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[爆卦]present過去式是什麼？優點缺點精華區懶人包

雖然這篇present過去式鄉民發文沒有被收入到精華區：在present過去式這個話題中，我們另外找到其它相關的精選爆讚文章

在 present過去式產品中有15篇Facebook貼文，粉絲數超過0的網紅，也在其Facebook貼文中提到， 《HR識數據分析先係皇道》 經常喺Harvard Business Review發表數據分析文章嘅數據專家Thomas H. Davenport喺2019年驚訝地指出: 過去10年佢經常提出HR有「potential」成為數據分析領袖，但原來已成過去式。根據一份同Oracle合作嘅世界性調查，HR...

　同時也有7部Youtube影片，追蹤數超過3,430的網紅Karene Mak，也在其Youtube影片中提到，Grandma Tuesday以後逢星期二都會同大家講下英文文法，各位孫仔孫女記得留意喇～ 你地有無其他表達過去的方法呢？喺樓下留言話俾Grandma Tuesday知到啦！ Please also follow our new IG: @pleasedontsayitwrong...

「present過去式」的推薦目錄

  • present過去式 在 Facebook 的最佳貼文

    2021-02-23 21:33:00
    有 29 人按讚

    《HR識數據分析先係皇道》

    經常喺Harvard Business Review發表數據分析文章嘅數據專家Thomas H. Davenport喺2019年驚訝地指出: 過去10年佢經常提出HR有「potential」成為數據分析領袖，但原來已成過去式。根據一份同Oracle合作嘅世界性調查，HR「已經」成為最能夠應用商業數據功能嘅部門，甚至超越一向以數據導向嘅Finance。

    佢發表呢篇文章嘅時間點係2019年，試想想今日你嘅人力資源部喺HR Analytics上投放咗幾多資源？如果唔多的話，壞消息係你嘅HR可能已經落後咗少少，但好消息係，對於作為HR嘅你嚟講，係一個潛力無限嘅機會。

    前排我寫咗一篇關於HR Metrics嘅實用文章，反應非常唔錯，相信大部份HR都明白數據分析嘅重要性。我深信，未來管理層一定會要求你提供更多HR數據及協助分析。但如果你可以喺管理層提出之前，已經識用數據去分析公司嘅人力資源實況，支持你嘅政策論點，你一定會成為管理層眼中一個更與眾不同、更有價值嘅HR。

    現今商業世界，識得分析數據先係皇道。每個部門都用數據溝通，我哋HR如果唔能夠用數據說話，就好容易被排除於業務外，絕對會被定義為「傳統HR」。

    數據計算公式在網試隨處都可以搵到，但分析就需要更多技巧。例如如何將Turnover、病假數據、配合公司營運數據一齊睇，應該點樣分析，先可以搵出潛在問題？新一代HR需要識得深入拆解數據，搵出深層次業務問題，先可以提供更高價值。

    MP HR Community邀請咗香港浸會大學人力資源策略及發展研究中心副主任（咨詢服務）Dr. Felix Yip，舉辦一個HR Analytics工作坊，將會同大家深入拆解如何分析數據。為加強實用性，我哋仲額外加入一堂網上課，教大家如何應用Microsoft Power BI呢個免費工具，製作靚仔嘅報表，幫助大家present數據。

    工作坊今次係第2次舉辦，現已確定成班。8/3或之前報名可享9折優惠，知道唔少HR朋友都需要自費學習，所以喺度送多一個$200特別折扣，只限10個名額，用完即止。

    折扣碼: ANY200

    所餘名額有限，如有興趣請盡快報名了~

    詳情及報名：https://bit.ly/hr-analytics-intake-2

    #早一步學習便比別人前進快一步

    ————————————————————————
    緊貼 #HR小薯蓉 Facebook專頁更新，設定HR小薯蓉為搶先看

  • present過去式 在 Facebook 的最佳解答

    2021-01-12 00:11:46
    有 51 人按讚

    【Past Events of the Future】

    "Feather-light press of the shutter, an extraordinary instant before my eyes is captured with a snap of my fingers. Within that one-thousandth of a second, Earth leaves behind the image it packed to go as it spins along its axis; or perhaps it was a temperate, memorable moment of the present being condensed into a singular frame. Yet, myths surrounding that “present” seem to be our most deeply-rooted misunderstanding of photography.

    My fondest works of photography often tell of the rectangular world perceived by the camera’s viewfinder of some ongoing moment on this planet, usually just after or prior to the shutter button’s release. Discovered by the determined photographer’s razor-sharp eyes are the ripples in the wake of story fragments, or details to be yearned after in the future.

    There is no present tense in the world of photography—its grammar underscores that moment when the past and the future collide, that wonderful process of blurring the divide between reason and emotion with time.

    There exists no other language in this world in which concatenation of past and present tense is permitted, and yet a photograph tells its tale with such nonchalance. On wafer-thin photo paper, a fortuitous event of both the past and the future is deftly pieced together—like the preparation of paints on an artist’s palette or that of a mother’s delicate touch when braiding her daughter’s hair. With such devotion, affection, and selflessness, a photograph can ceremoniously record the fingerprints of time, hazy like moonlight, events of the future already satisfied…

    It is my belief that no photo is able to elaborate on a story about the “now”, much like city maps that indicate neither the entrance nor the exit for curious eyes somehow."

    - Simon Chang (English translation by Joan Wang)

    - - - - - -

    【關於未來的往事】

    輕觸快門，彈指間截取眼前某個獨一無二的瞬間，那千分之一秒地球自轉時忘記打包帶走的畫面，或凝結當下某個帶有溫度並值得紀念的瞬間 - 關於那個 ”當下” 的迷思，似乎是我們對攝影最根深蒂固的誤解。

    那些自己熱衷的攝影作品，通常講述的是快門釋放後或之前，地表上某個角落，透過相機觀景窗所見的那個長方形世界，執著的攝影者眼尖地發現了某段故事曾留下的波紋與未來將被懷念的細節。

    攝影世界裡沒有現在式，攝影語法強調過去與未來相遇的剎那，理性與感性的分野頓時間被模糊了的奇妙過程。

    世上也沒有任何一種語言其文法允許過去式與未來式併置。但一幅攝影作品卻可以如此瀟灑地說故事，就透過薄薄的一張相紙，輕巧地湊合了過去與未來的一樁喜事，像是畫家作畫時調色盤上顏料的配製，也如同母親溫柔的手指替女兒編辮子；如此隨心所致，深情而且無私，攝影作品行禮如儀捕捉了朦朧如月光般的時間指紋，那些關於未來的往事…

    我相信沒有任何照片能夠闡述一個關於 “現在” 的故事，就像坊間的地圖也從來不替讀者標記一座城市出口與入口的位置

    - 張 雍

    - - - - - -

    Peresno lahek premik zaslonke, neverjeten trenutek pred svojimi očmi ujamem s pritiskom prstov. V tisti tisočinki sekunde Zemlja za sabo pusti že pripravljeno podobo, medtem ko se sama vrti okoli svoje osi; ali pa je šlo za blag, nepozaben trenutek sedanjosti, zgoščen v eno samo podobo. Pa vendar se zdi, da je naše nerazumevanje fotografije najbolj globoko utemljeno v mitih, ki obkrožajo to »sedanjost«.

    Moja najljubša fotografska dela velikokrat pripovedujejo o pravokotnem svetu, kot ga prikazuje objektiv fotoaparata, o nekem trenutku v teku, ki se ponavadi zgodi tik pred ali po pritisku sprožilca. Odločne in ostre oči fotografa razkrivajo posledice fragmentov zgodbe, ali detajle, k katerim lahko stremimo v prihodnosti.

    V svetu fotografije ne poznamo sedanjika – njegova slovnica poudarja tisti trenutek, ko se preteklost in prihodnost križata, tisti čudoviti proces brisanja meja med razumom in čustvi skozi čas.

    Na svetu ni drugega jezika, v katerem bi bila dovoljena združitev preteklika in prihodnjika, pa vendar fotografija svojo zgodbo govori s takšno brezbrižnostjo. Naključni dogodek preteklosti in prihodnosti je na skoraj prosojnem fotografskem papirju spretno sestavljen – kakor priprava barv, ki jih umetnik nameša na paleto ali materin nežni dotik, ko hčeri spleta lase. S takšno predanostjo, ljubeznijo in nesebičnostjo fotografija beleži že udejanjene dogodke prihodnosti, odtise časa, meglene kakor mesečina...
    Osebno verjamem, da nobena fotografija ne more razložiti »trenutnega«, podobno kot zemljevidi mest, na katerih še tako radovende oči ne najdejo označenega ne vhoda ne izhoda."

    - Simon Chang (Slovenski prevod by Hana Čeferin / Galerija Fotografija)

    * * * * * *

    * TAM-TAM's Street Gallery enters 2021 with an exhibition by documentary photographer Simon Chang, which was co-produced with the Photography Gallery. A series of color photographs on three canvases of Vegova Street in Ljubljana will be on view between 12 January and 8 February 2021.

    https://tam-tam.si/simon-chang-pretekli-dogodki-prihodnosti/

    https://galerijafotografija.si/artists/67-simon-chang/

  • present過去式 在 Facebook 的最讚貼文

    2021-01-10 00:36:38
    有 35 人按讚

    【Past Events of the Future】

    "Feather-light press of the shutter, an extraordinary instant before my eyes is captured with a snap of my fingers. Within that one-thousandth of a second, Earth leaves behind the image it packed to go as it spins along its axis; or perhaps it was a temperate, memorable moment of the present being condensed into a singular frame. Yet, myths surrounding that “present” seem to be our most deeply-rooted misunderstanding of photography.

    My fondest works of photography often tell of the rectangular world perceived by the camera’s viewfinder of some ongoing moment on this planet, usually just after or prior to the shutter button’s release. Discovered by the determined photographer’s razor-sharp eyes are the ripples in the wake of story fragments, or details to be yearned after in the future.

    There is no present tense in the world of photography—its grammar underscores that moment when the past and the future collide, that wonderful process of blurring the divide between reason and emotion with time.

    There exists no other language in this world in which concatenation of past and present tense is permitted, and yet a photograph tells its tale with such nonchalance. On wafer-thin photo paper, a fortuitous event of both the past and the future is deftly pieced together—like the preparation of paints on an artist’s palette or that of a mother’s delicate touch when braiding her daughter’s hair. With such devotion, affection, and selflessness, a photograph can ceremoniously record the fingerprints of time, hazy like moonlight, events of the future already satisfied…

    It is my belief that no photo is able to elaborate on a story about the “now”, much like city maps that indicate neither the entrance nor the exit for curious eyes somehow."

    - Simon Chang

    (English translation by Joan Wang)

    - - - - - -

    【關於未來的往事】

    輕觸快門，彈指間截取眼前某個獨一無二的瞬間，那千分之一秒地球自轉時忘記打包帶走的畫面，或凝結當下某個帶有溫度並值得紀念的瞬間 - 關於那個 ”當下” 的迷思，似乎是我們對攝影最根深蒂固的誤解。

    那些自己熱衷的攝影作品，通常講述的是快門釋放後或之前，地表上某個角落，透過相機觀景窗所見的那個長方形世界，執著的攝影者眼尖地發現了某段故事曾留下的波紋與未來將被懷念的細節。

    攝影世界裡沒有現在式，攝影語法強調過去與未來相遇的剎那，理性與感性的分野頓時間被模糊了的奇妙過程。

    世上也沒有任何一種語言其文法允許過去式與未來式併置。但一幅攝影作品卻可以如此瀟灑地說故事，就透過薄薄的一張相紙，輕巧地湊合了過去與未來的一樁喜事，像是畫家作畫時調色盤上顏料的配製，也如同母親溫柔的手指替女兒編辮子；如此隨心所致，深情而且無私，攝影作品行禮如儀捕捉了朦朧如月光般的時間指紋，那些關於未來的往事…

    我相信沒有任何照片能夠闡述一個關於 “現在” 的故事，就像坊間的地圖也從來不替讀者標記一座城市出口與入口的位置

    - 張 雍

    * TAM-TAM's Street Gallery enters 2021 with an exhibition by documentary photographer Simon Chang, which was co-produced with the Photography Gallery. A series of color photographs on three canvases of Vegova Street in Ljubljana will be on view between 12 January and 8 February 2021.

    https://tam-tam.si/simon-chang-pretekli-dogodki-prihodnosti/

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