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在 invariably產品中有32篇Facebook貼文，粉絲數超過9萬的網紅夫夫之道Fufuknows，也在其Facebook貼文中提到， 27.⁡⁡⁡⁡⁡⁡⁡ 你的笑總能消除我的不安。⁡ 在你身邊，無時無刻都能微笑。⁡ 就像下過雨後的天空，⁡ 露出燦爛的陽光與彩虹。⁡   Your smile invariably calms me down⁡ I smile whenever I'm beside you⁡ Just li...

　同時也有2部Youtube影片，追蹤數超過209萬的網紅นิทานก่อนนอนสําหรับเด็ก - Thai Fairy Tales for Kids，也在其Youtube影片中提到，เจ้าชายกบ - การ์ตูนเจ้าหญิง - นิทานก่อนนอน - นิทานไทย กรุณาสมัครสมาชิกฟรี: https://goo.gl/8Y9WxM The Frog Prince In the tale, a spoiled princess r...

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invariably 在 Gi | Slow Travel，Slow Fashion Instagram 的最佳貼文

2021-09-03 20:49:18

In a space like social media, it feels like everything that is created is just another rendition of something that was already previously made. Superf...

  • 夫夫之道Fufuknows

    invariably 在 夫夫之道Fufuknows Facebook 的最佳解答

    2021-09-15 18:43:48
    有 364 人按讚

    27.⁡⁡⁡⁡⁡⁡⁡
    你的笑總能消除我的不安。⁡
    在你身邊，無時無刻都能微笑。⁡
    就像下過雨後的天空，⁡
    露出燦爛的陽光與彩虹。⁡ 
    
    Your smile invariably calms me down⁡
    I smile whenever I'm beside you⁡
    Just like the sky after am episode of heavy rain⁡
    The sun comes back along with a rainbow.⁡ 
     
    
    攝於2020.07⁡⁡⁡⁡⁡⁡⁡
    ⁡⁡⁡⁡⁡⁡⁡#生活百閃 #百親計劃 #100kiss⁡⁡⁡⁡⁡⁡⁡

  • 林郁晉- Yu Jun LIN

    invariably 在 林郁晉- Yu Jun LIN Facebook 的精選貼文

    2021-08-07 21:49:30
    有 10 人按讚

    《 #籠罩下的巨大哀愁 》
    正式開展啦～
    歡迎各位到台北當代藝術館

    /
    詳細資訊｜https://reurl.cc/bXy09v

    ________________________________________________

    A Dark Cloud of Sorrow Looms Over

    by Yu-Jun LIN

    Late mornings and sleepless nights. Frustration. Anxiety.

    They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

    In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

    However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

    Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

    A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

    Zheng Er Qi | People
    “People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

    Chung Chih Ting｜I Am by Your Side
    With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

    Wu Bo Sian | Chimps with Mona Lisa’s Smile
    In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

    Wang Ding Yeh | One-One
    “One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

    Tsai Jie | When the Dust Settles
    “When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

    Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
    Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

    Wong Shu Lian | I found myself floating and sinking down once in a while
    The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

    Chen Chia Jen | SWEETWATER
    “SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
    ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

    《籠罩下的巨大哀愁》展覽資訊
    展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
    展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
    播映時間｜ Mon. ─ Sun. 16:00-21:00

    特別感謝｜ 贊助單位
    厭世會社 @mis.society

    #王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
    #MisanthropeSociety厭世會社
    #厭世會社

  • Goodbye HK, Hello UK

    invariably 在 Goodbye HK, Hello UK Facebook 的最佳解答

    2021-07-05 08:15:31
    有 1,666 人按讚

    美國獨立宣言-開國元勳嘅初心

    "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness."
    （我們認為下面這些真理是不證自明的：人人生而平等，造物主賦予他們若干不可剝奪的權利，其中包括生命權、自由權和追求幸福的權利。）

    "That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed,—That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness."
    （為了保障這些權利，人們才在他們之間建立政府，而政府之正當權力，則來自被統治者的同意。任何形式的政府，只要破壞上述目的，人民就有權利改變或廢除它，並建立新政府；新政府賴以奠基的原則，得以組織權力的方式，都要最大可能地增進民眾的安全和幸福。）

    "Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed."
    （的確，從慎重考慮，不應當由於輕微和短暫的原因而改變成立多年的政府。過去的一切經驗也都說明，任何苦難，只要尚能忍受，人類都寧願容忍，而無意廢除他們久已習慣了的政府來恢復自身的權益。）

    "But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security."
    （但是，當政府一貫濫用職權、強取豪奪，一成不變地追逐這一目標，足以證明它旨在把人民置於絕對專制統治之下時，那麼，人民就有權利，也有義務推翻這個政府，並為他們未來的安全建立新的保障。）

    #4thJuly

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