這件【明 湯煥 遊西山詩 Poems on Traveling to the Western Mountains, Tang Huan, Ming dynasty (1368-1644)】混合了楷書、行書和草書，不但沒有違和感，還讓人覺得獨樹一格！
🔽釋文：（附圖為全件局部）
秋日宿西山臥佛寺。西日猶在山。暮烟已生樹。馬首緣岡迴。僕夫指前路。側逕遙解鞍。空林散狐兔。衲子慣逢迎。惜茲煩禮數。方丈花木深。供張混妍素。坐覺萬籟虛。月采波光注。蟲鳴露下莎。蔬剪霜前瓠。幾年塵鞅間。觸此烟霞痼。中夜魂夢清。心地欣如故。胡不聞琅璫。車音乃驚寤。因思出世難。山靈亦成誤。 遊香山寺。秋晴山暖野花發。小雨石徑無塵埃。果園槭槭響墮葉。香澗泠泠漱古苔。危磴千盤但佛閣。藏舟一壑為玄臺。漫言人世與茲絕。上方金碧令心哀。鄰初道人。
🔽書法賞析：
本幅書寫〈秋日宿西山臥佛寺〉、〈遊香山寺〉自作詩兩首，書法受元代「雜體書」影響，混雜楷、行、草和章草四體，唯筆法更加自由奔放，獨樹一幟。
🔽關於湯煥：
湯煥（生卒年不詳），字堯文，號鄰初。浙江杭縣人，隆慶四年（1570）舉人。善書法、精篆刻，高士奇（1644-1703）謂其「以書法稱於時，蓋從晉人蹊徑而入者。」
🔽 Tang Huan (dates of birth and death unknown), had the style name Yaowen and the sobriquet Linchu. A native of Hang County in present day Zhejiang, he passed the imperial examinations at the provincial level in the fourth year of Ming dynasty emperor Longqing's reign (1570). Tang was both a talented painter as well as an expert carver of seals. Gao Shiqi (1644-1703) once said of Tang, "renowned in his own lifetime for his calligraphy, he embarked upon his path by studying the Jin dynasty masters."
🔽 This work contains two poems, entitled "Taking Lodging at Lying Buddha Temple in the Western Mountains in Autumn" and "A Trip to Fragrant Hills Temple." Revealing the influence of Yuan dynasty "mixed script," its calligraphy contains a blend of kaishu, xingshu, caoshu, and zhangshu (regular script, cursive script, grass script, and draft script, respectively). However, clearly marching to the beat of his own drummer, Tang writes in a manner freer, bolder, and more untrammeled than his influences.
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🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html

本季的筆墨見真章，照例地，策展人依書法從古到今發展的歷程，為觀眾挑選了多件不同時代的名家精品（展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html），期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞：
　　此帖行草書兩行：「大道久不下，豈先未然耶。」拖尾有趙孟頫（1254-1322）至元丁亥年（1287）跋：「龍跳天門，虎臥鳳閣。」此帖筆畫腴潤圓柔，第一行「大」字到「下」字，連筆而書，最後一字「耶」的末筆拉長，收筆加粗，成彎弧狀。由於王羲之（303-361）沒有這類書法風格的作品 傳世，故多數論者認為可能是米芾（1052-1108）的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html

本季的筆墨見真章，照例地，策展人依書法從古到今發展的歷程，為觀眾挑選了多件不同時代的名家精品（展件清單請看這 👉https://theme.npm.edu.tw/exh109/calligraphy10907/ch/page-3.html），期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞：
　　此帖行草書兩行：「大道久不下，豈先未然耶。」拖尾有趙孟頫（1254-1322）至元丁亥年（1287）跋：「龍跳天門，虎臥鳳閣。」此帖筆畫腴潤圓柔，第一行「大」字到「下」字，連筆而書，最後一字「耶」的末筆拉長，收筆加粗，成彎弧狀。由於王羲之（303-361）沒有這類書法風格的作品 傳世，故多數論者認為可能是米芾（1052-1108）的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html