between the ocean and forests.


Riyal，阿美族人稱為海～
阿美族人自古就跟海洋深刻的依存與依戀關係
我們神話祖先漂流在船上而被保護著的就是海，族人被供給魚類飽足食物的也是那大海；於是我們有了misacepo海祭
Fata’an馬太鞍我的部落的老人家留著一個美麗的傳說，我們的島嶼（台灣）是因為海洋希望讓我們看見太陽，所以給了人類一個用山堆砌的島嶼，所以海洋、山、島嶼、太陽構成了我們的宇宙觀與信仰～
是人類在世界裡，最被憐愛的一種存在，於是謙卑地活著，是成為人重要的依據～

The Amis people call the ocean riyal. Since ancient times, we have maintained a deep connection with the ocean. Amis mythology describes our ancestors as drifters who were protected by the sea. Our people were also provided fish and fed by the sea; hence there is misacepo (sea festival) in our tradition.
There is a beautiful legend passed down by the elders in my tribe Fata’an: “the ocean gave us an island built by a series of mountains in hopes that we can see the sun.” Thus, our worldview and beliefs consist of the ocean, mountain, island, and the sun. Our very existence in this world shows that we are loved tenderly, and thus knowing that we should live humbly is an essential foundation of being human.


Sasela’an氣息，在阿美族語裡被解釋「呼吸」「氣息」也是「生命」與「休息」之意。
多年前，我想像著千年前的祖先乘著無動力獨木舟勇敢地開始航向未知的世界，於是如今廣大的海洋島嶼分佈著跟我們共同語言與文化的島嶼民族家人們（被稱為南島民族）。
當我開始跨島嶼開始橫渡追尋島嶼故事時，至今仍然不能明確當初的決定，可能這就是島嶼民族的民族性吧，我想～那種未知但卻要航出去的勇氣。
The term, salela’an, can be understood as “breathing” or “breath,” but it also means “life” and “rest.” Many years ago, I imagined the ancestors rode on the canoe (with no auxiliary motor) and bravely voyaged into the unknown world. Therefore, the island families (now being called the Austronesians) who share the same linguistic and cultural patterns traveled and spread throughout the ocean. When I began my island-crossing journey to look for island stories, I didn’t know why I made such a decision (and I still don’t know until this day). I think this is one of the cultural characteristics of the island peoples. I believe this is the kind of bravery in which one voyages forward, despite not knowing what lies ahead.

一路上，我的歌，邊追尋邊紀錄，成為我自己的音樂航海的故事。
索羅門群島、復活節島、巴布亞新幾內亞、毛利、馬達加斯加、東加王國、夏威夷、馬來西亞、菲律賓、印尼，紀錄了我們祖先智慧與胸襟～
My songs documented and sought along the way, becoming my own story as musical navigation. These islands (Solomon Islands, Rapa Nui, Papua New Guinea, Aotearoa, Madagascar, Tonga, Hawaiʻi, Malaysia, the Philippines, and Indonesia) recorded the wisdom and mind of our ancestors.

歌，
是我們的路，不只是航行的故事，包括通向宇宙星辰與土囊到地底的秘密～
Songs are our pathways; rather than stories of navigation. They include the secrets that direct to the universe, stars, earth, and underground.

而海～
一切萬物都包覆在她的美麗的圍裙裡啊～
And as for the ocean, every wonder of the world is covered within her beautiful apron.
甚願海；能嗅出我的體味
在她的圍裙裡得到餵養
願歌，
能夠成為海洋、島嶼、山、太陽、星辰的祝福

I wish the ocean would be able to sense my odor and I would be fed within her apron.
I wish songs would become the blessings of the ocean, islands, mountains, sun and stars.

文/Ado 譯/Tiway

#Ado阿洛saselaan專輯

郵資不足Insufficient Postage - 音樂實驗劇場Music Experimental Theatre

“We are our choices.”
― Jean-Paul Sartre

2018年8月10日，地平線航空（Horizon Air）機械員工29歲理查羅素（ Richard Russell），突然開走一架龐巴迪Dash 8 Q400客機，機上雖然沒有其他乘客，但軍方出動2架F-15戰機想要阻止未果，最後羅素自殺式墜毀在附近華盛頓州科特羅島（Ketron island）上，當場身亡。空中交通管制員要求他降落時，他說：「我不知道。」他補充：「並沒有計劃過怎麼降落。」

飛行是潛藏於人類心底千百年來最深處、最久遠的渴望之一，每人心中皆有一個在如此的夢想。為著飛機離開地面而慶祝後，人才意識到實現夢想原是個旅程，而起飛只是個起點。怎樣在繼續空中停留，怎樣回到地面，怎樣抵抗現實的地心吸力，種種的現實問題，在離開地面後才會意識到。站在飛機殘骸前，只有自己才知道，這一切是否值得。

話梅鹿樂隊的第三張專輯"Insuffiient Postage"，以是次事故作啟發，創作出三首純音樂，兩首不同語言的歌與兩段環境聲效。音樂本身可以表達的內容有限，需要更多藝術媒介與觀眾溝通，將各種不同範疇藝術結合而成一個完整的演出。科技作為引線，由音樂穿針。包括但不限於互動戲劇，音樂，裝置藝術，Audiovisual art 等元素，將意志、選擇、個人責任發現自我和生命的意義的意念，以藝術方式跟觀眾作對話。

地點：MOM LiveHouse
日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉
完整陣容：

話梅鹿
Just a broken machine
周漢寧

日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

直播頻道：
YouTube: 話梅鹿 https://www.youtube.com/user/PruneDeer/featured
Facebook: 話梅鹿 https://www.facebook.com/PruneDeer/
Facebook: MusicSurveillance https://www.facebook.com/MusicSurveillance/

贊助支持方法
香港地區：Payme ( QR code 或 https://payme.hsbc/insufficientpostage)
其他地區：https://www.paypal.me/naturehin

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉

關於媒體伙伴Music Surveillance
Vic Shing is a photographer capturing Hong Kong’s independent live music performances. Since 2009, he has been shooting and documenting the changes and continuity in the indie music scene in Hong Kong under the moniker Music Surveillance, tirelessly and relentlessly chronicling gigs and performances in the city. The name Music Surveillance refers to how the cameras are arranged like CCTVs before each show, with Vic Shing oscillating between filming in a fixed location and darting back and forth the venue. Vic Shing does not discriminate between music genres—he’s at every show that interests him. The photographs and video recordings of these shows are uploaded onto the Music Surveillance Facebook, Instagram, and Youtube pages, with almost daily updates.

關於六合文化
六合文化(香港) 認為人人享有接觸文化藝術的權利，希望將香港建立成一個充滿動力和多元化的文化藝術都市。致力於支持新一代創意人才，持續進行獨立創作，孵化文化產業新網絡，並搭建進軍國際的專業平台。匯聚國際及兩岸四地創意先驅，打破地域界限，融合社區 ，傳承創作經驗，期望連結多元社群，以創新的視野和態度，改善社區，為公民社會拓展空間。一直透過藝術培養人的文化修養，充權，讓人能夠掌握和面對社會的轉變。以促進藝術整體發展，造就多樣化及多元化藝術環境的信念，開拓藝術家的發展空間。