#Opinion by Andy Ho｜"This is a diplomatic roundabout way to tell the Secretary to get lost. The pro-democracy movement may have been squashed but Hong Kong has remained a political powder keg. Sit should have known better than hurling an open advice at the utility operator without a clue on enforcement and the security risks it entails."

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The anchovies at Artemis & Apollo are so pristine and artful that you may become part anchovy yourself 🐟

//Universities have turned into battlegrounds. Protesters are hurling Molotov cocktails at the police, but they appear to retain a strong measure of support from the population...//

and WHY?

#冇人想見到暴力
#邊個冇處理好問題

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訂閱: https://www.youtube.com/channel/UC8vabPSRIBpwSJEMAPCnzVQ?sub_confirmation=1

鬼故事: https://www.youtube.com/watch?v=H4rmkFI1ik0&list=PLglqLngY6gv5BCwaoP-q6DOwUmw1lIusF

我最高觀看次數的影片 (我為何不再拍暗網? 只說一次): https://www.youtube.com/watch?v=jbihKaqEEQw&t=127s

曼德拉效應: https://www.youtube.com/watch?v=OMutzRIE_uE&list=PLglqLngY6gv5BCwaoP-q6DOwUmw1lIusF&index=17&t=5s

我的100K成長故事: https://www.youtube.com/watch?v=Kdhtp6A6YJE

破解Kate yup事件是假的! 不是綁架! 不要被騙! (Facebook上的證據): https://www.youtube.com/watch?v=2NJVt56ORWo&t=2s

日本最殘酷的直播節目: https://www.youtube.com/watch?v=7E81OKVX7wc

網上最可怕的一個字 (Ft. HenHen TV): https://www.youtube.com/watch?v=tLedkSHc7Os&t=145s

明天6月21號才是世界末日?| 2020 瑪雅曆法預言&恐懼傳染的生理學

古代文明裡面人祭儀式: 即是把人殺死然後來祭祉神靈是合法文化傳統.大多數用來進行人祭的會是戰俘或小朋友.
前哥倫布時期文明‘瑪雅人’ 相信小孩的血是送給神最寶貴的禮物.
雖然這種行為在我們現代人眼中是殘暴, 但相比同期的 ‘阿茲台克人’ 瑪雅相對心靈上發達, 更對人的意識有一定的理解. 預算到4000年後的2012年12月21號會是世界一個終結. 但近期甚至Forbes也指出, 當時2012年的計法是計錯的. 真正世界末日應該是2020年6月21日這一段時間.

大家好又是我暗網仔,今天是不是就是大家需跟家人朋友道別的一天呢?

你心目中的世界末日會是怎樣: 洪水, 冰河, 還是核戰? 古文明眼中的末日應該很不同.

對比今天用的格里曆, 瑪雅計算日期用這個長-中美洲舊曆, 寫法上長很多.
1969年7月20號(July 20 1969) 如果在瑪雅古代會寫成: 12.17.15.17.0
左邊的12代表跟日曆開始啟用的年份3114 BC. 隔了12個baktun, 即是瑪雅語言的12個週期. 而每一個週期總共長達144,000日.
舊曆完結的: 13.0.0.0.0就是大家當時所認為的2012年12月21日.

最近就有位年輕科學家Paolo Tagaloguin在social media發了一個post解釋當時大家用現今的格里曆去計算“2012年” 是錯的. 因為那個是我們現代人的2012年.
如果我們跟據由Julius Caesar創立的儒略曆去計, 是相差了8年那麼多. 所以用舊歷去看的話今年我們的2020年6月21號才是瑪雅所預言的 “2012年” 13.0.0.0.0終結之年.

維基百科- “a number of human sacrifice methods were employed: most common decapitation and heart extraction. Additional included shooting the victim with arrows, hurling sacrifices into a deep sinkhole, entombing alive, tying the sacrifice into a ball and then used for a ballgame, and disembowlment.

其實瑪雅人從來都沒有描述過日曆的終結會是怎麼樣子. 沒有傳遞過什麼太陽爆炸?彗星撞地球? 我們是如何聯想到 “世界末日” ? 事實上瑪雅從來沒有說明.
“2012世界末日’ 可以說是1995年現代人互聯網的發明. 更是人類心理恐懼的一種傳染.
1995年這位Nancy Lieder 自稱被來自Zeta Reticuli星系的外星人抓走過, 就開始在網上宣揚我們太陽系的角落位有一個比地球大5倍的Nibiru或 ‘X星球’ 將於2003年近地球導致地球極移而會引致大量死傷.

2003年當然沒有發生到, Nibiru就被安排到跟2012年瑪雅日曆連埋一起, 等如就是2012世界末日. “Doomsday’ 名義下出了多部電視, 電影能賺錢的作品.
“If the maya could predict the end of the world 1000 years in advance, why couldn’t they see the pending collapse of their own civilization?”
其實瑪雅長-中美洲舊曆13.0.0.0.0的結束後只是瑪雅人ching為 ‘捷豹時代’ 或 ‘the fourth sun’ 的一個結束. 一個新歷亦會重新開始.
在當時瑪雅長老的miu suet中, 世界會進行一個思想和心靈上的進化, 我們網上可以找到mayanism的資料跟new age(人類靈和意識進化) 這個思維極為相似.

其實幾天前年輕科學家Paolo Tagaloguin已經刪除之前Social media那個post説自己計儒略曆和我們格里曆的差別不是8年那麼多, 而只是差11天. 總結就是2012尾瑪雅的13.0.0.0.0日曆結束已經發生了.
但網上各大討論繼續針對世界末日. 某程度可以說因為 “末日” 跟今年的氣氛很合適.
通常到這個位我也會blame互聯網或討論區或social media造成這個現象. 但其實傳染恐懼的生理學是人身體上yu sun keuy louy的東西.

你知道動物世界入面當蜜蜂或螞蟻受到一些攻擊時他們身體會發出一些信息素警告身邊的同類有危險. 之後 (scientist did an experiment with humans where they took 2 people’s sweat. One was someone running on a treadmill, the other was someone’s sweat from the 1st time they went skydiving. Then had someone sniff both the sweat. The treadmill one: nothing. But smelling the skydiving the fear and anxiety, it triggered that persons 的杏仁果. 這樣東西是直接影響人的EQ的.

Why does that affect us so much? Because inherently humans want to follow and belong to the groups So no matter what, end of the world or even human sacrifice, the masses feelings even in terms of 生理influences everyone in that area.

明天就是世界未日? | 暗網仔

明天2020年6月21就是世界未日?

明天6月21是世界未日

[新預言] 明天就是世界未日 | 暗網仔

24小時後是世界未日 | 瑪雅預言

The global outbreak of novel coronavirus has shaken up the world and many of us are being forced to let go of the life we are familiar with. Those who are infected with the virus were first treated as victims, but now they are considered as victimizers, a threat to others, and are feeling unnecessary indignity and distress in the process.

Not knowing who is infected, including ourselves, creates and spreads fears that lead to bigotry and discrimination pitting one community or one nation against the other. Fears that the whole nation may be put in a state of chaos and paralysis are causing all sorts of social disruptions such as hoarding facial masks and other supplies or the rise in racist sentiment including hurling abuses and refusing entry to restaurants and public facilities. Fear, hatred, and cruelty of human beings seem more terrifying than the virus itself. That is why I strongly believe that it is necessary to remain calm, get facts right, and reach out and help each other.

We and the supporters in China discussed and decided to create a song for Chinese people living in anxiety and fear, and I immediately started to work on a piece, hoping to help in whatever way possible. The work is now finished and we decided to distribute it for free in China. And this music and video is now available for streaming in other countries as well.

In the process of creating this piece of music I recognize that this is a song for not only Chinese people but also Japanese and all the people around the world who are fighting the threat of COVID-19.

There is only so much what music can do, but I believe that many of us find solace in music. As I wrote in the lyrics to this song, I truly hope that when the outbreak winds down and normalcy is restored even if we are not totally unscathed, we will be able to laugh about it with our families and friends. Until then, we are going to hang in there.


Yojiro



世界的な流行をみせる新型コロナウィルスの流行にともない、多くの人が普段とは違う生活を強いられています。本来「被害者」であるはずの感染者は、いつのまにか「加害者」へと見られ方を変え窮屈な想いをしながら日々を生活しています。どこに感染者がいるか分からない、自分が感染しているかもしれないという恐怖が伝播し、それは地域単位、国単位の差別的な偏見をも助長させます。社会機能の麻痺や混乱が来る恐れから、あらゆる歪みも生じてきています。マスク、生活用品の買い占め、特定の人種への迫害、心ない言葉、飲食店や公共施設などへの立ち入り拒否。ウィルスよりも恐ろしいのは人間の恐怖心や憎悪、冷酷さなのかもしれません。こんな時こそ冷静な判断、情報収集、そして手を取り合う心が必要なのではと強く感じます。
　今回、中国でお世話になっている方々から「中国で不安な生活を送る人たちを励ます曲を作ってはもらえませんか」と提案を受けました。ぜひ力になれるのならばと、急いで楽曲の制作に入りました。そして今回完成にこぎつけることができ、無料で中国内の皆さんへ配信することを決めました。
　曲を作りながら、これは中国の方に向けたものであると同時に日本、そして世界中でウィルスの脅威と闘うすべての人に向けた曲だと感じました。そして今回、他の国々でのストリーミングと映像の公開もできることになりました。
　音楽にできることはとても小さいです。でも時にその小ささに救われることもあるのではと、僕は思っています。歌詞の中でも書きました。この事態が無事終息し、無傷ではなくとも平穏な日々が戻ってきた時には「あの時は本当どうなるかと思ったね」と笑いながら皆大事な家族や友と話ができたらいいなと心から願っています。その時まで、皆で頑張り抜きたいです。


洋次郎





■Lyrics
English
https://radwimps.jp/lightthelight/lyrics/en/
Japanese
https://radwimps.jp/lightthelight/lyrics/
Chinese
https://radwimps.jp/lightthelight/lyrics/cn/

■Music streaming
https://linkco.re/1ErEycQ1




Alive Painting : Akiko Nakayama

Director : Daisuke Shimada
Assistant Director : Mizuki Jin
Cinematographer : Yuki Nakamura（Gonshiro）
D.I.T : Yosuke Tominaga（Gonshiro）
Lighting : Osamu Yamamori
Producer : Koji Takayama

Disclaimer: I Will Not Be Responsible For Any Epileptic Fits Or Any Other Negative Bodily Harm, Resulting From Watching This Video-Clip. Thank You For Understanding.
collection of me pix in stomach-hurling 8.17MB-motion
Music: Cross The Tracks (We Better Go Back) by Maceo & The Macks - from the soundtrack of "Snatch"