巴黎著名人權和宗教自由律師、學者帕特里夏·杜瓦爾觀察到，當她第一次得知太極門案時，對台灣政府忽視國際批評風險感到驚訝。另一方面，她在法國的經歷告訴她，有時宗教和精神少數派的反對者並沒有考慮到這些風險。杜瓦爾指出，台灣於 2009 年批准並將《公民權利和政治權利國際公約》（ICCPR）和《經濟、社會和文化權利國際公約》（ICESCR）納入其國家法律。這些，正如歐洲人權法院和其他國際司法管轄區所解釋的那樣，包括在稅收和宗教自由決定中，
Patricia Duval, a well-known Paris human rights and religious liberty attorney and scholar, observed that when she first learned of the Tai Ji Men case, she was surprised that the Taiwan government was ignoring the risk of being criticized internationally. On the other hand, her experience in France told her that sometimes opponents of religious and spiritual minorities do not take these risks into account. Duval noted that Taiwan in 2009 ratified and included in its national law the International Covenant on Civil and Political Rights (ICCPR) and the International Covenant on Economic, Social and Cultural Rights (ICESCR). These, as they have been interpreted by the European Court of Human Rights and other international jurisdictions, including in tax and religious liberty decisions, should have been applied to the Tai Ji Men case and led to its solution, but they didn’t.
　
“人權無國界”的聯合創始人兼董事威利·福特（Willy Fautré）表示，台灣是一個民主國家，但沒有一個民主國家是完美的。太極門案讓台灣有機會像照鏡子一樣看到其民主制度的不完善之處。Fautré 說，現在應該立即解決這個問題。
　
Willy Fautré, co-founder and director of Human Rights Without Frontiers, stated that Taiwan is a democracy, but no democracy is perfect. The Tai Ji Men case offers to Taiwan an opportunity to see, as if in a mirror, what is imperfect in its democratic system. It should now be solved, Fautré said, without delay.

https://bitterwinter.org/scholars-discuss-transitional-justice-tai-ji-men-case/

二十一年前，也就是 2000 年，我發表了一篇關於“西歐的道德恐慌和反邪教恐怖主義”的文章。標題是挑釁，我知道會有反應，更是如此，因為這篇文章發表在最權威的恐怖主義學術期刊上，叫做恐怖主義和政治暴力. 我們正處於所謂的“邪教戰爭”之中，一方面，一些政府，特別是法國，正在打擊被貼上“邪教”標籤的團體，與支持這些措施的人之間發生了一場非常激烈的爭論，另一方面，新宗教運動的學者批評他們，聲稱好的“宗教”和壞的“邪教”之間的區別沒有意義。反對者只是將他們不喜歡的任何團體稱為“邪教”。
Twenty-one years ago, in the year 2000, I published an article on “Moral Panics and Anti-Cult Terrorism in Western Europe.” The title was a provocation, and I knew there would be reactions, the more so because the article was published in the most authoritative scholarly journal on terrorism, called Terrorism and Political Violence. We were in the middle of the so-called “cult wars,” a very strong controversy between, on one side, some governments, particularly France, that were cracking down on groups labeled as “cults,” and those who supported these measures, and on the other side scholars of new religious movements who criticized them, and claimed that the distinction between good “religions” and bad “cults” did not make sense. Opponents were simply calling a “cult” any group they did not like.

　
Targeting Tai Ji Men: Why It Is “Violence Based on Belief”
針對太極門：為什麼是“基於信仰的暴力”
https://bitterwinter.org/targeting-tai-ji-men-why-it-is-violence-based-on-belief/

Privacy advocates criticized the CSAM detection tools, which were supposed to arrive alongside OS updates.

UNDISPUTED | Skip Bayless "criticized" LeBron James bad free throw as Lakers fall to Suns Game 1

Everybody knows my name now
But somethin' 'bout it still feels strange
Like lookin' in a mirror, tryna steady yourself
And seein' somebody else
And everything is not the same now
It feels like all our lives have changed
Maybe when I'm older, it'll all calm down
But it's killin' me now
What if you had it all
But nobody to call?
Maybe then you'd know me
'Cause I've had everything
But no one's listening
And that's just f- lonely
I'm so lonely
Lonely
Everybody knows my past now
Like my house was always made of glass
And maybe that's the price you pay
For the money and fame at an early age
And everybody saw me sick
And it felt like no one gave a sh-
They criticized the things I did as an idiot kid
What if you had it all
But nobody to call?
Maybe then you'd know me
'Cause I've had everything
But no one's listening
And that's just f- lonely
I'm so lonely
Lonely
I'm so lonely
Lonely

Instagram: https://www.instagram.com/dw_kid12/

Facebook: https://www.facebook.com/deepwebkid/?modal=admin_todo_tour

訂閱: https://www.youtube.com/channel/UCKC6E5s6CMT5sVBInKBbPDQ?sub_confirmation=1

Spotify: https://open.spotify.com/album/2LjUOH9T9j21GiX8jzytu6
異度空間恐怖APP: https://www.youtube.com/watch?v=6PiyPZ3d_Fw&t=12s

首支單曲: https://www.youtube.com/watch?v=UASHWB6Ai9Y

鬼故事: https://www.youtube.com/watch?v=-CfqxuCHq3Y&t=3s

我的成長故事: https://www.youtube.com/watch?v=Kdhtp6A6YJE

我講 '香港' 10,000次: https://www.youtube.com/watch?v=-G4uDe3QUfs

我受夠了, 我的精神困擾: https://www.youtube.com/watch?v=aQ6uxaQhiS4&t=7s

24小時內學印度話: https://www.youtube.com/watch?v=g3EmtyVK1BQ&t=55s

影評11集黃秋生大師班觀後感想
影評11集黃秋生大師班觀後感想
【黃秋生大師班】11集觀後感想影評
喱騷【黃秋生大師班】觀後感想影評
分析【黃秋生大師班】喱騷觀後感想影評
分析喱騷【黃秋生大師班】
看完【黃秋生大師班】明白什麼是演技
喱騷【黃秋生大師班】是在做什麼啊?!
喱騷【黃秋生大師班】到底在拍什麼?

最近我在看杜汶澤喱騷 youtube 的預告片. 集中推薦的節目是 ‘黃秋生大師班’ 其實我對這個節目非常有興趣，但是如果要收看這個節目，你需要先成為 ‘喱騷’ 網站的會員，因此，我加入會員一個月了。check it out !!

節目中黃秋生是6位新晉演員的戲劇老師。 咁呢一班演員佢地嘅經驗都不同啦，有啲就做過電影，有啲就做過舞台劇，／每個演員的表演經驗和表演媒介都各不相同，無論是電影還是舞台。

就像標準的真人秀一樣，每個角色都有一個定位。
當然有黃秋生飾演一個粗口橫飛的老師，好直接的，他經常挖苦自己的學生，他跟監制田蕊妮的之間的互動，真心係整個節目的最好看的部份。


其他角色還有:

女藝人莊韻澄，她每一次出現大家都會有一些性暗示的笑話或者會提及她的胸部。

飾演男神的王宗堯, 每一次都有關於政治的戲劇性話題出來。

看完十一集當中我最喜歡看的角色，設定，是莫俊名。 就是一個＂弱者＂，整個故事，可以說是裏面六個人當中演戲比較差的一位，就慢慢看着他做一些尷尬的表演，然後被人批評。再被迫做更尷尬的表演，例如跳舞，再被人批評，可以見到他是淚灑當場，哭了無數次、崩潰了無數次。

我不確定這是不是節目效果，還是真人都是這樣，但其實呢，在我2018年的時候，有一段時間是住在香港，參加表演課。 這是一個為藝術家和模特製作的課程
I’m not 100% sure if this is 節目效果but in 2018 there was a time I lived in Hong Kong where I attended an acting class. it was a class made for artists and models

那是在我被YouTube稱為“暗網仔”之前，那裡的每個人都只是個小孩子。
it was before I was known in YouTube as 暗網仔 so to everyone there I was just some kid.

練習不僅與黃秋生大師班的練習非常相似，而且我的角色與莫春明的練習非常相似。
Not only were the excercises very similar to the ones shown in 黃秋生大師班, but my character was so similar to the one of mok chun ming.

在節目中，他的個性不敢表現出自己的真實自我，但對我而言，這是在所有“成名”人物面前並且必須採取行動。 以及缺乏經驗，因為那裡的其他所有人都已經學習過課程。
In the show his personality is afraid to show his true self, but for me it was being in front of all those ‘famous’ people and having to act. And inexperience as well since everyone else there has already taken a course.


我記得，即使我在一個場景中走路也很糟糕，以至於我的老師讓我在教室裡轉圈，讓所有人觀看，因為我什至都不知道如何走進一個場景。 每個人都必須判斷我的行走。
I remember even my walking in a scene was so bad that my teacher made me walk in circles around the classroom and have everyone watch because I didn’t even know how to walk into a scene. And everyone had to judge my walking.

真的很尷尬。
It was embarrassing.

而且黃秋生大師班的每個情節流程都類似於表演班。
6個學生中的每一個都做一個同一個表演，然後老師嘲笑/批評/幫助他們。
And 黃秋生大師班’s each episodes流程is similar to a acting class.
Each of the 6 students do the 同一個performance then the teacher mocks/critiques/helps them.

我覺得這個表演是一個非常聰明的主意，因為來自參加過很多表演課的人，很多時候錄製在視頻上的實際表演並不像課堂練習中最原始，最真實的表演那樣令人興奮。
I feel this show is a very smart idea because coming from someone who has taken quite a few acting classes, many times actual performances recorded on video is not as 精彩as the raw, 最真performances done in 課堂練習.

因此，要把這些“嘿中嘿”放到一個節目中，就可以看到大多數其他節目所沒有的人性化。 因為在電視節目和電影中，不良行為不會受到批評，而在表演課中，您的想法或精力的變化會立即被接受。 因此，在每個級別上都是有關“ hey中hey”的真人節目。
So to take these ‘hey 中hey’ and make it into a show shows a 人性化that most other shows don’t have. Because in tv shows and movies bad acting will not be criticized but in acting class, a change of your thought or energy(氣場) is picked up on immediately. So on every level this is 有關 ‘hey中hey’ 的真人show.

目前只有11集，但還沒有結束，但我希望以後大家都能看到進步。
It’s only 11 episodes right now and not the end yet I look forward to seeing everyone’s improvement afterwards....