[關於反芻動物全身麻醉的風險，反芻動物中，全身麻醉的弊大於利。] 有興趣的朋友可以多了解一下喔! (中文翻譯的部分為Google翻譯的，能夠閱讀英文的朋友建議看原文會比較清楚喔)
還有很多很多相關的學術發表，就不貼那麼多出來啦!

Cooper結紮的日期是4月26日，他現在很健康很調皮。

(德叔真的超級超級愛看這些學術發表的文章，但是我還是相信醫生的專業。)

https://www.researchgate.net/publication/334673867_The_Use_of_Epidural_Anaesthesia_over_General_Anaesthesia_in_Ruminants
全身麻醉是現代醫學的重要組成部分。它是一種藥物誘導的可逆病症，包括特定的行為和生理特徵，包括無意識、健忘症、鎮痛和運動不能——伴隨自主神經、心血管、呼吸和體溫調節系統的穩定性。
[反芻動物全身麻醉具有內在風險，如瘤胃內容物反流、唾液分泌過多和肺部誤吸的可能性；因此並不總是推薦使用本地或區域技術。硬膜外麻醉是一種中樞神經阻滯技術，經常用於獸醫實踐中，用於治療家畜會陰、骶骨、腰椎和尾椎部位的不同產科和外科手術干擾。關於在反芻動物和其他物種的各種外科和實驗室程序中使用硬膜外麻醉的科學研究已經有幾項。總之，全身麻醉的弊大於利，特別是在反芻動物中。因此，硬膜外麻醉是首選。

General anaesthesia is an essential component of modern medicine. It is a drug induced reversible condition that includes specific behavioral and physiological traits unconsciousness, amnesia, analgesia, and akinesia- with concomitant stability of the autonomic, cardiovascular, respiratory, and thermoregulatory systems.
[General anesthesia in ruminants has inherent risks such as regurgitation of ruminal contents, excessive salivation and the possibility of pulmonary aspiration; therefore it is not always recommended and local or regional techniques may be used instead. Epidural anaesthesia is a central neuraxial block technique which is used regularly in veterinary practice for treatment of different obstetrical and surgical interferences in the perineal, sacral, lumbar, and caudal parts of the thoracic region of domestic animals. There have been several scientific researches on the use of epidural anesthesia in ruminants and other species for various surgical and laboratory procedures. In conclusion, the disadvantages of general anaesthesia outweigh the advantages especially in ruminant specie. Therefore, epidural anaesthesia is the most preferred.

https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118886700.ch1
瘤胃鼓脹、腹脹、反流和吸入性肺炎是與家畜全身麻醉相關的常見問題，應通過適當的預防措施和必要的麻醉前考慮來預見和解決。家畜在麻醉期間可能會出現胃內容物反流和誤吸，尤其是未禁食的動物。反芻動物在麻醉期間通常會大量分泌唾液。惡性高熱的觸發因素包括壓力（例如興奮、運輸或麻醉前處理）、鹵化吸入麻醉劑（例如氟烷、異氟烷、七氟烷和地氟烷）和去極化神經肌肉阻滯藥物（例如琥珀膽鹼）。同樣，氟烷似乎是豬惡性高熱的最有效和最常見的觸發因素。麻醉前禁食可能不能完全防止反流，但會減少瘤胃內容物中的固體物質數量。獸醫應將這些知識與適當的麻醉前準備和適當的圍手術期管理相結合，以確保這些動物的麻醉成功。
Ruminal tympany, bloat, regurgitation, and aspiration pneumonia are common problems associated with general anesthesia in farm animal species that should be anticipated and addressed with proper precautions and the necessary preanesthetic considerations. Regurgitation and aspiration of stomach content can occur in farm animal species during anesthesia, especially in nonfasted animals. Ruminants normally salivate profusely during anesthesia. The triggering agents of malignant hyperthermia include stress (e.g., excitement, transportation, or preanesthetic handling), halogenated inhalation anesthetics (e.g., halothane, isoflurane, sevoflurane, and desflurane), and depolarizing neuro-muscular blocking drugs (e.g., succinylcholine). Similarly, halothane appears to be the most potent and most frequently reported trigger of malignant hyperthermia in pigs. Preanesthetic fasting may not completely prevent regurgitation, but it will decrease the amount of solid matter in the rumen content. Veterinarians should incorporate the knowledge with proper preanesthetic preparations and appropriate perioperative management to ensure successful outcome of anesthesia in these animals.

身體是最直接, 最持續的狀態;
夢想也是無意識的,
但作為一群影象,
它缺乏身體的即時性和連續性.
"The body is the unconscious in its most immediate and continuous form; the dream is also the unconscious, though as a body of images it lacks both the immediacy and continuity of the physical body.

無意識本身是不可知的;
它是從自發或非自願的身體運動和夢想中推斷出來的現實.
最終, 我們可能會把身體運動或夢想狀態視為一種不知不覺的表現,
而是一種在我們身上和我們內心運作的意識.
當然, 很多人相信,
我們現在認為的無意識相當於神的傳統概念,
即內心無所不知的存在.
同樣, 我談論索菲亞或聖母,
因為她們是與上帝女性一面相關的神聖女性生物.
通過把它們定位在潛意識中,
我從沒有到內心沿著神的道路,
這就是意識運動本身的特點.
此外, 我建議, 我們現在稱之為無意識的
是心理現實中一種只是在地下太久的意識.
在煉金術中, 有deus absconditus (男性)的概念, 隱藏的神.
但是無意識的還包括dea abscondita, 黑色麥當娜,
她選擇隱藏自己, 以保護人類免受殺害她的毀滅性後果.
The unconscious per se is unknowable; it is a reality that is inferred from such things as spontaneous or involuntary body movement and dreams. Ultimately we may come to think of body movement or the dreaming state as a manifestation not of unconsciousness, but as a consciousness that operates upon us and within us. Certainly there are many who believe that what we now think of as the unconscious is equivalent to the traditional concept of God as an unsleeping Being within, an omniscient inner presence. Similarly, I speak of Sophia or of the Virgin because they are divine womanly beings associated with the feminine side of God. By locating them in the unconscious I am following the path of God from without to within, the path that characterizes the movement of consciousness itself. Moreover, I am suggesting that what we now call the unconscious is in psychological reality a consciousness that has simply been underground for too long. In alchemy there is the concept of the deus absconditus (male), the hidden god in matter. But the unconscious also includes the dea abscondita, the Black Madonna, the goddess who has chosen to hide herself in order to protect humanity from the devastating consequences of killing her.

現代社會, 遠遠超過我們所知, 是尼採宣言′′上帝死了′′的後代.
他沒有死, 女神也沒有死. 他們只是躲藏起來.
他們的藏身處是潛意識.
當他們不再需要躲起來保護人免遭摧毀他們來摧毀自己時,
他們, 神和女神將再次出現.
當他們這樣做時, 我們會看到昏迷的事實:
上帝對他的創造的意識, 包括身體的意識.
那個運動尼採認同了狄奧尼索斯.
Modern society, far more than we realize, is the offspring of Nietzsche's declaration, "God is dead." He is not dead, nor is the Goddess. They are merely hiding. Their hiding place is the unconscious. When it is no longer necessary for them to hide in order to protect man from destroying himself by destroying them, they, God and Goddess together, will re-emerge. And when they do we will see the unconscious for what it is: God's consciousness of his creation which includes the body's consciousness of itself. That movement Nietzsche identified with Dionysus.
上帝的歸來是人類最古老的期望之一.
每一個世界宗教都在為他的回歸做準備.
每個宗教仍然在等待它. 這種期望意味著甚麼?
我們已經認識上帝的外向表現,
透過他的法律, 命令, 他的話語. 這是標誌, 上帝的男性一面.
我們在第二次到來時等待的是我們所缺少的:
上帝的內心動力或過程.
這位神的創造力而不是他的創造力是女性的本質,
傳統上在古代的奧秘中頒布.
因此, 歸來是神女性一面的出現,
幾百年來, 我們稱之為無意識的人逐漸成形.
現在是時候了, 我們可以創造性地處理上帝作為對立的結合的概念, 因此看到女性不再通過男性玻璃暗黑,
而是面對面面對卓越的臉."
The return of God is one of the most ancient expectations of the human race. Every world religion has presented itself as preparing for his return. Every religion still awaits it. What does this expectation imply? We already know God in his outward manifestation, by his laws, his commands, his word. That is the Logos, the masculine side of God. What we await in the Second Coming is what we lack: God's inner dynamic or process. This God in his creativeness rather than in his creation is the essence of the feminine, traditionally enacted in the ancient Mysteries. The return is therefore the emergence of the feminine side of God, which has been gradually taking shape for centuries in what we call the unconscious. The time has now come when we can deal creatively with the concept of God as the union of opposites, and therefore see the feminine no longer darkly through a masculine glass, but face to androgynous face."

~瑪麗昂·伍德曼,
沈迷於完美:
仍然無力的新娘
~Marion Woodman,
Addiction to Perfection:
The Still Unravished Bride

藝人高以翔Godfrey於2019年錄製綜藝《追我吧》時不幸猝逝，
享年35歲。

今天是他過世滿一年的日子，
世界各地的粉絲與朋友們紛紛以自己的方式，
來緬懷這位低調又努力的好演員。

從前英模班的學姊 @iwanttokeepashiba 整理了單字要分享給大家，
希望大家在認真學習之餘，
也要好好珍惜身邊的人，
珍惜每一段緣分。
—————————————————————
🕯 reality television (n.) 真人秀
🕯 chase (v.)追趕、追捕
🕯 pass out (phr.) 昏倒
🕯 pass away (phr.) 過世
🕯 Cardiopulmonary Resuscitation (n.) 心肺復甦術（CPR)
🕯 Automatic External Defibrillator (n.) 自動體外心臟去顫器（AED）
—> defibrillation (n.) 去顫
🕯 unconsciousness (n.) 失去意識
🕯 cardiac arrest (n.) 心臟(搏)停止
🕯 sudden cardiac death (n.) 心臟性猝死
🕯 untimely demise (n.) 英年早逝
🕯 death anniversary (n.) 忌日
🕯 funeral parlour (n.) 葬儀社
🕯 funeral hall (n.) 殯儀館
🕯 condolence (n.) 弔唁、哀悼
🕯 mourn (v.)哀悼，悲傷
🕯 commemorate (v.) 紀念，緬懷
🕯 bow (v.) 鞠躬；點頭致意
🕯 vigil (n.)守夜
🕯 wreath (n.) 花圈
🕯 paper crane (n.) 紙鶴
🕯 guest book (n.) (賓客)簽名簿
🕯 deadee/ portrait of the deceased (n.) 遺像

有哪些和Godfrey名字一樣，
是g開頭而且帶著正向意涵的形容詞呢？
👼🏻 genuine (a.) 真誠的
👼🏻 generous (a.) 慷慨的、大方的
👼🏻 gracious (a.) 和藹的、有禮貌的
👼🏻 graceful (a.) 優雅的
👼🏻 glamorous (a.) 有魅力的
👼🏻 gallant (a.) 英勇的、無畏的
👼🏻 gentle (a.) 和善的；有教養的
👼🏻 genial (a.) 親切友善的
👼🏻 greathearted (a.) 勇敢的；豪爽的
👼🏻 gifted (a.) 有天賦的
👼🏻 glorious (a.) 輝煌的；榮耀的
👼🏻 grateful (a.) 心存感恩的
————————————————————-
R.I.P. 🙏🏼 Godfrey.
We all remember how great you were.
.
#godfreygao #godfreygao高以翔

About Chatterbox Podcast 👏Book Review👏:
主持人Elise每個月將會挑選一本書，在podcast上簡短介紹並分享心得，與聽眾一起發掘好書！

Have you ever watched "The Hunger Games" movie franchise? Or have you read any dystopian fiction? 1984 by George Orwell is one of the most classic dystopian fiction of all time.

In this episode, we're gonna dive into the world of 1984 and see what's so fascinating yet horrifying about this dystopian social science fiction.
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Quotes mentioned:

"To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which canceled out, knowing them to be contradictory and believing in both of them, to use logic against logic, to repudiate morality while laying claim to it, to believe that democracy was impossible and that the Party was the guardian of democracy, to forget whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again, and above all, to apply the same process to the process itself—that was the ultimate subtlety: consciously to induce unconsciousness, and then once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word—doublethink—involved the use of doublethink."

"If one is to rule and to continue ruling, one must be able to dislocate the sense of reality. For the secret of rulership is to combine a belief in one's own infallibility with the power to learn from past mistakes."

"Those who control the present, control the past, and those who control the past, control the future."
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Music Credits🎵:
Bread (Prod. by Lukrembo)

Manufacturer: 1989 FACE / SANKINDO
System: HuC6280
hardware: pc-engine
Composer: Ako Matsudaira,Kenichi Iwanaga
------------------------------------------------------------
00:00 01.Diamond Rhapsody (ダイヤモンド・ラプソディー)
01:09 02.Diamond Rhapsody (Outro) (ダイヤモンド・ラプソディー/アウトロ)
01:18 03.Welcome!Hany (ようこそ!はにい)
04:20 04.Psychedelic Resolution (サイケデリックレゾリューション)
05:31 05.For the Gloomy Gods (グルーミーな神々に)
07:04 06.Set My Wings on Fire (翼に火をつけて)
09:19 07.Altar of Dreams (夢の祭壇)
11:40 08.Hotsuma's Song (ほつまの歌)
13:34 09.Pavanne for the Sake of the Dark (暗闇のためのパヴァーヌ)
16:24 10.Into Unconsciousness (無意識の中へ)
18:05 11.Toccata (トッカータ)
18:53 12.Hiruko's Dance (ひるこの踊り)
21:43 13.Last Aria (ラスト・アリア)
22:07 14.In a Shallow Dream (あさきゆめみし)
24:51 15.Garden of Light (光の楽園)
25:50 16.The Player's Death (プレーヤーの死)
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Characteristics of Ruri Mito's movement are the body that is fully under control of consciousness and slow movements in which the body metamorphoses at a constant speed.

The class starts from a training to feel and grasp the floor with the whole body. Then, a dance sequence based on Mito's repertoire comes after the training, In the sequence, dancers must be conscious of every movements and control the floor, line, path, and speed. All movements and energies come together and create one flow that is very slow. It is time to deeply concentrate one's body. Looseness or unconsciousness doesn't exist most the time. The body slowly and consistently flows like in the space.