係咪應該有人叫呢班友唔好搞事？

都話最衰係啲負面報導，依家仲要著晒黃衫咁衝出國際，幾唔好呢？

//The company blamed “ongoing negative media reports” for dampening investor confidence, resulting in a further decline in sales in September – usually a strong month for sales in China.//

#要信吖嗎

報導：
《The Guardian》China property giant Evergrande admits debt crisis as protesters besiege HQ
https://www.theguardian.com/world/2021/sep/14/china-property-giant-evergrande-admits-debt-crisis-as-protesters-besiege-hq?CMP=Share_iOSApp_Other
《Daily Mail》China's Lehman Brothers moment? Investors mob HQ of failing Chinese property conglomerate with $300BILLION of debt to demand their money back - amid fears giant company could collapse and hit the world economy
https://www.dailymail.co.uk/news/article-9988581/Protesters-mob-failing-Chinese-property-company-300BILLION-debt-demand-money-back.html#comments

Save this recipe! 🥟
This is the only dumpling filling recipe you’ll ever need that’s quick and easy to make!

[Ingredients]
750g minced meat
1kg round cabbage, shredded thinly
½ cup cooking oil
½ cup shaoxing rice wine
¼ cup sesame oil
¼ cup soy sauce
¼ cup water
1 tbsp salt
1 tbsp white pepper

To assemble, mix all the ingredients until evenly combined. Wrap them with store-bought dumpling wrappers (they are equally as good, we promise) and seal by dampening the edges. Whether boiled or pan-fried, these dumplings are delicious when dipped in black vinegar with thinly sliced fresh ginger!

#RollingGrace

米樂影音 Miro Sound & Vision

Using mid-range absorption is the best way of controlling the room’s reverberation time and higher-order resonances without over dampening its response.
Take a look inside the incredible @Avanpost live room for film audio recording, featuring some of our flagship wooden absorbers! 👌🙏

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Feldman, G. C.,et al.(2008). Responses to positive affect: A self-report measure of rumination and dampening.


この動画は上記の参考資料・このチャンネルおよびニコニコチャンネルの過去動画を元に考察したもので、あくまで一説です。リサーチ協力の鈴木祐さんの論文解説チャンネルはこちら→http://ch.nicovideo.jp/paleo #今なら
#Dラボとオーディオブックが概要欄から無料

📘この動画内で紹介したおすすめ動画・ニコニコ動画は
知識のNetflix【Dラボ】で見放題！
今なら20日間無料→https://daigovideolab.jp/
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続きは
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この動画は、以下の参考文献を元にした、DaiGoの独断と偏見を含む考察により、科学の面白さを伝えるエンターテイメントです。そのため、この動画はあくまでも一説であり、その真偽を確定するものではありません。

より正確な情報が必要な方は参考文献・関連研究をあたるか、信頼できる専門家に相談することをオススメします。

訂正や追加情報があれば、コメントなどに随時追記します。

リサーチ協力 Yu Suzuki http://www.nicovideo.jp/paleo
Feldman, G. C.,et al.(2008). Responses to positive affect: A self-report measure of rumination and dampening. #今なら
#Dラボとオーディオブックが概要欄から無料

[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic markings are messed up because im recording this on panorama mode :(

This song is a rewrite based on my previous IGCSE composition 'The Maze Runner' (https://youtube.com/watch?v=3VpPBgywVzA)!

Reflective Statement:

My initial intention for ‘Haunting’ was to compose for mallet quartet describing my own IB journey. I wanted to experiment with a 5-octave marimba, and was also intrigued by extended ternary form (AABA) in chamber music. I was inspired by the soundtrack from “Legend Of The Wind” by Studio Ghibli, but was also influenced by minimalist music such as “Mallet Quartet” by Steve Reich. A performers note has been included to help clarify the meaning of each section and to convey its meaning.

I began composing this piece on the marimba with the intention of a four-mallet marimba solo due to its wide range. However, I then decided to expand it to a small ensemble so that I could experiment with different textures, timbre and harmonies. As a result, I fragmented the main melody to include more tone colour in the piece. As a percussionist, I was aware of the many unique techniques capable of the marimba and vibraphone, thus I wanted to exploit that and transform my composition by writing in unconventional techniques and notations (such as handle- on-handle and rapid glissandi) and was able to choose more interesting rhythms. I developed my piece by adding an entire section using mainly triplets to create a contrast in rhythm, which helped create a climax.

The outcome of this piece is that I learnt how to develop ideas from fragments of melody, and how to compose a rhythmically challenging piece whilst still maintaining an overall cohesiveness. I also learnt how to compose for a repetitive melody yet still being able to add colour and maintain interest as the piece progresses. As a result, this lead me to discovering many vibraphone techniques I hadn’t learnt prior, such as mallet-dampening and learning how to use the pedal properly!

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