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[爆卦]jafar mbti是什麼？優點缺點精華區懶人包

雖然這篇jafar mbti鄉民發文沒有被收入到精華區：在jafar mbti這個話題中，我們另外找到其它相關的精選爆讚文章

在 jafar產品中有78篇Facebook貼文，粉絲數超過2萬的網紅This is Mr. B，也在其Facebook貼文中提到， 仲有Jafar 同Queen of Hearts. 一年只有Halloween 先有更多機會可以見到呢班Disney Villains 出嚟. 要把握機會....

　同時也有73部Youtube影片，追蹤數超過32萬的網紅PepperChacha，也在其Youtube影片中提到，❤ IG ส่วนตัว: http://instagram.com/chacharitaa ❤ IG สกุชชี่และของเล่น: http://instagram.com/pepperchacha ❤ IG squishy spam: http://instagram.com/pepp...

「jafar」的推薦目錄

jafar 在 Mallow @ DOKKAN Instagram 的精選貼文

2021-09-16 02:33:28

HAPPY BIRTHDAY JAMIL VIPER!! 🎉🐍 Photos thanks to UMo! Facebook is giving me a headache as I try to post and therefore I am now late so… yeah. BUT I’...

  • This is Mr. B

    jafar 在 This is Mr. B Facebook 的最佳解答

    2021-09-18 22:53:35
    有 493 人按讚

    仲有Jafar 同Queen of Hearts.

    一年只有Halloween 先有更多機會可以見到呢班Disney Villains 出嚟. 要把握機會.

  • jafar 在 Facebook 的精選貼文

    2021-09-05 12:00:11
    有 189 人按讚

    很榮幸接受《美國之音》採訪，這次主題是受邀談香港電影審查。

    ．
    雖然在採訪中以伊朗作為例子，但其實案例之間還是存在差異。以賈法．潘納希（Jafar Panahi）為例，他在被軟禁期間，繼續以行車記錄器等各種方式進行「偷拍」，然後設法送出檔案去參展得獎，而且不止一次。若是當局要讓他拍都不能拍，難道還不缺辦法？這也說明伊朗政府仍然在意潘納希所獲得的國際聲援，並沒有打算完全將他逼到絕境。

    ．
    但針對中國導演，乃至未來的香港導演所面臨的處景，恐怕沒有這麼樂觀。我不認為中共未來不會願意給任何創作者這種空間，中國模式終究不會是伊朗模式，真要說，恐怕會更接近北韓模式。也如文中所說，終究目的就是洗腦，讓下一代、下下一代的香港觀眾都只能接觸到中共覺得「安全」的訊息，進而篡改歷史。

    ．
    納粹掌握大權時，很多德國電影工作者紛紛逃亡，代表性的例子包括佛列茲．朗（Fritz Lang）。未來會不會有香港指標性導演選擇來到台灣等其它國家創作？以史為鏡，其實是必然，而且已經正在發生。只是香港導演移居之後能否立刻融入當地的創作環境，又是另一個挑戰。

    ．
    近年香港劇變，對未來華語電影發展方向，將會形成深遠影響。值得繼續觀察。

    美國之音粵語網 #美國之音

  • jafar 在 Facebook 的最佳解答

    2021-08-27 18:57:04
    有 3,806 人按讚

    100 PHIM CHÂU Á XUẤT SẮC

    1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
    2. Rashomon (Kurosawa Akira, 1950) – Japan
    3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
    4. The Apu Trilogy (Satyajit Ray) – India
    5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
    6. Seven Samurai (Kurosawa Akira, 1954) – Japan
    7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
    8. Spring in a Small Town (Fei Mu, 1948) – China
    9. Still Life (Jia Zhang Ke, 2006) – China
    10. The Housemaid (Kim Ki-young, 1960) – Korea
    11. Close Up (Abbas Kiarostami, 1990) – Iran
    12. A One and a Two (Edward Yang, 2000) – China
    13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
    14. Oldboy (Park Chan-Wook, 2003) – Korea
    15. Late Spring (Ozu Yasujiro, 1949) – Japan
    16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
    17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
    18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
    19. The Music Room (Satyajit Ray, 1958) – India
    20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
    21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
    22. Raise the Red Lantern (Zhang Yimou, 1991) – China
    23. Sopyonje (Im Kwon Taek, 1993) – Korea
    24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
    25. Spirited Away (Miyazaki Hayao, 2001) – Japan
    26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
    27. Mother (Bong Joon-ho, 2008) – Korea
    28. Poetry (Lee Chang-dong, 2010) – Korea
    29. A Separation (Asghar Farhadi, 2011) – Iran
    30. A Touch of Zen (King Hu, 1969) – Taiwan
    31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
    32. Mandala (In Kwon Taek, 1981) – Korea
    33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
    34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
    35. The River (Tsai Ming-Liang, 1997) – Taiwan
    36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
    37. Awaara (Raj Kapoor, 1951) – India
    38. Floating Clouds (Naruse Mikio, 1955) – Japan
    39. Pyaasa (Guru Dutt, 1957) – India
    40. The Lonely Wife (Satyajit Ray, 1964) – India
    41. The Cow (Dariush Mehrjui, 1969) – Iran
    42. Red Sorghum (Zhang Yimou, 1987) – China
    43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
    44. Farewell My Concubine (Chen Kaige, 1993) – China
    45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
    46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
    47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
    48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
    49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
    50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
    51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
    52. The House is Black (Forough Farrokhzad, 1963) – Iran
    53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
    54. Scattered Clouds (Naruse Mikio, 1967) – Japan
    55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
    56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
    57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
    58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
    59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
    60. Children of Heaven (Majid Majidi, 1997) – Iran
    61. Osama (Siddiq Barmak, 2003) – Afghanistan
    62. West of Tracks (Wang Bing, 2003) – China
    63. Paradise Now (Hany Abu Assad, 2005) – Palestine
    64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
    65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
    66. The Goddess (Wu Yonggang, 1934) – China
    67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
    68. Street Angels (Yuan Mizhi, 1937) – China
    69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
    70. Mother India (Mehboob Khan, 1957) – India
    71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
    72. Good Morning (Ozu Yasujiro, 1959) – Japan
    73. Paper Flowers (Guru Dutt, 1959) – India
    74. The Naked Island (Shindo Kaneto, 1960) – Japan
    75. Intentions of Murder (Imamura Shohei, 1964) – Japan
    76. A Man Vanishes (Imamura Shohei, 1967) – Japan
    77. Holiday (Lee Man-hee, 1968) – Korea
    78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
    79. Insiang (Lino Brocka, 1976) – Philippines
    80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
    81. Batch ’81 (Mike de Leon, 1982) – Philipines
    82. Taipei Story (Edward Yang, 1984) – Taiwan
    83. The Runner (Amir Naderi, 1985) – Iran
    84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
    85. Ju Dou (Zhang Yimou, 1990) – China
    86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
    87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
    88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
    89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
    90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
    91. The White Balloon (Jafar Panahi, 1995) – Iran
    92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
    93. Hana-bi (Kitaro Takeshi, 1997) – Japan
    94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
    95. Chunhyang (Im Kwon Taek, 1999) – Korea
    96. The Color of Paradise (Majid Majidi, 1999) – Iran
    97. The Poet (Garin Nugroho, 1999) – Iran
    98. Blackboards (Samira Makhmalbaf, 2000) – Iran
    99. The Circle (Jafar Panahi, 2000) – Iran
    100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

    #whatever

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