【第31屆金曲獎 – 完整得獎名單】
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長期以來因為沒有聽中文歌的習慣,所以我從沒真正完整看完一次金曲獎。但今年不一樣,我很多喜歡的樂團和歌手,都入圍了今年金曲,加上今天剛好是德國的統一紀念日商店都沒開,我就索性開了包洋芋片,和大家一起看看今年金曲獎有什麼有趣的畫面。
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過程中我發現自己對中文歌...
【第31屆金曲獎 – 完整得獎名單】
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長期以來因為沒有聽中文歌的習慣,所以我從沒真正完整看完一次金曲獎。但今年不一樣,我很多喜歡的樂團和歌手,都入圍了今年金曲,加上今天剛好是德國的統一紀念日商店都沒開,我就索性開了包洋芋片,和大家一起看看今年金曲獎有什麼有趣的畫面。
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過程中我發現自己對中文歌的了解實在是少到一個極致,這也讓我反省了片刻,想著接下來的一年應該更努力深入了解台灣的市場與音樂故事。
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簡單來說就是我以為會得獎的都沒得啦哈哈哈哈哈哭
(有啦阿爆的年度專輯我有哈哈哈哈)
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因為了解的部分真的少之又少,就不多為這個獎項多做評價了。
恭喜每個得獎者,也恭喜入圍的所有人!
不管有沒有得獎,你們都是最棒的!
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以下是第31屆金曲獎完整得獎名單
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【演唱類 – 出版獎】
《年度專輯獎》
kinakaian 母親的舌頭/十一音像有限公司(十一音樂)﹙演唱者:阿爆(阿仍仍)﹚
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《年度歌曲獎》
Thank You 感謝《kinakaian 母親的舌頭》/十一音像有限公司(十一音樂)﹙演唱者:阿爆(阿仍仍)﹚
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《最佳國語專輯獎》
愛的呼喚/台灣索尼音樂娛樂股份有限公司﹙演唱者:王若琳﹚
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《最佳台語專輯獎》
裝潢/禾廣娛樂股份有限公司﹙演唱者:濁水溪公社﹚
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《最佳客語專輯獎》
戇仔船/THE SHIP OF FOOLS/山下民謠有限公司﹙演唱者:米莎﹚
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《最佳原住民語專輯獎》
kinakaian 母親的舌頭/十一音像有限公司(十一音樂)﹙演唱者:阿爆(阿仍仍)﹚
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《最佳音樂錄影帶獎》
紅《我肯定在幾百年前就說過愛你》/相知國際股份有限公司﹙導演:殷振豪﹚
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【演唱類 – 個人獎】
《最佳作曲人獎》
余佩真/昏你 feat.乱彈阿翔(The Wedding feat.Luantan Ascent)《真真(Jen Jen)》/亞神音樂娛樂股份有限公司﹙演唱者:余佩真﹚
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《最佳作詞人獎》
謝銘祐/路《路》/三川娛樂有限公司﹙演唱者:謝銘祐﹚
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《最佳編曲人獎》
KOBUDO 古武道/戰《失物之城》/雪人有限公司﹙演唱者:許哲珮﹚
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《最佳專輯製作人獎》
陳珊妮/Juvenile A/何樂音樂有限公司﹙演唱者:陳珊妮﹚
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《最佳單曲製作人獎》
謝銘祐/路《路》/三川娛樂有限公司﹙演唱者:謝銘祐﹚
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《最佳國語男歌手獎》
吳青峰/太空人/環球國際唱片股份有限公司
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《最佳國語女歌手獎》
魏如萱/藏著並不等於遺忘/台灣索尼音樂娛樂股份有限公司
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《最佳台語男歌手獎》
蘇明淵/善良的歹人/紅豆娛樂股份有限公司
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《最佳台語女歌手獎》
朱海君/朱海君 花開的時/Touch a star/豪聲唱片有限公司
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《最佳客語歌手獎》
米莎/戇仔船/THE SHIP OF FOOLS/山下民謠有限公司
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《最佳原住民語歌手獎》
盧靜子/盧靜子 尋樂/參拾柒度製作有限公司
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《最佳樂團獎》
滅火器(楊大正 Sam、鄭宇辰 ORio、陳敬元 JC、柯志勛 KG)/無名英雄/火氣音樂股份有限公司
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《最佳演唱組合獎》
Chick en Chicks(蔡奇龍; Kartina Flavia Hai)/作弊人生/複製貼上音樂製作有限公司
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《最佳新人獎》
持修/房間裡的大象/野聲音娛樂有限公司
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【演奏類 – 出版類】
《最佳專輯獎》
Ciao Bella/好有感覺音樂事業有限公司﹙演奏者:蘇聖育; 林冠良; 曾增譯﹚
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【演奏類 – 個人獎】
《演奏類最佳專輯製作人獎》
非/密閉空間/Flow, Gesture, and Spaces/派樂黛唱片有限公司﹙演奏者:非/密閉空間﹚
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《演奏類最佳作曲人獎》
大竹研/Okinawa《Ken》/山下民謠有限公司﹙演奏者:大竹研﹚
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【技術獎 – 個人獎】
《最佳裝幀設計獎》
何佳興/海光之聲/蘆葦花開音樂藝術文化工作室
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【技術類 – 出版獎】
《最佳演唱錄音專輯獎》
少年 The Younger Me/滾石國際音樂股份有限公司 (主要錄音人員:鄧緯聖、洪浚程/主要混音人員:林正忠、王俊傑(小K)/主要母帶後製人員:孫仲舒)
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《最佳演奏錄音專輯獎》
鍾興民作品集 Initial Value/果核有限公司 (主要錄音人員:李岳松、王家棟/主要混音人員:鍾興民/主要母帶後製人員:Bernie Grundman)
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【特別貢獻獎】
黃瑞豐
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明年如果有好好聽歌的話,再來好好跟大家聊聊金曲獎囉!
(但我們可以先來聊葛萊美XD)
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#1day1music #一日一樂 #20201003
#金曲31 #金曲獎 #完整得獎名單
#Music #musiccritic
#音樂 #音樂分享 #故事 #歌曲 #歌詞 #專輯 #樂評 #KO評
juvenile中文 在 游大東【鴻鵠志-影視筆記】 Facebook 的最佳貼文
【 第31屆金曲奬 】
受新冠肺炎疫情影響,以往在6月底舉行的台灣「金曲獎」,今屆(第31屆)推遲至今晚(3/10)7時於台北流行音樂中心舉行,大會早於7月底邀請孫盛希和李千那等公布入圍名單。
當中最能夠引起香港留意的是鄧紫棋(G.E.M.),她憑《摩天動物園》分別入圍「最佳國語專輯獎」、「最佳國語女歌手」、「年度歌曲獎」、「年度專輯獎」和「最佳作曲人獎」,亦是繼2013年憑《Xposed》獲提名之後,7年來再度有機會問鼎金曲歌后,與梁靜茹、楊乃文、王若琳、魏如萱及許哲珮力爭這項殊榮。
男歌手方面,近年獨立發展的蘇打綠(現稱 #魚丁糸)主音吳青峰,憑去年9月推出的首張個人專輯《太空人》,入圍「最佳國語專輯獎」、「最佳國語男歌手」、「最佳作曲人獎」,而爭奪「歌王」殊榮,青峰將要面對馬來西亞創作歌手黃明志、張震嶽、周華健、裘德以及J.Sheon的挑戰。新人獎方面,在香港擁有不少粉絲的9m88大熱入圍,她將與JADE、高爾宣、告五人、莫宰羊、楊士弘和持修爭獎。
另外,電影《少年的你》主題曲《Fly》,繼之前奪得「第39屆香港電影金像獎」的「最佳原創電影歌曲」之後,於「金曲獎」再下一城,負責編曲的蔡德才入圍「最佳單曲製作人獎」,而此曲由唱作歌手岑寧兒主唱。
【 第31屆金曲奬 ─ 演唱類部份入圍名單 】
年度歌曲獎:
《最高品質靜悄悄 Airplane Mode》/9m88
《遠行“Distant Journey”》/林生祥
《Without You》/高爾宣
《摩天動物園》/G.E.M.鄧紫棋﹚
《鬼島》》/黃明志、大支
《Thank You 感謝》/阿爆(阿仍仍)
《雙城記》/滅火器
最佳國語專輯獎:
《愛的呼喚》/王若琳
《摩天動物園》/G.E.M.鄧紫棋
《失物之城》/許哲珮
《Juvenile A》/陳珊妮
《藏著不等於遺忘》/魏如萱
《太空人》/吳青峰
最佳專輯製作人獎:
王希文、許哲珮/《失物之城》
陳珊妮/《Juvenile A》
陳建騏/《藏著並不等於遺忘》
黃少雍、阿爆(阿仍仍)/《kinakaian母親的舌頭》
Mike Green、滅火器/《無名英雄》
最佳國語男歌手獎:
周華健/《少年》
J.sheon/《巷子內》
張震嶽/《遠走高飛》
黃明志/《亞洲通話》
吳青峰/《太空人》
最佳國語女歌手獎:
王若琳/《愛的呼喚》
梁靜茹/《我好嗎?- 太陽如常升起》
G.E.M.鄧紫棋/《摩天動物園》
許哲珮/《失物之城》
楊乃文/《越美麗越看不見》
魏如萱/《藏著並不等於遺忘》
最佳新人獎:
9m88/《平庸之上》
JADE/《Nemo》
高爾宣/《#osnrap》
告五人/《我肯定在幾百年前就說過愛你》
莫宰羊/《幻想曲》
楊士弘/《壞米仔》
持修/《房間裡的大象》
最佳樂團獎:
TRASH/《Never Die》
告五人/《我肯定在幾百年前就說過愛你》
海豚刑警/《豚愛特攻隊》
茄子蛋/《我們以後要結婚》
傷心欲絕/《遜到簡直是個藝術品》
滅火器/《無名英雄》
神棍樂團/《神一樣的存在》
最佳演唱組合獎:
JADE/《Nemo》
Chick en Chicks/《作弊人生》
慢慢說/《1+1》
唐貓/《唐貓》
守夜人Night Keepers/《團體枕聊》概念EP
最佳音樂錄影帶獎:
《去年冬天》/導演:邱柏昶
《ZOEA》/導演:有機像素
《紅衣女孩》/導演:程偉豪
《我只在乎你》/導演:Robert Youngblood
《陪著你》/導演:姚國禎
《恐怖谷》/導演:陳珊妮
《紅》/導演:殷振豪
最佳單曲製作人獎:
杜振熙/《最高品質靜悄悄》
陳君豪/《派樂黛J7白蛇鑽》
蔡德才/《Fly》
謝銘祐/《路》
宋念宇/《默念你》
余佳倫、黃宣/《馬戲團》
最佳作詞人獎:
米莎/《若此身為樹/If I were a Tree》
陳昇/《她的每一天》
陳珊妮、呂士軒/《成為一個厲害的普通人》
李格弟/《Ophelia》
阿爆(阿仍仍)、王秋蘭(愛靜)/《1-10 ft. Dizparity》
謝銘祐/《路》
最佳編曲人獎:
剃刀蔣/《輸情歌》
Ryan Francesconi/《寒雨曲》
KOBUDO古武道/《戰》
曾仁義、洪子龍、張漢恭、戴曉君/《戰歌》
Dizparity/《kinakaian母親的舌頭》
最佳演唱錄音專輯獎:
《少年》/周華健
《二分之一》/Limi
《失物之城》/許哲珮
《Toliara》/Kilema
《BJ肆》/佛跳牆
*星光大道及頒獎禮現場直播:https://bit.ly/2SoBr1u
(03102020)
#游大東 #游大東影視筆記 #金曲獎 #金曲31 #鄧紫棋 #岑寧兒 #吳青峰 #許哲珮 #9m88 香港樂評 HKMC² 斐宇梧的中文唱片架 快樂的 做乜膠睇電視 金曲 GMA Music Picks
juvenile中文 在 柳俊江 Lauyeah Facebook 的最佳貼文
Stand up. Respect ✊
(Update: 中文繹版連結:https://www.facebook.com/329728177143445/posts/1800273350088913/)
“An open letter to Eric Kwok, and for everyone re homophobia, discrimination and bullying”
Dear Eric,
Imagine this. You are one of the contestants on a TV talent show. You are sitting in a room with other hopefuls and one of the judges walks into the room and demanded this: “Raise your hand if you are not homophobic.”
I’m very sure you will raise your hand.
You don’t have to answer me whether or not you really are homophobic. But stay with the feeling inside your mind. How do you feel?
Your feelings are most likely the same as the feelings of your contestants when you walked into a room and asked them to raise their hands to declare their sexual orientation publicly. Because in this day and age, homophobia is just as “controversial” as homosexuality, if not more.
The reason why I’m writing this open letter to you is because after reading your apology, I want to take the opportunity to address to you, and everyone out there, the need for proper etiquette regarding LGBT issues, and to address the forms of micro-aggression, bullying and discrimination the LGBT community faces everyday especially in the workplace.
I’m taking this incident seriously because from my personal experience, this is not just a one-time slip-up for you.
I remember long time ago I was so looking forward to meeting and working with you because you are, after all, Eric Kwok the great songwriter.
You were very friendly when we talked privately. Then I started to notice how once there were audiences, media or other people around and when the cameras were turned on, you would start making insinuating and demeaning gay jokes about me and in front of me. Jokes and comments even my closest friends wouldn’t dare to make in public.
At first, I didn’t really pay too much attention. I just brushed it off as juvenile and trivial. In fact, I had been so used to these jokes since growing up that I learned not to react much.
However, as time progressed and we worked on more occasions, the same thing would happen repeatedly. The teasing and the stereotypical gay jokes continued and you would make sure that the spotlight would fall on me afterwards. The jokes no longer felt light. They felt hostile, even vindictive.
In fact, it felt like bullying.
One of these incidents was well documented in tabloids back then and you can still look it up yourself on the internet.
I came to the realization that it was not just a one-time thing. I don’t know if it’s intentional or unintentional but it’s definitely a habit and a pattern.
So many questions would be in my mind every time after working with you. Why does Eric do that every time? Is he picking on me? Does he hate me? Is he homophobic? Does he think homosexuality is something funny? Does he do this to other people too? Did I do something that pissed him off? I remember I was nothing but courteous. So why do I deserve this?
I had no answers for all of these questions. All I knew was I became fearful of working with you, dreading what words would fall out of your mouth to put me in an awkwardly embarassing position. But still I tried to give you the benefit of the doubt. You’re from California you shouldn’t be homophobic. I even defended you in my head by telling myself to loosen up.
But it’s not just you. Throughout my years in the entertainment industry, I have encountered and endured so many chauvinistic “tough guys” who like to use homosexuality as a laughing stock or source of bad comedy which were all discriminating and demeaning, yet not funny.
It’s not only me. I’m sure many people of the LGBT community face this everyday in their workplace. People around them would claim their intentions were harmless but we all knew deep down that these “jokes” have the power to put people someone in an embarrassing, inferior and even threatening positions.
We kept quiet and tolerated. Sometimes we even felt obligated to laugh along just so we couldn’t afford to look “petty” or “stiff”, especially in front of people of higher authority and stature.
So Eric I want to ask you.
Why have you been so obsessed with my sexuality all these years?
Why are you so fascinated by other people’s sexuality?
Why is being gay such a huge issue to you even to this day that you had to make it the first thing you asked your contestants?
Why you also had to specifically make a post on social media about that fact you questioned people about their sexuality?
Why do you take so much pride publicly in your ability to guess who are the gay contestants even when they weren’t ready to share that information?
And most of all why do you find all this to be so funny?
To begin with one’s sexual orientation is a very personal thing which others have no right to intrude, even in the entertainment industry where you are supposed to be fine with “controversy”.
This is for you and everyone out there: using your power and authority to demand someone to declare his or her sexual orientation, especially in a work environment, is ancient, barbaric and unacceptable.
Kicking someone out of the closet is just pure evil.
The fact you did what you did, especially with your stature and on broadcast TV, is not only wrong, but also you are telling the Hong Kong audience that it’s alright to continue this form of intrusion and micro aggression that the LGBT community wants to see gone.
You’re leading a very poor example by giving Hong Kong audience the impression that being gay is still a taboo.
How are your contestants, who are boys of young age, going to offer new perspectives to the Hong Kong audience under your guidance if you perpetuate stereotyping and demonstrate to them that being gay is still an issue?
I feel sorry for any contestants who are in fact gay sitting in that room that day too. They must have been traumatized seeing the way you forced your inquisition. The impression you left them with is that the entertainment industry is still a very unfriendly place for gays. Is that what you want them to think?
But most of all, it’s the attitude, tone and manner with which you shared about this incident on social media, giving people the impression that any matter regarding sexual orientation is still something shameful and laughable, which is on top of list the thing that the LGBT community fights hard everyday to change.
When you said in your apology you “have great respect for gay people, especially their hard fight for equality” I became baffled as what you did, in the past to me or in that room to the boys, is the exact thing that makes the LGBT community’s ongoing fight for equality so difficult.
Putting people down, perpetuate stereotypes, heckling and ridiculing yet making it look OK is anything but liberal and respectful, or Californian. I don’t see any “entertainment values” that are of good taste if they are made up at the expense of other people’s struggle.
If this incident happened in America, where you grew up, you would’ve gotten yourself in such hot waters that you probably can’t get out of.
I just want you and everyone out there to know that it’s not okay. And it never was. Never will be.
Being “as liberal as it gets” is great. Having gay friends is great too. Having dinner with your gay friends is absolutely fabulous! Playing all these cards to avoid being labelled as “homophobic” is very convenient. But having class, empathy, kindness and authentic respect is a completely different territory. These don’t come automatically with backgrounds.
At this point you don’t owe me an apology. I just hope that after this incident you can really start working and living with the essences of a truly liberal and creative individual. Inspire changes and end stereotypes. Start new trends and break old patterns. Embrace and not segregate. Do the work.
I had been away from Hong Kong and the industry for a few years now. It breaks me heart that I have to write this sort of open letter when it’s already 2018. I want to make this industry a safer, nicer and more accepting place to work in when I return. I want members of the LGBT community in Hong Kong, who have been so supportive of me and my music, to also have safer and nicer working environment in their respective lives.
I don’t mind coming off as an over-reacting petty bitch with no sense of humour if my message finally comes through and everyone, including you, “gets it”. I rather have no sense of humour than a bad one.
To all the contestants of the show. If anyone ever asks you if you are gay and you are not ready to discuss, it’s OK to stand up for yourself and say this: “It’s a rude question to begin with. You have no right to get an answer from me to begin with. And it doesn’t matter. It SHOULDN’T matter. It’s 2018. I hope one day I can use my craft to inspire the world and to make this become a non-issue.”
But if you are ready to be open, you have my complete support and love.
Let’s hope that through acceptance, learning and effort, one day there will no longer be any “controversial questions”. Wouldn’t we like that Eric?
Yours truly,
Pong
#LGBT
#homophobia
#safeworkplace
#中文版稍後會有
Eric Kwok 郭偉亮
juvenile中文 在 人山人海 PMPS Music Facebook 的最佳貼文
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(Update: 中文繹版連結:https://www.facebook.com/329728177143445/posts/1800273350088913/)
“An open letter to Eric Kwok, and for everyone re homophobia, discrimination and bullying”
Dear Eric,
Imagine this. You are one of the contestants on a TV talent show. You are sitting in a room with other hopefuls and one of the judges walks into the room and demanded this: “Raise your hand if you are not homophobic.”
I’m very sure you will raise your hand.
You don’t have to answer me whether or not you really are homophobic. But stay with the feeling inside your mind. How do you feel?
Your feelings are most likely the same as the feelings of your contestants when you walked into a room and asked them to raise their hands to declare their sexual orientation publicly. Because in this day and age, homophobia is just as “controversial” as homosexuality, if not more.
The reason why I’m writing this open letter to you is because after reading your apology, I want to take the opportunity to address to you, and everyone out there, the need for proper etiquette regarding LGBT issues, and to address the forms of micro-aggression, bullying and discrimination the LGBT community faces everyday especially in the workplace.
I’m taking this incident seriously because from my personal experience, this is not just a one-time slip-up for you.
I remember long time ago I was so looking forward to meeting and working with you because you are, after all, Eric Kwok the great songwriter.
You were very friendly when we talked privately. Then I started to notice how once there were audiences, media or other people around and when the cameras were turned on, you would start making insinuating and demeaning gay jokes about me and in front of me. Jokes and comments even my closest friends wouldn’t dare to make in public.
At first, I didn’t really pay too much attention. I just brushed it off as juvenile and trivial. In fact, I had been so used to these jokes since growing up that I learned not to react much.
However, as time progressed and we worked on more occasions, the same thing would happen repeatedly. The teasing and the stereotypical gay jokes continued and you would make sure that the spotlight would fall on me afterwards. The jokes no longer felt light. They felt hostile, even vindictive.
In fact, it felt like bullying.
One of these incidents was well documented in tabloids back then and you can still look it up yourself on the internet.
I came to the realization that it was not just a one-time thing. I don’t know if it’s intentional or unintentional but it’s definitely a habit and a pattern.
So many questions would be in my mind every time after working with you. Why does Eric do that every time? Is he picking on me? Does he hate me? Is he homophobic? Does he think homosexuality is something funny? Does he do this to other people too? Did I do something that pissed him off? I remember I was nothing but courteous. So why do I deserve this?
I had no answers for all of these questions. All I knew was I became fearful of working with you, dreading what words would fall out of your mouth to put me in an awkwardly embarassing position. But still I tried to give you the benefit of the doubt. You’re from California you shouldn’t be homophobic. I even defended you in my head by telling myself to loosen up.
But it’s not just you. Throughout my years in the entertainment industry, I have encountered and endured so many chauvinistic “tough guys” who like to use homosexuality as a laughing stock or source of bad comedy which were all discriminating and demeaning, yet not funny.
It’s not only me. I’m sure many people of the LGBT community face this everyday in their workplace. People around them would claim their intentions were harmless but we all knew deep down that these “jokes” have the power to put people someone in an embarrassing, inferior and even threatening positions.
We kept quiet and tolerated. Sometimes we even felt obligated to laugh along just so we couldn’t afford to look “petty” or “stiff”, especially in front of people of higher authority and stature.
So Eric I want to ask you.
Why have you been so obsessed with my sexuality all these years?
Why are you so fascinated by other people’s sexuality?
Why is being gay such a huge issue to you even to this day that you had to make it the first thing you asked your contestants?
Why you also had to specifically make a post on social media about that fact you questioned people about their sexuality?
Why do you take so much pride publicly in your ability to guess who are the gay contestants even when they weren’t ready to share that information?
And most of all why do you find all this to be so funny?
To begin with one’s sexual orientation is a very personal thing which others have no right to intrude, even in the entertainment industry where you are supposed to be fine with “controversy”.
This is for you and everyone out there: using your power and authority to demand someone to declare his or her sexual orientation, especially in a work environment, is ancient, barbaric and unacceptable.
Kicking someone out of the closet is just pure evil.
The fact you did what you did, especially with your stature and on broadcast TV, is not only wrong, but also you are telling the Hong Kong audience that it’s alright to continue this form of intrusion and micro aggression that the LGBT community wants to see gone.
You’re leading a very poor example by giving Hong Kong audience the impression that being gay is still a taboo.
How are your contestants, who are boys of young age, going to offer new perspectives to the Hong Kong audience under your guidance if you perpetuate stereotyping and demonstrate to them that being gay is still an issue?
I feel sorry for any contestants who are in fact gay sitting in that room that day too. They must have been traumatized seeing the way you forced your inquisition. The impression you left them with is that the entertainment industry is still a very unfriendly place for gays. Is that what you want them to think?
But most of all, it’s the attitude, tone and manner with which you shared about this incident on social media, giving people the impression that any matter regarding sexual orientation is still something shameful and laughable, which is on top of list the thing that the LGBT community fights hard everyday to change.
When you said in your apology you “have great respect for gay people, especially their hard fight for equality” I became baffled as what you did, in the past to me or in that room to the boys, is the exact thing that makes the LGBT community’s ongoing fight for equality so difficult.
Putting people down, perpetuate stereotypes, heckling and ridiculing yet making it look OK is anything but liberal and respectful, or Californian. I don’t see any “entertainment values” that are of good taste if they are made up at the expense of other people’s struggle.
If this incident happened in America, where you grew up, you would’ve gotten yourself in such hot waters that you probably can’t get out of.
I just want you and everyone out there to know that it’s not okay. And it never was. Never will be.
Being “as liberal as it gets” is great. Having gay friends is great too. Having dinner with your gay friends is absolutely fabulous! Playing all these cards to avoid being labelled as “homophobic” is very convenient. But having class, empathy, kindness and authentic respect is a completely different territory. These don’t come automatically with backgrounds.
At this point you don’t owe me an apology. I just hope that after this incident you can really start working and living with the essences of a truly liberal and creative individual. Inspire changes and end stereotypes. Start new trends and break old patterns. Embrace and not segregate. Do the work.
I had been away from Hong Kong and the industry for a few years now. It breaks me heart that I have to write this sort of open letter when it’s already 2018. I want to make this industry a safer, nicer and more accepting place to work in when I return. I want members of the LGBT community in Hong Kong, who have been so supportive of me and my music, to also have safer and nicer working environment in their respective lives.
I don’t mind coming off as an over-reacting petty bitch with no sense of humour if my message finally comes through and everyone, including you, “gets it”. I rather have no sense of humour than a bad one.
To all the contestants of the show. If anyone ever asks you if you are gay and you are not ready to discuss, it’s OK to stand up for yourself and say this: “It’s a rude question to begin with. You have no right to get an answer from me to begin with. And it doesn’t matter. It SHOULDN’T matter. It’s 2018. I hope one day I can use my craft to inspire the world and to make this become a non-issue.”
But if you are ready to be open, you have my complete support and love.
Let’s hope that through acceptance, learning and effort, one day there will no longer be any “controversial questions”. Wouldn’t we like that Eric?
Yours truly,
Pong
#LGBT
#homophobia
#safeworkplace
#中文版稍後會有
Eric Kwok 郭偉亮