展覽日期：2016.04.23-2016.05.22 展覽地點：Double Square Gallery 双方藝廊 展覽開幕：2016.04.23 （六） 3:00 pm 策展人：簡子傑 參展藝術家：詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔 双方藝廊將於4月23日展出「日日湯馬森」（Everyday Thomassons）由策展人簡子傑策劃，集結八位優秀台灣當代藝術家，詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔，展期從4月23日至5月22日。 「湯馬森」一詞出自「路上觀察學」，源自曾叱吒美國大聯盟的選手Gary Thomasson的名字，1981年他被高薪聘請至日本巨人隊卻屢遭三振，職棒生涯就此結束。1985年日本前衛藝術家赤瀨川原平、編輯松田哲夫與插畫家南伸坊，將Gary Thomasson職涯際遇界定為「湯馬森」，用來意指他們在路上觀察到的「城市建築遺留下來的各種無用之物」，這些無用之物或因時間的推移而失去了原先的功能，卻仍頑強地存在著，而路上觀察學者不僅透過路人的目光發現湯馬森，更將這種消滅自我的日常觀察行動視為超越藝術的行為。 Exhibition Dates：04/23/2016 – 05/22/2016 Exhibition Venue：Double Square Gallery Opening Reception：04/23/2016（Sat.）3:00 pm Curator：Jian Tzu-Chieh Artists：Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. Everyday Thomassons will be on view at Double Square Gallery from 23 April to 22 May 2016. Curated by Tzu-Chieh Jian, this exhibition features the artworks by eight Taiwanese contemporary artists par excellence, namely Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. The term “Thomasson” comes from the art of Street Observation. It is based on the name of Gary Thomasson, a star player in Major League Baseball. He was hired by Yomiuri Giants with a generous salary package in 1981 but had since frequently struck out and ergo had no choice but to end his career in professional baseball. This case was then defined as “Thomasson” in 1985 by Japanese avant-garde artist Genpei Akasegawa, editor Matsuda Tesuo, and illustrator Minami Shinbo in their edited book The Basics of Street Observation. They use this term to refer to “the detritus of urban architecture.” These useless objects tenaciously strive to make their presence felt even though they have been deprived of their original functions in the course of time. Scholars of street observation not only aim to find Thomassons from the perspective of passers-by, but also construe the self-eliminating action of daily observation as a behavior that helps stretch their horizons beyond the arts.

展覽日期：2016.04.23-2016.05.22 展覽地點：Double Square Gallery 双方藝廊 展覽開幕：2016.04.23 （六） 3:00 pm 策展人：簡子傑 參展藝術家：詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔 双方藝廊將於4月23日展出「日日湯馬森」（Everyday Thomassons）由策展人簡子傑策劃，集結八位優秀台灣當代藝術家，詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔，展期從4月23日至5月22日。 「湯馬森」一詞出自「路上觀察學」，源自曾叱吒美國大聯盟的選手Gary Thomasson的名字，1981年他被高薪聘請至日本巨人隊卻屢遭三振，職棒生涯就此結束。1985年日本前衛藝術家赤瀨川原平、編輯松田哲夫與插畫家南伸坊，將Gary Thomasson職涯際遇界定為「湯馬森」，用來意指他們在路上觀察到的「城市建築遺留下來的各種無用之物」，這些無用之物或因時間的推移而失去了原先的功能，卻仍頑強地存在著，而路上觀察學者不僅透過路人的目光發現湯馬森，更將這種消滅自我的日常觀察行動視為超越藝術的行為。 Exhibition Dates：04/23/2016 – 05/22/2016 Exhibition Venue：Double Square Gallery Opening Reception：04/23/2016（Sat.）3:00 pm Curator：Jian Tzu-Chieh Artists：Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. Everyday Thomassons will be on view at Double Square Gallery from 23 April to 22 May 2016. Curated by Tzu-Chieh Jian, this exhibition features the artworks by eight Taiwanese contemporary artists par excellence, namely Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. The term “Thomasson” comes from the art of Street Observation. It is based on the name of Gary Thomasson, a star player in Major League Baseball. He was hired by Yomiuri Giants with a generous salary package in 1981 but had since frequently struck out and ergo had no choice but to end his career in professional baseball. This case was then defined as “Thomasson” in 1985 by Japanese avant-garde artist Genpei Akasegawa, editor Matsuda Tesuo, and illustrator Minami Shinbo in their edited book The Basics of Street Observation. They use this term to refer to “the detritus of urban architecture.” These useless objects tenaciously strive to make their presence felt even though they have been deprived of their original functions in the course of time. Scholars of street observation not only aim to find Thomassons from the perspective of passers-by, but also construe the self-eliminating action of daily observation as a behavior that helps stretch their horizons beyond the arts.

展覽日期：2016.04.23-2016.05.22 展覽地點：Double Square Gallery 双方藝廊 展覽開幕：2016.04.23 （六） 3:00 pm 策展人：簡子傑 參展藝術家：詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔 双方藝廊將於4月23日展出「日日湯馬森」（Everyday Thomassons）由策展人簡子傑策劃，集結八位優秀台灣當代藝術家，詹士泰、陳萬仁、賈茜茹、徐揚聰、廖昭豪、廖建忠、鈴木貴彥、吳思嶔，展期從4月23日至5月22日。 「湯馬森」一詞出自「路上觀察學」，源自曾叱吒美國大聯盟的選手Gary Thomasson的名字，1981年他被高薪聘請至日本巨人隊卻屢遭三振，職棒生涯就此結束。1985年日本前衛藝術家赤瀨川原平、編輯松田哲夫與插畫家南伸坊，將Gary Thomasson職涯際遇界定為「湯馬森」，用來意指他們在路上觀察到的「城市建築遺留下來的各種無用之物」，這些無用之物或因時間的推移而失去了原先的功能，卻仍頑強地存在著，而路上觀察學者不僅透過路人的目光發現湯馬森，更將這種消滅自我的日常觀察行動視為超越藝術的行為。 Exhibition Dates：04/23/2016 – 05/22/2016 Exhibition Venue：Double Square Gallery Opening Reception：04/23/2016（Sat.）3:00 pm Curator：Jian Tzu-Chieh Artists：Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. Everyday Thomassons will be on view at Double Square Gallery from 23 April to 22 May 2016. Curated by Tzu-Chieh Jian, this exhibition features the artworks by eight Taiwanese contemporary artists par excellence, namely Shih-Tai Chan, Wan-Jen Chen, Chien-Ju Chia, Yang-Cong Hsu, Chao-Hao Liao, Chien-Chung Liao, Takahiko Suzuki and Sih-Chin Wu. The term “Thomasson” comes from the art of Street Observation. It is based on the name of Gary Thomasson, a star player in Major League Baseball. He was hired by Yomiuri Giants with a generous salary package in 1981 but had since frequently struck out and ergo had no choice but to end his career in professional baseball. This case was then defined as “Thomasson” in 1985 by Japanese avant-garde artist Genpei Akasegawa, editor Matsuda Tesuo, and illustrator Minami Shinbo in their edited book The Basics of Street Observation. They use this term to refer to “the detritus of urban architecture.” These useless objects tenaciously strive to make their presence felt even though they have been deprived of their original functions in the course of time. Scholars of street observation not only aim to find Thomassons from the perspective of passers-by, but also construe the self-eliminating action of daily observation as a behavior that helps stretch their horizons beyond the arts.