書畫例行展〔筆墨見真章〕2020年第4季全新展件和大家見面！
Revelatory Brushwork: A Guided Journey Through the NPM's Collection of Chinese Calligraphy
【明 文徵明 書蘭亭敘(卷)】Preface to the Orchid Pavilion, Wen Zhengming (1470-1559), Ming dynasty
🔽關於文徵明
文徵明（1470-1559），江蘇長洲人。本名壁，字徵明，以字行，別號停雲生、衡山居士。詩文書畫俱工，亦精鑑藏。
Wen Zhengming (1470-1559) was a native of Changzhou in Jiangsu province. His given name was Bi, and he had the sobriquets He Who Stops the Clouds (Tingyunsheng) and the Recluse of Mount Heng (Hengshan Jushi), but he typically went by his style name, Zhengming. In addition to being an accomplished poet, prosaist, calligrapher, and painter, Wen was also an erudite connoisseur of the arts.
🔽書法賞析：
文氏好寫〈蘭亭敘〉，本卷末自題書於八十九歲。用筆、結字和章法與傳世王羲之（303-361）書〈蘭亭敘〉多不相同，應是意臨之作。筆法內斂含蓄，間架縝密，筆意連綿貫串處，極為自然生動。
Wen Zhengming was fond of making copies of the "Preface to the Orchid Pavilion." In his inscription on the tail end of this scroll, he noted that he was eighty-nine years of age at the time of writing. Wen's brushwork, the structures of the characters, and the overall composition markedly differ from the received version of the "Preface to the Orchard Pavilion" in Wang Xizhi's (303-361) hand, indicating that Wen was making a study of the spirit of Wang's writing, rather than its technical particulars. Here the brushwork is understated and reserved, allowing for finely-structured characters. The many places where brush strokes flow one into the other give the scroll an outstanding sense of natural movement.
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🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10909/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10909/en/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh109/calligraphy10909/jp/page-1.html

現正展出的 #攬勝—近現代實景山水畫展 有個「盧山真面目」單元，這次特別展出【明 沈周 畫廬山高】，歡迎朋友們一起來欣賞這件氣勢磅礡的國寶級畫作！
【Lofty Mount Lu 】Shen Zhou (1427-1509), Ming dynasty
形式：軸，193.8 x 98.1 cm
國寶級 National Treasure
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畫作賞析：
沈周（1427-1509），字啟南，號石田，長洲（今江蘇蘇州）人，為明四家之首。
本幅作於成化三年（1467），為慶賀其師陳寬七十大壽而作，藉山之崇高象徵老師的德行。沈周取法元代王蒙（1308-1385）的風格，以乾筆層疊皴擦，讓全畫氣勢連貫。前景一人仰望瀑流，應是據李白〈望廬山瀑布〉的詩意創作。畫中棧道，不知何據，與廬山實際樣貌應無涉。
Shen Zhou (style name Qi'nan, sobriquet Shitian) was a native of Changzhou (modern Suzhou) and considered head of the Four Ming Masters.
This painting, dated to 1467, was done to celebrate the seventieth birthday of Shen Zhou's teacher, Chen Kuan. Shen used the great height of the mountain as a metaphor for the lofty virtue of his teacher. He also adopted the style of the Yuan dynasty artist Wang Meng (1308-1385) to create layers of dry brushwork that form the texture rubbing, giving the work as a whole a feeling of continuous momentum. In the foreground below stands a figure gazing up at the cascade, a scene perhaps inspired by the poem "Gazing at a Waterfall at Mount Lu" by the famous Tang dynasty poet Li Bai (701-762). However, it is unknown why Shen depicted the plank bridge in this painting, for it is unrelated to the actual environs at Mount Lu.
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攬勝—近現代實景山水畫展（展期：2020/07/10 ~ 09/23）
Embracing Sites/Sights: Scenic Landscape Painting in Modern Chinese Art (Dates: 10 JULY 2020 ~ 23 SEP 2020)
中文：https://theme.npm.edu.tw/exh109/EmbracingSites/index.html
English: https://theme.npm.edu.tw/exh109/EmbracingSites/en/page-1.html
日本語：https://theme.npm.edu.tw/exh109/EmbracingSites/jp/page-1.html

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