話說我尋日課金三千蚊去做Body check要驗血驗尿驗大便，今日我終於要面對我嘅終極挑戰：
【大便樣本の採集任務】
難易度：✰ ✰ ✰ ✰ ✰

為免大便樣本被污染，我思前想後決定用前日用嚟影product shot嘅米白色畫紙墊住喺地下再喺上面大便，那張畫紙應該做夢也想不到顏色亮麗天資聰慧的它會有被人拿來墊大便的一天吧？命運就是如此殘酷，任你天資再聰慧都有可能被屎餵。

就這樣我在廁所地板鋪了張大畫紙再在上面創作，但我的靈感像腸道一樣閉塞了，一想到我作為一個文質彬彬的氣質男，如今竟然淪落到像一頭芝娃娃一樣蹲在路邊大便，這個畫面能看嗎？合理嗎？我的道德標準唔準我順利地排便，我好懊惱～Oh No！

呢個moment，一件孩提時的往事從我腦海中慢慢浮現，有些事情你一直想不起來，不是忘記了，而是記得太深了，深得不能被輕易想起來。

話說我讀幼稚園嘅時候，有一日放學外公送我回家的路上，我肚痛想去廁所，外公提議我蹲在郵筒隔離痾在馬路旁邊的坑渠，但我弱小心靈驚被路人看見就斷然拒絕這個方案，這時候外公用高大的身影靠近我，再用那雙充滿老繭的雙手遮蓋住我的眼睛，說：
「外公幫你擋住，無人見到！」

那時外公的身影忽然變得十分高大，高大得我以為他可以遮住全世界，就放心地蹲在路旁的坑渠霹靂啪啦比利卡比利那那噗噗利那比比路多！後來我小學看成語動畫廊學到有一句成語叫【掩耳盜鈴】，大概就是在形容這種事。

但我是代表不幸嘅細路，如果你以為我只得到了路人的鄙視和人生的小污點，未免太小看我的不幸了，這件事簡直是人生的核污染！我童年的陰影！令我的自我保護機制自動刪除了我這段回憶，卻在三十年後的今天因為排便被解鎖。

第二天，我的幼稚園Miss叫我放學留低有嘢同我講，因為我在幼稚園已經天資聰慧到份份考試練習都100分而被封為天才小神童，我以為她又想稱讚我又唔好意思當住全班同學講，驚傷害到佢地弱小心靈同卑微嘅自尊心。

點知Miss佢放學之後同我講：
「我尋日見到你喺街邊去廁所，點解你要咁樣做呢？」

我心虛得像個做錯事的小孩（我係呀）說：
「外公話佢幫我遮住！」

Miss再連combo追擊：
「遮住都會聞到㗎嘛，如果你行過聞到其他人去廁所，你都會唔舒服啦，係咪？下次唔好咁做啦，我地要有公德心！」

我弱小心靈受到10000點暴擊傷害！效果拔群！
我在Miss眼中的好學生排名榜由花輪同學跌到變賓治同學，那天我學識了公德心，卻失去了自尊心。我深深體會到咩叫【身敗名裂】，雖然我當時仲未學識呢句成語。

現在我已經冇機會向外公追究佢明明話遮住我但遮唔住我搞到我被Miss見到，因為佢已經唔喺到，但我諗佢發夢都估唔到自己會喺呢種時候被人回想起，命運就是如此殘酷。

但我是代表不幸嘅細路，如果你以為這只是一個排便憶童年的故事，未免太小看我的不幸了。

覺今是而昨非，又返嚟排便現場，我發現自己在不知不覺竟然創作出我人生中見過最粗的便便，那根本是不可能塞得進樣本樽的King Size呀！簡直是大便界的進擊の巨人！大佬呀樣本樽蓋上的勺子仲細過耳挖邊可能𢳂得起！這時候我腦海中響起cooking mama的音樂，我拿起樣本樽蓋開始切菜，切成兩等份後，我聽到cooking mama用幼稚園miss一樣supportive的聲線稱讚我：Very Good! 但還是太粗塞不進樣本樽，最後我Fruit Ninja一樣把它瘋狂切到五份之一先放得入，人生好難，我堂堂氣質男，竟然淪落到要蹲在廁所地板分割大便，我以前覺得肉類分割員這個職業聽起來很好笑，現在我找到更好笑的職業了。

好不容易收集完樣本，我把整張畫紙如砧板般舉起，再把上面的便便傾倒進馬桶裡，這樣我就可以在完全不碰到大便的前提下全身而退，最後，大概是來自畫紙的怨念吧，那輕微的角度偏差害我把大便滑落到我又pure又true又clean&clear的腳指上，變得又dirty又guilty了。命運就是如此殘酷，任你再逃避仍是會碰到

有人喜歡香氛品嗎？❤️

我記得每次去泰國的時候都會扛一大箱回來，有時候東塞一點，西擠一點，行李帶再大咖也都會因此超重，每次扛行李回家的路上我都很想掐死我自己😤😤😤，在心裡反覆問為什麼要失心瘋買一堆香氛品回來。

我想可能是使用起任何香氛品單純就是一種習慣，喜歡用氣味來提醒自己。

我必須要說以前選香氛的時候沒有很注重成份這件事，但這一兩年來學會在挑選香氛上開始看一下成份及介紹。

畢竟幾年前甄嬛傳看完後，心裡有個陰影，還是會很怕麝香讓人不孕的戲碼橋段（這是真還假啊🤨），總之重點就是擔心香氛用多對身體不好之類的啦！

但有天跟朋友聊天用什麼香氛的時候，意外發現這個來自台灣的品牌PURE LIFE香氛品，它們堅持純淨天然成分、無加化學與定香劑(塑化劑)的天然香氛。

後來我也跟著入手後，我發現在使用上很習慣以及很舒服，於是今天忍不住想要來簡單發一篇說說它。☺️

是說我自己平時會點香氛蠟燭、搭配輕音樂來放鬆心情的人，有時候浮躁的時候還會試著冥想一下，所以最近PURE LIFE香氛品會散落我房間各個地方。

哈哈😆😆

因為我很喜歡想要香一下的時候就能立刻香一下😝（我就是立馬要！！！），所以像是書桌前放安定心神系列的香氛及滾珠精油，床旁邊放著薰衣草香氛噴霧。👍🏻

睡前即使有點睡意，如果我還記得要噴的話，我會朝空中噴個兩下薰衣草香氛（普羅旺斯一號 好眠噴霧），那個晚上就會特別容易瞬間斷片昏睡，哈哈哈哈，這樣形容像不像迷魂香一樣。😅😅（關於睡眠這件事好像下一次也能來分享一下我的心得😝）

我逛了一下他們家官網，除了有很多品項外，也發現它們調配很多不一樣的味道，我個人建議有時候還是要去現場才能知道哪個味道是你喜歡的，除非你跟我一樣就是任何的薰衣草味道你都接受的人。

香氛真的能讓人轉換情緒喔！😌😌

如果你心煩意亂或是焦慮不安，真的要試著將環境做些改變，比如我剛剛說的噴香氛、點蠟燭、聽輕音樂、冥想等等，你也可以試著將你房間的燈調成黃色暗一點，這些行為都有助於轉換情緒喔！😊

我知道這陣子大家真的都很緊繃跟焦躁😢，但我想說的是不只你感到一個人在受苦，其實這個世界上絕大部分的人都跟你一樣感到受苦。

所以懂得調解自己思緒很重要，要先內定自己的心神，才能找到自己想要的答案。💪🏼💪🏼

我的老天爺又不知不覺寫了一大段文字了😰

謝謝閱讀完畢的你們🙇🏻‍♀️❤️

#PURE_LIFE
#我超愛薰衣草
#我也好愛香茅
#林口OUTLET
#信義誠品

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

立即到各大數碼平台收聽：https://sonymusichk.lnk.to/PureWhiteAY

白色，象徵純淨；同時，亦表哀悼。
此曲〈純白〉的意境，在形容心中對於「愛」的清空，以致純白；當一個人失去愛的能力，既已心死，故此哀悼。世人常以愛與恨作對比；毫無情感投放，才算「純白」。正正就是這種狀態。

旋律來自吳林峰，文字來自陳詠謙，悠然平靜的曲風配以絕望的詞，帶領聽眾走進混沌空間：困於一所純白病房，參觀被清空的心房；患者失去愛的能力，卻渾然不知地說著愛，毫無色彩的「Oh my love」。

由監製Edward Chan為這所純白病房配樂，並加入電腦造出的和音，塑造腦海混沌而接近分裂的狀態，讓聽眾徘徊幻想與現實之中，感應主角的空虛感。陳柏宇，再一次釋出情感，演繹出不同的內心狀態。

Follow 陳柏宇 Jason Chan
▶ IG: https://www.instagram.com/ckw720/
▶ Facebook: https://www.facebook.com/JasonChanPakYuOfficial
▶ MeWe: https://mewe.com/p/jasonchan
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〈純白〉

曲：吳林峰
詞：陳詠謙
編：Ariel Lai@emp/ 吳林峰
監：Ariel Lai@emp/ 吳林峰/ Edward Chan
唱：陳柏宇


牆如白雪沒污跡 用手指尖我能作畫
隨旋律流動之聲 為一身束縛而沙啞
Ooh~
Oh my love, oh my love
在愛裡分對錯 你問我 我不答

Ooh~
簡單的生活 醫生來賜福 （吞藥喝水）
一百道門
靜靜地為餘生瞑目
夢 還好 可親的面容
現實傳揚希望 原來是劇毒

Ooh~
Oh my love
走了吧
Ooh~
Oh my love
丁方中起舞
寧靜中觀青山 與綠水細訴 為何苦惱
當一切 多麼虛無 為何焦躁

Ooh~

人如白愛別灰心 在心中的血痕種花
從無日無夜的天 吸收多少精華
微笑的瘋子若然害怕
不比官腔的好人可怕
今天不識得歡騰 便披著麻
不知怎回家

Ooh~
Oh my love
走了吧
Ooh~
Oh my love
丁方中起舞
寧靜中觀青山 與綠水細訴 為何苦惱
當一切 多麼虛無 為何焦躁 別憤怒
Ooh~

Ooh~
Oh my love
走了吧
Ooh~
Oh my love
丁方中起舞
青山中宣佈 沒人敢愛上面前路
種種變化 種種恐怖
喧嘩退散 安樂倒數
心已純白


Guitars by 吳林峰
Bass / Drums Programming / Mellotron / Sound Design by Ariel Lai

Backing Vocal Arranged by 吳林峰 /Ariel Lai
Backing Vocal by 吳林峰

Strings Arranged and Conducted by Ariel Lai
Violins by Leslie Ryang / Gallant Ho
Viola by Zhang Shuying
Cello by Anna Kwan

Protools Edited by Ariel Lai / 吳林峰 / Edward Chan / Kelvin Au
Recorded by Ariel Lai / 吳林峰 / Edward Chan / Bertha Ngan / Anson Chan /
King Kong@nova
Mixed by King Kong / Edward Chan @nova

#陳柏宇 #JasonChan #純白 #PureWhite #53FPS #SonyMusicHK

今日分享近呢幾個月試過嘅護膚品 ❤️ 之前好卻步去拍護膚品片 因為發現拍咗youtube成10年，來來去去嘅形容詞都係差唔多? 但係今次真係花咗啲時間去睇每個產品嘅特點同成分 希望可以俾到更多資訊大家！歡迎大家話我知你地覺得呢個形式會太長氣定有幫助？等我之後拍更多護膚品片嘅時候可以研究多啲方式去分享 ?
另外就係導入機片我會分開拍一條 大家請等我啊～ 都知道呢條片嘅護膚品試用產品佔得比較多，因為收到嘅產品都會想試 除非有一啲我真係不可缺少嘅產品 如果唔係都唔會特登出去自購護膚品，一來唔想屋企咁多嘢 二來唔想造成浪費 ❤️ 不過一如既往 試用產品唔影響我對佢嘅評價～

大家記住話我知呢部新相機畫質 同收音如何呢？
最後就係希望呢條片對大家有用～ 如果對任何產品有咩問題都歡迎話我知！?

♡ 影片只供參考，每個人膚質唔同，追求嘅野亦都唔同。請按返個人需要去決定一件產品到底適唔適合自己！

Instagram: http://instagram.com/bethniy
Facebook - http://facebook.com/bethniblog
Blog - http://www.bethni.com


Business Inquiries Only:
info@bethni.com

p r o d u c t s :


0:00 Introduction

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3:36 [試用] Sisley Triple-Oil Balm 125g HK$800
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我的膚質：
混合偏乾
春夏 － 混合偏乾 （t字位容易出油，其他位置乾）
秋冬 － 乾肌 （整體皮膚都好乾，有時候會敏感）

My Skin Type:
Spring/Summer - Dry - combination skin, t-zone gets oily but other areas remain dry.
Fall/Winter - Dry skin, sometimes sensitive.

DISCLOSURE
This video does not include any paid partnerships.
Click here to read my full disclaimer: http://goo.gl/DATgO6

■ 更多林子安：
INSTAGRAM：https://www.instagram.com/an__official/
FACEBOOK：https://www.facebook.com/Anviolin/
WEIBO：http://weibo.com/u/6511795600
Spotify：https://spoti.fi/2XmfcLw

各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

--

大魚（動畫電影「大魚海棠」印象曲）小提琴版本 | Violin cover by Lin Tzu An of theme song from movie “Big fish & Begonia” by Zhou Shen

大家有看過這部動畫電影嗎？
不過即使沒有看過，聽到這旋律也應該可以推測故事主軸是使人落淚系列吧？
仔細聽可以發現歌曲主歌副歌每一段落的最後一個樂句都使用同樣旋律，是這首歌最大的記憶點！

原唱聲線被形容是天使吻過的聲音，我也希望自己可以拉出其中的細膩和溫柔。
希望可以演繹出穿透時空、跨越語言差異，讓聽到的人得到喜悅和安慰。
用小提琴來表現，多了些純淨真誠和投入，進入大家的心，與你們共鳴，是可以看得到得聲音。
是每個人都可以體驗到的溫暖，也是每個人都摸得到的溫柔。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

--

Have you watched this animation?
But even if the answer is no, ya'll should be able to speculate from the melody of the song that the story of the animation is quite sad, right?
Pay attention to the song, ya'll find out that the last phrases of the verses and the chorus are the same tune, which makes the song super special!

The original vocal was described as the voice kissed by the angel, and I hope that my violin can picture such delicateness and tenderness.
I also want to interpret through my violin that music is indeed the language without borders, so that people hearing it can be healed.
I am trying to express more pure and sincere through my violin so that the love can go into everyone's heart, resonating with you, and you can see the sound, which is the warmth that everyone can experience and the tenderness that everyone can feel.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

--

編曲Arrange：林子安 Lin Tzu An
混音Remix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

--

【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

--

#大魚海棠
#大魚
#周深
#大魚violin
#BigFishandBegoniaViolinCover
#AnViolin
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴