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[爆卦]Implies是什麼？優點缺點精華區懶人包

雖然這篇Implies鄉民發文沒有被收入到精華區：在Implies這個話題中，我們另外找到其它相關的精選爆讚文章

在 implies產品中有170篇Facebook貼文，粉絲數超過3萬的網紅無待堂，也在其Facebook貼文中提到， Hong Kong’s colonial-era sedition laws are back...

　同時也有54部Youtube影片，追蹤數超過2萬的網紅Handline Fishing，也在其Youtube影片中提到，轉位多，代表魚獲多? 今日有答案 | 香港釣魚 | 艇釣 | 維港東 {粵語旁白+中英文字幕} Changing more implies catching more? | [Hong Kong HK Fishing : BoatGame] Victoria Harbour East {Voice...

「implies」的推薦目錄

implies 在 A. Instagram 的最讚貼文

2021-09-24 09:39:37

琵琶の音／付け襟 Sound Placket 手繪設計的花卉刺繡和精緻蕾絲製成的領襟。 立領和軛型的設計營造出古典氛圍。 從後方精緻的鈕扣打開並以兩根細絲帶繫住。 ＊用魚腥草和淺色墨水天然植物染色製成，呈現出古色古香的白色。 ー 日本製造 ー GASA * by Mie Igarashi ...

  • 無待堂

    implies 在 無待堂 Facebook 的最讚貼文

    2021-09-06 16:44:45
    有 26 人按讚

    Hong Kong’s colonial-era sedition laws are back

  • Milton Goh Blog and Sermon Notes

    implies 在 Milton Goh Blog and Sermon Notes Facebook 的最佳貼文

    2021-09-01 20:11:25
    有 209 人按讚

    God Has Good Plans for your Life

    “A man’s heart plans his course, but Yahweh directs his steps.” (Proverbs‬ ‭16:9‬ ‭WEB‬‬)

    People like to plan out their lives, and even assume about things decades from the current time.

    However, in the verse above, we see that while man plans his course (a trajectory of days, months, and years ahead), the Lord directs his steps, which implies a much shorter timeframe—like a day by day pace.

    The truth is, we do not even know what will happen to us a few minutes from now. We can only live one step at a time.

    God’s word is a lamp to our feet, showing us the immediate way ahead, but not the whole road.

    In this mortal lifetime, there will always be a need for faith.

    As Jesus said, each day has enough worries of its own. You were not made to live in stress over your future.

    As a child of God, you have a Heavenly Father who loves you. He feeds the birds of the air, and not one of them falls to the ground without His knowledge. He even numbers the hairs on your head.

    The God who personally knows all the stars by name, is also concerned when you are heartbroken. So much power and responsibility, and yet He does not dismiss the trivial details in our lives.

    Life never turns out exactly as we think it will, but we can trust that all the things that happen to us will work together for good. God makes everything beautiful in its time, and that includes your life!

    “God’s Appointed Time” is about His system of times and seasons—the method by which He plans every purpose under Heaven. Flow with God’s way of doing things and you will enjoy restful increase and be like a tree that produces good fruits in its season: https://bit.ly/god-appointed-time

  • 林郁晉- Yu Jun LIN

    implies 在 林郁晉- Yu Jun LIN Facebook 的最讚貼文

    2021-08-07 21:49:30
    有 10 人按讚

    《 #籠罩下的巨大哀愁 》
    正式開展啦～
    歡迎各位到台北當代藝術館

    /
    詳細資訊｜https://reurl.cc/bXy09v

    ________________________________________________

    A Dark Cloud of Sorrow Looms Over

    by Yu-Jun LIN

    Late mornings and sleepless nights. Frustration. Anxiety.

    They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

    In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

    However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

    Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

    A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

    Zheng Er Qi | People
    “People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

    Chung Chih Ting｜I Am by Your Side
    With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

    Wu Bo Sian | Chimps with Mona Lisa’s Smile
    In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

    Wang Ding Yeh | One-One
    “One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

    Tsai Jie | When the Dust Settles
    “When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

    Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
    Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

    Wong Shu Lian | I found myself floating and sinking down once in a while
    The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

    Chen Chia Jen | SWEETWATER
    “SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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    《籠罩下的巨大哀愁》展覽資訊
    展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
    展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
    播映時間｜ Mon. ─ Sun. 16:00-21:00

    特別感謝｜ 贊助單位
    厭世會社 @mis.society

    #王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
    #MisanthropeSociety厭世會社
    #厭世會社

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