希望大家有個快樂的夜晚🎵 #快樂頌

其實老師有提過建議換成電鋼琴，可是赫赫練琴🎹一直狀況沒有很好
實在無法提起勇氣換電鋼琴啊⋯

但是大家推薦哪款琴呢～

怎麼督促孩子持之以恆又不讓小孩反感呢？求解
先前是維持了一週每天練琴後現在又開始有一天沒一天了，各種理由不練習耶😵‍💫😵‍💫

#興趣培養 #興趣養成 #親子 #親子日常 #育兒日常 #育兒 #鋼琴 #赫赫彈鋼琴

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

《他曾是台灣在美國音樂學校最著名的奇蹟，如今他要創造自己的生命奇蹟：劉孟捷》

*在古典音樂界，劉孟捷赫赫有名。台灣學音樂的，大陸學鋼琴的，都是他在Curtis音樂學院的學生。包括曾宇謙、林品任、王羽佳、朗朗⋯⋯都是劉孟捷的學生。

*當年劉孟捷在師大附中音樂班，即驚動師長，學長：那來的小天才？之後他進入美國Curtis音樂學院，先和大師Jorge Bolet學習，後來成為Gary Graffman全力栽培的音樂家。一場成為傳說的音樂會中，一個國際大鋼琴家未能出席的演奏會，Curtis派劉孟捷上場。不只一鳴驚人，並且成為全美地位最崇高的音樂學府教授。

*Gary Graffman收幾位知名音樂家為弟子之前，包括王羽佳，皆要求他們先請劉孟捷指導技巧。對畢業於Curtis的音樂學生而言，劉孟捷就是一個傳奇。

*老天給了他無比的天份：但也給了他可怕的疾病。他曾經被免疫系統攻擊，全身癱瘓，當時包括他自己都以為自己的生命快到盡頭了，他的鋼琴之夢也碎了。可是靠著奇蹟，他復活了，學習走路，重新練習手指：那個天使之音，又回來了！他重新活躍於各大國際音樂節，台灣衛武營開演時，特別請他從美國回來，成為第一個開營演奏鋼琴家。

*折磨沒有結束！他又得了心臟血管疾病。醫生告訴他開刀的風險，他的反應是：既然如此，我希望自己有一天在琴聲中離開。他開始閲讀楊定一的書籍，思考生命、靈魂、修為、音樂。

知道他身體不好，有人稱他是音樂界的巨人，在音樂路途上，以生命堅持對藝術的熱情。死亡對他不是威脅，是一種生命旅程中交錯的雲影，它飄來，它飄走，它在頭頂上。無論陰影是否遮蔽了陽光，它遮蔽不了劉孟捷和琴鍵🎹的碰觸。

它只是飄浮著，提醒他，彈奏吧！把音符🎵彈成另一片天空！

今年初劉孟捷在許多朋友勸說下，回到高雄家，準備幾場音樂會。國家交響樂團NSO馬上為他於4/17日開一場音樂會，三大曲目由劉孟捷一手主導，一個人一場彈三首大曲，上半場還自己兼指揮。

#《劉孟捷與NSO》https://reurl.cc/Ag4Olj

莫札特：第21號鋼琴協奏曲
孟德爾頌：第一號鋼琴協奏曲
---中場休息---
蕭士塔高維契：第一號鋼琴協奏曲

三月底他將趕著錄音，其中一個錄音計劃是彈奏以匈牙利為主題的整套鋼琴作品。

五月初他希望能在衛武營除了音樂會之外，再開一個空曠無人的音樂會，全程拍攝成一支思考生命、死亡、靈魂和鋼琴對話的獨奏會。

他告訴我這些計劃時，我問他：這樣緊湊的演出，不會太累嗎？他哈哈大笑，「不會啊，我好興奮，很快樂。」

人免不了恐懼死亡，甚至計較一些無意義之得失。劉孟捷則是以他如天使般的靈魂，超越了死亡之懼。用音樂，奉獻予生命，直到「永遠」。

因為音樂，本來是永恆。

祝福劉孟捷。

#417台北國家音樂廳《劉孟捷與NSO》https://reurl.cc/Ag4Olj

https://m.youtube.com/watch?v=GHy4Wah426I&list=PLA45631D5C493A50E&index=1

耶和華賜下歡欣快樂 / We Sing And Dance In Celebration
詞曲Lyricist & Composer：Welyar Kauntu
中譯詞Translator：台北靈糧堂
演唱Vocal：周巽光

[ Verse 1 ]
耶和華賜下歡欣快樂
無限的喜樂充滿我
新的膏油已澆灌下來
哈利路亞高聲歡呼

[ Verse 2 ]
我領受神的應許
賜給猶大的後裔
稱為禱告的子民
來敬拜歌頌讚美

[ Chorus ]
這是期待收割的時刻
神的話語如今已成就
莊稼成熟各處在收割
已臨到全世界各地

-
監製Director / 周巽光
製作人Producer / 劉淑莉
配唱製作人Vocal Producer / 曹之懿
製作助理Assistant Producer / 李宛叡
編曲Arrangement / 劉淑莉
Piano&Keyboard / 劉淑莉
Guitar / 張元興
Bass / 楊繼武
Drum / 黃金龍
和聲Background vocals /
陳德嘉、李思華、趙治德、馮榆洋、璽恩、曹之懿、范于萍、張雅涵、潘心心、蔡宛凌、劉志彬、孫立衡、許書政、謝淳雅、高蘇珊、郭逸凡
和聲&鋼琴譜編寫 / 劉淑莉
錄音Recording Engineer / 劉淑莉、李宛叡
混音Mixing Engineer / 劉淑莉
錄音室Studio / 異象工場、白金
母帶後期處理製作人Mastering Producer / 劉淑莉
樂譜製作 / 泉音樂工作室
發行 / 異象工場音樂製作有限公司
出品人 / 周神助

-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP

聯繫約書亞樂團：
https://www.joshua.com.tw/web/

請～點開我辛苦打的資訊欄(⁎⁍̴̛ᴗ⁍̴̛⁎)！

天啊這支剪出來了！花了我大概兩天🥲
這集應該是有史以來彈鋼琴畫面最多的一集吧
而且其實我已經剪掉很多了 都不知道放這麼多你們到底是愛看還是不愛看🤣🤣🤣
最近都在練六月的音樂會曲目 好懶得練好想睡：）（？？？）

這支影片另外一個重點就是咖啡機☕️🥺
謝謝爸媽這麼疼我送我這麼好的畢業禮物
以前我對咖啡真的完全沒有在要求
對我來說只要能讓我提神就好
不知道是不是因為年紀變大的關係
慢慢開始在意口感、味道、順不順口等
加上有了我愛的咖啡豆就能泡出我最愛喝的咖啡
所以就算每天早起很痛苦
但泡咖啡的時光至少讓我很快樂🥲


🤎以下附上咖啡機、飾品等連結！🤎


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短項鍊 Leaf Choker https://bit.ly/3f6AFRs
可頌耳環 Mucho Twirl Huggie Earrings https://bit.ly/3h60vrA
夾式耳環(耳骨的) Duo Ear Cuff https://bit.ly/3uzkBOW

👗Petite Studio 面試穿的削肩上衣
輸入Amanda20 有八折折扣～
Rylan Tank - Black (xs) https://bit.ly/3eefIEU


⌚️Timeline
00:00 Intro
00:22 星期一！MONDAY BLUE
02:18 練琴+練伴奏
03:53 幫oboe studio伴奏
05:09 星期二！肚子餓！
05:30 跟小賈出門微運動🤓
08:04 和寶貝女兒相處的時間😍
09:06 星期三！早起面試
12:44 平價又可愛的飾品店推薦💍
14:36 又在視譜：））
16:53 練琴練到天黑 不想練琴
18:46 猜我晚餐想吃啥？
20:39 星期四！一週最累的一天！
22:04 來學校上鋼琴
22:46 上studio class
32:00 買最愛咖啡廳的厲害咖啡豆！
32:37 因為收到爸媽送我的畢業禮物🥺🎁
36:12 星期五！FRIYAY！泡咖啡嚕！
39:25 雙鋼琴！今天彈啥咧？


🎵沒照順序排
D.NZ.L - I've Got A Feeling I'm Falling - https://soundcloud.com/officialncvm/dnzl-ive-got-a-feeling-im-falling

With my old bike - https://soundcloud.com/user-909504386/no-copyright-music-vlog-jazz-music-melody-removed-with-my-old-bike

Milk Coffee - https://soundcloud.com/user-909504386/milk-coffee-jazz

See me again - https://soundcloud.com/user-909504386/no-copyright-music-fluttering-music-see-me-again

Tell me now (Instrumental version) - Gloria Tells

Music by andreas owens - not much (better than before) - https://thmatc.co/?l=4F446E03

Music by Dylan Joshua - Roaming - https://thmatc.co/?l=1588576E

Music by Lukey - Honeydream - https://thmatc.co/?l=05922E46

Music by Ashton Edminster - With You - https://thmatc.co/?l=F97542BA

Music by Mr. Jello - Yes No Maybe - https://thmatc.co/?l=088B1D54

Music by Mr. Jello - Wild Willow - https://thmatc.co/?l=70931D74

Beautiful Haze - Steven Beddall


*FTC: Part of this video is sponsored by En Route, and some of the links above are affiliated.
這支影片的其中一部分由En Route贊助💛
上面提供的有些連結 我會得到返利 所以如果介意的話可以新開一個頁面自己搜尋🥰


🔎Follow me on Instagram: itsamandalo
https://www.instagram.com/itsamandalo/​​​
📩Contact me: piano860623@gmail.com

💻English Subtitle: Maggie Lin.

雙十節快樂！我在國慶酒會演奏我的創作曲！
大家一起來見證這美好且感動的一刻，影片畫面結合晚宴酒會現場畫面以及下午彩排實錄，看得到台北賓館美麗的花園（後面還有天鵝喔！

Through the air傳達來自心底的聲音。
長笛姐姐首張創作單曲《Through the air》Lily Flute Original song
此曲亦為2019藍眼淚生態之旅影片配樂。

創作： @Lilyflute長笛姐姐
演奏： @Lilyflute長笛姐姐
編曲：Conceptum Music Studio / 構思音樂
混音：Mixing Engineer 王家棟（巴洛克錄音室）
Senorita樂團：長笛Lily｜小提琴Heidi、En｜大提琴Peggy、Sissi
化妝：Ruby
演出現場紀錄拍攝：Ruby、Heidi的妹妹
影像剪輯： @Lilyflute長笛姐姐
Super thanks：外交部、臺灣威武五家龍獅總會、台北香頌管弦樂團

#國慶 #國宴 #長笛姐姐創作曲

演出活動歡迎FB IG YT搜尋lilyflute(長笛姐姐)
長笛姐姐Facebook：Lilyflute
https://www.facebook.com/Lilyflute/
聯繫工作用信箱：
flutelily1014@hotmail.com

喜歡我的作品歡迎訂閱支持斗內，蝦皮還會送上最新出爐長笛姐姐演奏詮釋版本長笛樂譜喔！：Ｄ歡迎訂閱我的頻道、幫我按按小愛心❤️主頻道每週四更新影片、週間不定期放送！

訂閱主頻道🔔開鈴鐺Subscribe&like
https://reurl.cc/vD629A

抖內送電子簽名禮卡連結🔗Donate Lilyflute
https://reurl.cc/O1l0M9

收錄長笛姐姐親製精選樂譜🎶Music score/sheet music
https://shopee.tw/lilyflute


#長笛姐姐 #長笛演奏 #lilyflute #長笛 #flute #플루트 #长笛 #フルート #fløyte #fluit #flöte #fuvola #flauta #поперечнаяфлейта
#flöjt #fløjte #flüt #poikkihuilu