本季的筆墨見真章，照例地，策展人依書法從古到今發展的歷程，為觀眾挑選了多件不同時代的名家精品（展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html），期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞：
　　此帖行草書兩行：「大道久不下，豈先未然耶。」拖尾有趙孟頫（1254-1322）至元丁亥年（1287）跋：「龍跳天門，虎臥鳳閣。」此帖筆畫腴潤圓柔，第一行「大」字到「下」字，連筆而書，最後一字「耶」的末筆拉長，收筆加粗，成彎弧狀。由於王羲之（303-361）沒有這類書法風格的作品 傳世，故多數論者認為可能是米芾（1052-1108）的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html

本季的筆墨見真章，照例地，策展人依書法從古到今發展的歷程，為觀眾挑選了多件不同時代的名家精品（展件清單請看這 👉https://theme.npm.edu.tw/exh109/calligraphy10907/ch/page-3.html），期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞：
　　此帖行草書兩行：「大道久不下，豈先未然耶。」拖尾有趙孟頫（1254-1322）至元丁亥年（1287）跋：「龍跳天門，虎臥鳳閣。」此帖筆畫腴潤圓柔，第一行「大」字到「下」字，連筆而書，最後一字「耶」的末筆拉長，收筆加粗，成彎弧狀。由於王羲之（303-361）沒有這類書法風格的作品 傳世，故多數論者認為可能是米芾（1052-1108）的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
*************************
🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html

Workers leaping off buildings, murderous rampages in kindergartens, desperate residents setting themselves on fire... as the shocking events fill the headlines, China must confront the widening gap between its haves and its have-nots.

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#China #SherryLee #RePost #GoToCommonWealthNow