#就係香港實習同學BackstageStory #Tobie篇

走進店舖，往往如走馬看花，視線輕率滑過四周，步履只作日常所需的短暫停留。但當我認真凝視每個空間角落，便意識到背後歷史的重量。當為土瓜灣的蝦記麵店和永香冰室做資料搜集的時候，我本著好奇心仔細觀察店舖每一細節。一幅畫，一件裝飾品，不只因著美觀原因而懸在牆上，內裡還藏著一個個等待被發掘的故事，它們正是空間裡有形的歷史。

當記憶隨時間變質，實體空間的經歷便是通往過去的最佳門徑。但唯有藉著現場互動，才能將過去記憶活現眼前，這是對著電腦搜尋網上資料無可比擬的連結。透過這張拼貼，我希望能保存在兩間老店經歷轉眼即逝的瞬間，凝住內裡的故事與記憶，並將之展現人前。但願在傢俬與鋪面招牌磨損裡透現出來的一份人情世故，將來亦繼續有人珍惜、關注。

*永香冰室於1959年開業，在永耀街一隅見證了土瓜灣半世紀變遷。經典劇集《大時代》及近年得獎電影《踏血尋梅》等影視作品，曾在此取景。

*蝦記麵廠，另一土瓜灣半百老字號，以新鮮手工製蝦子麵聞名。店舖至今仍保留前鋪後廠的格局。

We often dismiss or glance over interiors of shops and cafes. They become brisk stops where we do our weekly shop and nothing more, but having to inspect and analyse each facet of a space has led me to realise the depth and historical significance these old stores hold. When doing research for Har Kee Noodle and Wing Heung Cafe, I was encouraged to perceive each and every aspect inquisitively. Each photograph on the wall, each piece of decor perhaps wasn’t only there for mere aesthetic intention. Behind each aspect was a story to tell, one which represents a tangible history of the space. With perishable memories and the temporal notion of emotion, I found that connecting with the physical space was the best way to engage with the past. Researching online was one thing, but having this information set against the backdrop of where it all happened brought these memories to life. And by creating a collage, I wanted to highlight the preservation of a fleeting moment, memory encased and stories retold in these physical spaces. The wear and tear of furniture and iconic shopfront signs held a sense of sentimentality which I hope others will be more wary of in the future.

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Tobie，21歲，心理學畢業生，兼職插畫家。

*書中刊登為中文版本，由實習生Marcus及Tobie採訪，Jess翻譯成中文。

#就係香港2020秋季號#Remap土瓜灣生存手冊#老店 #本地創作

哈囉~我是阿津，歡迎來觀看我的遊戲實況直播影片( ´ω`)
pc steam BioShock Infinite Burial at Sea dlc 生化奇兵 無限之城 海葬二部曲 動作射擊
歡迎來觀看生化奇兵:無限之城(BioShock Infinite)的遊戲影片，這次3代與2代的遊戲風格非常的不同，一掃往常陰暗詭異的海底世界場景，來到了華麗且充滿各種神奇機械與特殊能力的天空城市:哥倫比亞，我們操作的主角叫做booker(布克)，在故事開頭我們只知道布克為了還債而被委託去帶回一名神秘女子。
海葬的故事開始於布克接受了熟女伊麗莎白的委託，出發去尋找一名失蹤的女孩莎莉。
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Elizabeth experiences a vision of Paris at the turn of the 20th century, in which she spots Sally and gives chase; the peaceful setting turns nightmarish and Elizabeth is forced to witness Sally burning. Elizabeth wakes up shortly after the events of Episode One, where Atlas (Karl Hanover) is ready to kill her while his men remove the corpse of Comstock and capture Sally. A vision of Booker appears to her and tells her information to give to Atlas about Dr. Suchong (James Yaegashi), who Booker claims can help Atlas escape the sunken department store in exchange for returning Sally. Left alone, Elizabeth begins to explore the store and finds her dead body impaled to the wall. She realizes that she was killed by the same Big Daddy that impaled Comstock. A brief flashback reveals that the Luteces assisted Elizabeth in implementing a plan to bring events to a conclusion she is happy with. The plan had a hefty price: it collapsed her quantum-superposition, effectively leaving all alternate versions of herself in their own respective universes, and removed her ability to open tears and seeing into potential futures. This left Elizabeth armed with only her knowledge from her books and random flashes of memory of what she saw behind the doors, including glimpses of future events. Elizabeth continues onward, assured that she chose this option and that everyone involved would play out their parts that she previously had seen to reach her desired conclusion. The voice of Booker, who states he is simply a facet of Elizabeth's subconscious, helps to guide her through the Splicers that still inhabit the store.