《故宮學術季刊》第三十八卷第一期 出刊！
🔖各卷期全文與摘要：https://www.npm.gov.tw/Article.aspx?sNo=04001543
✳️第三十八卷第一期　
•方令光　〈顏勤禮碑〉、〈顏家廟碑〉真偽考
•陳慧霞　宋元剔犀漆器研究的再省思
•陳韻如　湯垕《畫鑒》與元中期畫史知識的重塑
•余玉琦　警發迷情：晚明畫家鄭重及渡水羅漢畫卷研究
•林桂如　中國講史小說與大坂所刊通俗軍談
✳️Volume 38, Number 1
•Fang, Ling-guang
A Study on the Authenticity of the Yan Qinli Stele and Yan Family Temple Stele
•Chen, Hui-hsia
Reflections on the Study of Tixi Carved Polychrome Lacquerware in the Song and Yuan Dynasties
•Chen, Yun-ru
Tang Hou’s Mirror of Painting and Reshaping Knowledge on Painting History in the Middle Yuan Dynasty
•Yu, Yu-chi
Inspiring and Enlightening: A Study of the Late Ming Artist Zheng Zhong and Handscroll Paintings of Lohans Crossing Water
•Lin, Kuei-ju
Chinese Historical Novels and Popular Military Talks Published in Osaka
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🔰國內：每期新台幣350元；全年四期新台幣1,400元（掛號費另加160元）
🌐國外：每期美金11.5元；全年四期美金46元（郵資請洽https://www.npmshops.com）
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【新歌上架！！】

這是一首和 國立臺灣史前文化博物館 National Museum of Prehistory 及 蓋亞文化 出版的台灣史前奇幻冒險小說「風暴之子」擦出火花的歌曲－〈古老森林的後裔 Grandsons of Ancient Forest〉。
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歌曲以風暴之子的故事情節為發想，用聲音和旋律來打造人們對於這個失落卻無比珍貴的臺灣古文明一卑南文化的情感連結。在三千多年前的部落裡，人們追隨著古老的信仰，彼此相依的在這塊土地上生活著，而這片土地，我們稱呼為「台灣」，你是否也曾聆聽過這片山林，山林裡長眠於此的人們，正在與我們訴說這片土地的美麗故事，而這一切從來就不該被遺忘。
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＊ＮＥＷ ＳＯＮＧ ＲＥＬＥＡＳＥＤ＊
各大平台聆聽 Hear it at Digital Platform：https://snd.click/trt
ps. 部分國際平台因應年末假期會晚點曝光唷：Ｄ
Some platforms during the year-end holiday will postpone the release date 😀 More detailed song information is as follows!
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特別謝謝帶我們了解許多卑南文化的 葉長庚、宜婷、芸甯，難忘那天驅車前往台東參觀卑南文化的遺址、由你們帶領我們翻閱文獻、近距離觀看這些出土文物，聆聽背景文化與故事。卑南文化做為台灣重要的史前文化之一，能有這些轉譯的發想與執行，每個環節都令人興奮，期待越來越多人以新的目光聆聽這些土地蘊藏的美麗故事。

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【歌曲介紹】

Vali，是風的古語，也曾是一名少年與一頭雲豹的名字。狂風暴雨中，一條獨木舟劇烈起伏，卻始終不曾沉沒。船上什麼都沒有，只有一個昏迷的小孩—瓦利。這個在風暴中存活的奇蹟男孩，在踏上海境的土地後，將以風為名，在異族部落裡蛻變重生，開啟屬於他的遠古冒險長征......。
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歌曲內少年歌唱著一段部落長老們流傳的古老旋律，旋律裡唱述著：
Dee ie enssaa dnaaya（半月下的太陽之子）
Ii issee ento ui（靈魂永駐幻化成樹）
Kii inssee essaa libaya（聽，森林的細語唏囌）
io si kenna（唱述大地的美麗故事）
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而歌曲開端則訴說：
Mriya dehita
iude taka emu
Ameyín sáiya
（所有神話的背後都源於一段真實故事）
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主要演奏樂器為Lira de la estela de Luna，是由伊比利半島Luna（月亮）小鎮出土的一座石碑上圖案所復刻出的樂器，中文譯為月亮里拉琴（或稱塔特西里拉琴），該石碑目前存放於西班牙當地Zaragoza博物館，年代距今三千年左右，恰好與卑南文化時期有所重疊。歌曲中點綴著多種原始的傳統樂器，像是以羊趾甲製作而成的 Chajchas、早期以木頭製成的笛子 Quena、會發出下雨聲音的Palo de Lluvia 求雨棒、以種子製成的 Güiro de calabaza seca、跳舞專用的腳鈴 Pad Ghungroo、羊皮手鼓Frame Drum等等，期許用更開闊的聲響，編織出人們對於卑南文化的無限想像。

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【Information about Grandsons of Ancient Forest - Vali Original Soundtrack】

Vali is Taiwan’s first fantasy-adventure novel set in prehistoric times (more precisely, about 3,000 years ago). It is based on the Peinan culture.
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• Plot: The word “vali” means “wind” in an ancient language of Taiwan, and it is also the name of the boy and clouded leopard in the story. During a fierce storm, a canoe is violently tossed about on the water, staying afloat in spite of the tempest. All that is in the canoe is an unconscious boy, whose survival is a miracle and who will later be named after the wind—“Vali.” He ends up living with a tribe that is not his own, transforming, experiencing rebirth, and embarking on a long adventure…
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• About the song: The song, inspired by the plot of Vali, creates a musical and emotional link between listeners and a lost yet incomparably precious ancient civilization of Taiwan—the Peinan culture. Over 3,000 years ago, the inhabitants of a settlement on this island lived and depended on one another while following their religious beliefs. We call this island “Taiwan.” Have you ever listened carefully to its mountain forests and the people who sleep eternally in them? They are telling us the beautiful stories of Taiwan, stories that never should have been forgotten.
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In the song, the boy sings an ancient melody passed down by the village elders, which goes:
Dee ie enssaa dnaaya (Children of the sun, beneath a half moon.)
Ii issee ento ui (Their spirits live eternally in the form of trees.)
Kii inssee essaa libaya (Hear the whispers of the forest,)
io si kenna (singing the beautiful stories of this land.)
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The beginning of the song goes:
Mriya dehita
iude taka emu
Ameyín sáiya
(All myths are based on true stories.)
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The main instrument is Lira de la estela de Luna(Lyre of Luna). It is the recreation of one of the oldest string instruments of the Iberian Peninsula. It was created based on an engraving representing a string instrument similar to an ancient Mediterranean lyre. This engraving is on an anthropomorphic funeral stele dating back three thousand years that was found in the town of Luna (Zaragoza) in 1975. The characteristics of the engraving are very similar to the style of the Tartessian period (10 to 6 B.C.).
Besides, this song is dotted with a variety of original traditional musical instruments, like Chajchas, Quena, Palo de Lluvia, Güiro de calabaza seca, Pad Ghungroo, Frame Drum, etc.

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小說《風暴之子》作者：奇幻作家 葛葉
封面繪師：Nofi
國立臺灣史前文化博物館授權

Yerko Fuenzalida Lorca

故宮學術季刊第三十七卷第四期《皇朝禮器圖式》國際學術研討會　專號Ⅲ
※本專號為2019年8月22日至23日由「中央研究院近代史研究所、國立臺灣大學藝術史研究所與香港中文大學文物館」合辦之《皇朝禮器圖式》國際學術研討會的部分成果。歡迎參閱會議相關報導：http://mingching.sinica.edu.tw/Academic_Detail/780
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•施靜菲　從「器」到「禮」的實踐：乾隆朝《皇朝禮器圖式》中的祭器
•林士鉉　《皇朝禮器圖式》的滿蒙西域西洋等因素探究
•陳慧霞　清代朝珠研究的再省思
•姚進莊　五供與國家祭儀
※賴毓芝　《皇朝禮器圖式》國際學術研討會專號說明
•何炎泉　略談乾隆後期民間藏帖與碑學發展之關係──兼論洛陽體之文化意義
Volume 37, Number 4
•Shih, Ching-fei
Fulfilling “Vessels” to “Rites”: Sacrificial Vessels in the Qianlong Court’s Illustrated Regulations for Ceremonial Paraphernalia of the Imperial Qing Dynasty
•Lin, Shih-hsuan
A Study of the Manchu, Mongolian, Western Region, and European Elements in Illustrated Regulations for Ceremonial Paraphernalia of the Imperial Qing Dynasty
•Chen, Hui-hsia
Further Thoughts on the Study of Qing Dynasty Court Beads
•Yiu, Josh
Wugong and State Rites
※Lai, Yu-chih
Introduction to the Special Editions on Papers Presented at the International Conference on Illustrated Regulations for Ceremonial Paraphernalia of the Imperial Qing Dynasty
•He, Yan-chiuan
An Overview of the Relationship Between the Private Collecting of Calligraphic Model-books and the Development of “Stele Study” During the Late Qianlong Period, Alongside an Examination of the Cultural Implications of the Luoyang Calligraphic Hand

Gravekeeper's Cannonholder × Gravekeeper's Supernaturalist

Decklist:
https://duellinks.konami.net/att/044fb29e91c551f30e23a55379effb9e784afea89c
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Skill: Not Set
Fortune Fairy Hikari ×1
Gravekeeper's Chief ×1
Gravekeeper's Spy ×1
Gravekeeper's Priestess ×1
Gravekeeper's Recruiter ×1
Fortune Lady Past ×1
Gravekeeper's Guard ×1
Gravekeeper's Spear Soldier ×1
Gravekeeper's Assailant ×1
Gravekeeper's Cannonholder ×1
Gravekeeper's Curse ×1
Gravekeeper's Vassal ×1
Gravekeeper's Watcher ×1
Fortune Lady Water ×2
Necrovalley Throne ×1
Fusion Gate ×1
Ice Mirror ×1
A Legendary Ocean ×1
Gravekeeper's Stele ×1
De-Synchro ×3
Cup of Ace ×2

Gravekeeper's Supernaturalist ×3
Ancient Fairy Dragon ×1
Stardust Charge Warrior ×1
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中文版：https://youtu.be/95rBqRwZH4M
日本語版：https://youtu.be/MMYbGO4jdMg

Zuppa di gamberi con latte fresco
Tom yom gong


Ingredienti
400 ml d’acqua
400 ml di latte fresco
4 gamberi
120 gr di funghi
4 steli di citronella
1 pezzo di galangal
5 foglie di lime combava (non c’è nel video)
1 stele di sedano
Succo di limone (2 limoni spremuti)
1 cipolla
4 pezzi di peperoncini piccante
1/2 cucchiaino di sale
2-3 cucchiai la salsa di pesce
1 cucchiaio di knorr polvere
2 cucchiai di chili

心經簡林位於大嶼山，鄰近昂坪，是全球最大戶外木刻佛經群。竹林由38條花梨木柱組成，當中37條刻有《摩訶般若波羅蜜多心經》，沒有刻字的木柱則象徵心經「空」的要義。
Wisdom Path is located in Lantau Island, near to Ngong Ping. It traces a series of 38 wooden steles containing verses from the centuries-old Heart Sutra, a prayer revered by Confucians, Buddhists and Taoists alike. One stele out of 38 is left blank, to represent the concept of “emptiness”, a key theme in the Heart Sutra.

路線分享 ‧【昂坪 Ngong Ping】: http://wp.me/P6CvAS-48X
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Music: 「母守」by 昂-TAKASHI- (from DOVA-SYNDROME: http://dova-s.jp/)
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#大嶼山 #心經簡林 #昂坪 #山野航拍 #Phantom4 #自己垃圾自己帶走