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並前往https://www.nytimes.com/2016/07/19/nyregion/at-the-seagram-building-the-past-is-still-very-present.html

What Stays as the Seagram Building Loses the Four Seasons

Signs at the building use a typeface specially designed for the tower in 1957 by Elaine Lustig Cohen. Credit...Santiago Mejia/The New York Times.

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