「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

麗池甜品小舖 Ritz Paris Le Comptoir

即使在疫情最嚴峻的時期, 相對於其他餐飲, 甜品仍舊處在一個蓬勃活耀的狀態. 儘管糕餅巧克力店因為被迫關閉無法營業最重要的銷售節日(復活節, 聖誕節）。

看過去年在Neflix上片的紀錄片The Chef in a Truck嗎? 我沒有.

因為疫情嚴峻時期看得到喫不到那種折磨煎熬一點都不好玩. 只有在媒體上看到介紹是巴黎麗池酒店糕餅主廚 – 一個年輕小鮮肉François Perret – 開著一輛貨車在南美洲到處去發掘各地的庶民小吃. 特別是甜點.

拍攝完影片他悄悄回巴黎, 在大家的期待下(以及麗池雄厚的資金與媒體關係加持下)開幕了這家餅麵麵包兼三明治小舖.

說它是”小舖”, 是真的不大, 70平方米的空間而已.

入口不在梵登廣場上的酒店, 而是香奈兒總店所在的rue Cambon. 想當年香奈兒每天就是穿過這條小街去店裡工作或是回酒店房間睡覺. 不過, 那時她可沒有這麼好喫的甜點.

知名廚師開新店重點就是要端出新東西或是新概念(總要讓媒體記者有梗可以寫啊). 麗池小舖的新東西是: 重新詮釋, 顛覆傳統三明治(好浮濫的用詞).

據說(據說啦), 三明治是18世紀一個叫John Montagu的人發明的, 他的黃金比例是七成麵包三成夾心料. 當然, 那時還是農業苦力的時代, 外食需要的是粗飽, 麵包比例當然要高很多.

我們這個人人拼拼吃, 各各努力減(肥)的現代的需要正好要倒過來, 黃金瘦身比例是三成麵包七成夾心餡.

當然, 小鮮肉主廚不單是翻轉三明治的比例(這也太簡單了, 不足以彰顯主廚是有巧思的), 還重新思考如何在這個疫情時代能更方便享受三明治而手不會沾染到食物, 以及大家都心知肚明又不敢講的驚人事實: 為什麼麵包總是比嘴大, 我們老是喫到東西掉一地, 嘴角都是美乃滋!!!!!

這是三明治史上的轉戾點: 主廚將麵包設計成可入口的細長條狀, 中心則是U型凹槽, 方便填入夾心餡料. (講的這麼驚天動地, 啊熱狗不就是這樣?)

目前就是最經典的三種口味: 麗池最知名的俱樂部三明治(雞肉), 燻鮭魚, 蔬菜.

同樣的道理, 主廚也把巴黎人的早餐可頌和巧克力麵包都改成大小適口細長條狀, 讓大家不再喫得最好的酥脆外皮碎屑掉一地. 雖說失去”可頌croissant”這個字本意(牛角或半月)但是實在太好喫了, 酥脆鬆軟, 奶油香十足. 再說, 巧克力麵包則是從頭到尾每一口都有巧克力(傳統的就沒有這種爽快了).

因此名稱不符都值得原諒了…

然後, 重點裡的重點來了, 主廚重新詮釋, 顛覆傳統(又來了!)的瑪德蓮蛋糕. 傳統瑪德蓮是沒有內餡的, 這是不但有心, 還在外層加碼上一層糖霜glaçage, 看起來油亮光鮮麗, 色彩誘人. 帶了一盒回家竟然一下子全嗑光, 實在太不滿足了!

瑪德蓮有七種口味 - 傳統杏仁, 巧克力, 覆盆子, 桑葚, 焦糖… - 甚麼? 還有兩種我沒嘗到?!

等開幕後再去補足. 口亨.

不過, 不過, 小舖的網紅焦點是主廚新創的喝的糕點飲料”boisson pâtissière”. 創作概念就是將製作糕餅的元素轉換成可引的液體飲料, 讓上班族或是不便坐下來品嘗甜點的人可以帶著走: 加了餅乾的AOC奶品, 液體焦糖栗子, 手打酸奶… 最後在上面擠上topping(烤可可豆, crumble…)增添酥脆口感.

這是他在墨西哥開著貨車旅行時得到的靈感. (最爽的是主廚親手調配端上來的, 好高級～ 我好虛榮…)

沙沙的口感頗像我們的綠豆沙, 加上鮮奶油, 其實是一杯很濃郁飽足感十足的”飲料”. 如果你想來品嘗, 千萬別把它當搭配甜品的飲料, 而是一份甜品.

好, 現在你知道下次來巴黎去哪裡嘗最新的甜點了吧?

對了, 最後我要大推季節限定的野草莓蛋糕fraises des bois. 是當天最得我心的作品, 可惜還沒開賣, 我只能當場喫, 不能買回家…

沒關係, 下禮拜就衝去. 口亨.

再插播一下: 感謝日本在6月4日這麼有意義的一天派班機JL 809班機給台灣送暖, 恩情載天, 不敢或忘.

Ritz Paris Le Comptoir, 38 rue Cambon 75001.
周一至周六8h-19h.
6月7號正式開賣.
目前僅有Click & Collect, 不開放內用.

#疫情之中_台灣甜點業現況解析 / How does the Taiwan pastry industry cope with the pandemic and what can we do?

台灣疫情持續緊繃，昨日台北市政府宣佈全面禁止餐飲內用、新北市在今日跟進，而全台也有數個餐飲集團及百貨公司宣布停止內用服務，對餐飲業者打擊自然巨大。但 #甜點業呢？#和餐廳業者又有什麼不同？我在今天下午詢問幾位開業的朋友們，討論、整理了一些重點，希望能和大家分享。

先說結論，和巴黎在疫情之中，甜點業者衝擊較小、甚至有逆勢開業的狀況不同，台灣由於店家型態、消費模式、以及氣候（沒錯，氣候對甜點業者、尤其是法式甜點業者的影響，比你想像的還要大得多）等完全不同，#許多店家的營業額在這幾日已掉至原來的一半以下，長期而言更不樂觀。但 #目前並沒有快速_單一的解方，需要政府、店家、消費者與外送平台和運輸業者共同努力，才有可能面對長期的挑戰。

1. #甜點業特性：

不似在法國甚至巴黎，甜點並非台灣人生活中的必需品，在生活受限的當下能夠隨時被割捨。而對台灣人來說，甜點的消費很大部份與「下午茶」連結，需要有良好氣氛、舒適環境，還要有朋友的陪伴歡聚，才有消費的意義。因此，當內用風險增高、甚至完全被禁止時，內用的消費也不見得會轉移至外帶。

而與去年三、四月時的肅殺氣氛不同，當時僅是面對新型病毒的不確定性，現在則是每天數百人確診的高風險，政府呼籲「自主性封城」，因此外帶人口也大幅減少。去年母親節，我所有開店的朋友們都接到爆量母親節蛋糕訂單，但今年室內群聚的風險增高、也有不得超過五人的規定，因此包括慶生、節日慶祝的大蛋糕訂單也消失。

2. #推出外送服務緩不濟急：

- 首先是全台宅配業者皆已超出負荷，現在更面臨政府鬆綁法定工作時數上限，許多宅配與運輸從業人員皆工作不堪負荷。

- 甜點、特別是法式甜點，因結構脆弱，其實先天就不適合宅配，更何況還要冷藏宅配。許多宅配業者以機車配送，其實對甜點來說相當高風險，若途中商品毀壞，即使有時是由平台補償，也同樣增加消費糾紛的可能、影響店家商譽及未來消費者再度預訂的信心，店家需要額外耗費心神處理。

- 各外送平台各有優缺點，沒有完全理想的選擇。UberEats、Foodpanda 等會一次接數單，因此商品送達時間拉長，再加上以機車運送，品質確實可能受到影響；過去一年來動作積極的 Cutaway 卡個位則需要預訂，對有即時消費衝動特性的甜點來說也不完全友善。

另，外送平台的抽成比例極高，UberEats 與 Foodpanda 皆為 35%、Cutaway 則為 25%，另外還有平台租費、上架費、營業稅與服務年費等費用。不需要抽成、單純經營快遞運送服務的 Lalamove 則因為不需抽成，且單單專送等特色，在這陣子獲得許多餐飲業者青睞及討論。

不過，Lalamove 雖分為機車與包車兩種選項，對甜點業者來說，品質最有保證的是包車快遞，但由於運費計算方式以里程計算，較其他平台來得高，不見得是消費者心中的第一選項。另外，一位極為在意自家甜點品質的朋友私下透露，許多 Lalamove 的車況較為老舊，且司機不見得會在停車取餐時保持冷氣開放，現在才五月，但炎熱的天氣讓她光是在門口交單就已膽戰心驚。

而 Lalamove 既然只提供運送服務，那便表示消費者與店家需自行接洽前端訂餐與後端取餐事宜，需要一一處理訂單、退貨，甚至是叮囑客人手機記得開機、接電話，並在送貨時協助聯絡顧客，否則商品無法順利送達。

順帶一提，目前如黑貓與台灣宅配通等宅配業者，雖然有低溫宅配，但明訂禁止運送鮮奶油蛋糕與冰品，若執意要送，後果須自負，因此跨縣市的低溫甜點運送同樣風險很高。但天氣炎熱，即使是冷藏或冷凍宅配，也可能在運送途中因為理貨或其他因素，而被置放在車外，難以保證其品質。

3. #員工人力調度：

如果外送平台不盡理想，那是否可以將部分員工的工作轉為快遞親送呢？這也需要因應各店家的人力配置，除了找出有駕照及交通工具者以外，還要重新商討相關交通安全問題、做好準備措施。

如同開頭所說，台灣的甜點業者很難和巴黎甜點業一樣，在疫情中享受到部分紅利。巴黎的社區型店家居多、社群連結緊密，不僅對餐飲業本身有根深蒂固的需求與文化驕傲，甜點也確實扎根在生活中。外帶習慣和疫情之前相同，所以線上訂購自取模式（click & collect）很快建立。

另外，雖然宅配系統建置極為初階，外送員大部分騎著腳踏車運送，但巴黎市區範圍小（台北市是巴黎的 2.7 倍大）、氣候相對怡人，在去年最熱的夏季，店家又剛好全數開放，因此外送條件的確有些並非台北、甚至台灣能夠相比。

目前台灣仍在三級警戒中，包含雙北市長與許多前線醫護人員都直言疫情不容樂觀。如果情況持續、甚至可能升溫，那我們究竟可以做些什麼？

1. #政府：

在公共衛生安全與維持經濟中平衡本就不易，需要提前構思相關企業財務援助方案、思考如何度過難關，法國（以及世界其他各國）去年的慘狀已經給我們很多前車之鑑。提供參考，今年四月底，法國政府公布從疫情之初到 2021 年三月底，法國政府為企業投入的財務援助達到 2060 億歐元之譜，佔全年國民生產毛額近 1/10，而 2020 年財政赤字則逾國民生產毛額 3.9%，超過歐盟穩定與成長公約規定的 3% 上限。

2. #甜點店家：

雖然情況嚴峻，許多人都還在觀望之中，但應該徹底檢視現有的業務與產品特性，找出在當下最適合的經營模式，暫時捨棄不適合的商品。由於疫情難以預測、政府的政策也是即時宣佈，需要接受現實、迅速應變。也可以房東商討是否有房租減免的可能，度過重災期。如情況嚴峻，需轉型或是縮小營業範圍，則可能需要痛下決定。

後疫情的世界很可能不會恢復原樣，因此長期須調整經營模式與商品設計，或投入更多資源在外送、外帶、獨立用餐、消費者 DIY 等服務上。

3. #物流業者：

有心的物流業者可思考擴編人力及加碼投資冷藏、冷凍商品配送系統的長期策略。就算沒有疫情，宅配服務也將持續成長；當前局勢更加速消費型態的改變，並非短期星火。若能因此開創新局，會是消費者、物流與商家三贏。

4. #消費者：

去年疫情之中，我在巴黎的許多 Instagramers 好友，也發起鼓勵店家、支持消費的活動，許多業者才有幸度過難關。目前不適合跨區移動、外送也有其限制，因此，除了在選擇外送平台時選擇對店家友善的平台外，能夠以行動支持社區店家非常重要。雖然在家手作甜點很療癒，但若能在允許範圍內偶爾在附近商家外帶，也是同島一命的體現。

照片中是巴黎最古老的甜點店 Stohrer, la plus ancienne pâtisserie de Paris 的甜點櫃，這家甜點店自 1730 年開幕以來已近 300 年，同樣也挺過一整年疫情的重擊。台灣目前沒有同樣歷史悠久的店家，也許以後有機會，但沒有大家的守護，無論是新進還是老店，它們的存續可能就在當下轉瞬。

🔖 延伸閱讀：

1. #疫情之下的法國餐飲業

2. 經此一疫，甜點店是未來餐飲業新希望？https://tinyurl.com/y9mjrd78

#yingspastryguide #yingc #covid19 #新冠肺炎 #疫情 #台灣 #三級警戒 #餐飲業 #甜點 #法式甜點 #疫情之下的台灣甜點業

#盧覓雪玻璃朱 #盧覓雪 #玻璃朱 #視點31 #視點31足本 #奧花雲費 #網絡欺凌 #收視率 #廣告商 #彈鐘 #是日娛樂八卦新聞 #FBI微表情 #娛樂八卦 #Smarttravel #香港電台 #RTHK #Viutv #193 #TVB #Mirror #Error #姜濤 #調教你mirror #姜濤mirror #花姐mirror #起底 #玻璃朱 #撐警 #足本版 #娛樂節目 #社會責任 #視點31 #杜汶澤 #還原P圖 #玻璃朱 #真面目 #是日娛樂新聞重點推介 #在晴朗的一天出發 #oprahwinfrey


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.........................
講返呢場口水擂台先啦 , 實力太過懸殊 , 其實 冇乜嘢值得好講 , 即係等於黃一山同埋李小龍打, 三個字已經講完, 冇得fight, 只不過咁, 我哋網民一向都好鍾意食花生日呀, 咁梗係喺佢哋今個口水擂台之中, 睇下有啲乜嘢畀我哋傾下笑下啦. 由於我上一條影片已經講咗佢頭七分鐘嘅花生, 你哋仲未睇既麻煩自己喺呢條影片我放咗條link, 慢慢lun返, 我就由佢哋第八分鐘開始講.



延續返上次主持問佢哋代鬧藍營廣告商不夠堅定
電視台或藝人被觀眾定型，甚至被投射想法，被劃分為黃藍，玻璃朱認為是被扣顏色帽子，甚至令她及其他藍營藝人失去廣告商的支持，沒job做，「我自從撐警之後，我所有KOL job冇晒！

.....................
此時，雪雪立即代玻璃朱出頭：「我覺得我要幫你鬧啲廣告商，好簡單啦，譬如你見到黃嗰啲，你見到好堅實㗎，邊間慘就全村人去排隊，話要去『懲罰』佢，咁點解藍營嗰啲人又唔去『懲罰』吓撐藍嗰啲人㗎呢？」

呢個我可以幫佢答 , 因為某一批人只係講利益嘅啫 , 你有蛇齋餅粽係咪出現囉 , 你叫佢自己暗錢去嗰啲餐廳食嘢支持下? 你請佢去就差唔多 , 點解有啲舖頭有人去排住隊懲罰 ,有啲舖頭就拍烏蠅 , 功利現實同埋良心,已經解釋咗點解有啲舖頭冇人幫襯嘅現象.我認為係一個商業社會,你做好你本身嘅分是就已經夠啦,不如話你係做餐廳嘅做好啲食物,你係做演員嘅就應該做好你嘅表演,咁就未已經解釋咗點解有啲餐廳,同埋藝員冇表過態,都一樣可以生存到,你又自己冇job, 嘉欣你唔係做緊自己行業內嘅事吖嘛.你硬要同嗰班插頭沖出嚟差吖嘛'. 咁當然亦都唔排除呢個peter仔啦 ,警嫂 ,明嘅明嘅 ,

...................
Michelle.姐亦都有喺節目講, 佢自己都有好多藍色藝人, 但係都冇同藍營嘅藝員朋友割席, 如果佢覺得因為立場唔同而同呢一啲朋友割席就係好Clichés, 即係好老土, 好陳腔濫調食古不化咁解 ; 我自己都係呀我身邊......................班人自己去分黨分派啫 .人哋商業電台同埋blue tv都冇分顏色 ,一樣接廣告接到手軟 .如果你話大家收入少咗 ,亦都可能係因為近排疫情 ,廣告商都好謹慎去落廣告 ,Budget有限就要好審慎搵邊啲代言人㗎啦 ,

提到電視台近日風起雲湧，MIRROR及ERROR的人氣更高到一個誇張的地步，雪雪認為：「我覺得呢個...................MIRROR及ERROR被指努力，很多TVB藝人或歌星亦很努力，雪雪再出擊：「呢個先最奇妙吖嘛！大台啲人冇人睇，弱台……弱到唔弱嘅嗰啲收視率都唔識計嘅，好低嘅，呢度就有個世代問題。你大台依然靠傳統嗰個收視率，幾點畀咩你睇，

呢度有少少補充 , 而家計算電視收視率嘅, 係一間國內有份投資嘅公司 , 你話你一個數據出嚟嘅準確度, 佢哋係喺放部機去大約一個數目嘅家庭做sample collect data , 如果真係咁高收市嘅 , 廣告商都唔識得喺你個台落廣告 , 咁你係咪鬧曬成香港嘅廣告相係豬呀 .


Michelle姐繼續講, 但而家啲後生仔根本唔鍾意跟住個時間表（電視節目表）去做人，佢哋有自己個agenda，.................真係就係咁講㗎啫，我成日都落旺角食飯，可能我呢啲樣周街都係啦，都叫做有自知之明, 旺角邊條街呀 , 係咪砵蘭街呀

佢話: 一樣之嘛，其實我本身對MIRROR係一啲反感都冇㗎！（有冇睇過類似演出？）睇過啲咪傳媒報道同埋啲片，我覺得都charm嘅，嘩, 表 , 打撚到呢
但係奈何地，我覺得過份地報道到某一啲位係反感……即係嗰啲叫反效果呀，sorry。」

雪雪聞言，立即笑問玻璃朱：「當年你有冇嬲譚詠麟同張國榮霸晒啲娛樂版？某程度都係一樣，再退多幾十年，我未出世嘅年代，蕭芳芳同陳寶珠都霸晒嗰啲版面，我啲前輩話畀我聽，當任白紅嘅時候.

之後，玻璃朱認為電視台計收視點數在世界各地通行，指這是很多國家的指標，
下刪3000字, 我都講咗因為而家無線tvb佢哋用嗰個計算收視率嘅機制, 廣告商知道係唔準確, 所以咪唔用呢個收據畀生意你做囉, 你估廣告商白痴嘅咩

Michelle姐就好簡短咁樣用咗兩三句說話已經打發咗你條仔細啦, 而家啲人係睇view數, 係如話好多外國公司youtuber InstagramFacebook,如果你去買like擺roadshow嘅話畀人check到成個袋都冇埋㗎大佬, 唔可以做數㗎, 你估.................呢啲外國公司可以好似淘寶咁樣去買票數, 微博有幾百萬成千萬個鐵粉咩, 如果你youtube畀埋bell數 , 我都做啦 , 不過後果自負, 人哋係用ai去scan 你有冇出古惑 , 一經發現 , 你成個台一夜之間冇咗㗎喇 ,金賢咁嘅系統 你先至可以喺個 YouTube view數嗰度反映到 , Artist歌手嘅受歡迎程度呀嘛 . 你啲數就真係堅 . 嗰時代喺度變遷緊㗎啦 ,
Michelle姐都講咗啲人睇完之後仲會share㗎嘛 , 咁你收視率 係用部機係佢連接個sample家庭嘅電視機 , 你點樣分享呀 . 人哋個個上網睇㗎啦 , 連啲廣告商我係多咗喺個網上面放廣告㗎 , digital Marketing ,你懂不懂呀

講講下唔夠人講佢就轉話題 ,
：「其實我覺得唔止兩個電視台嘅競爭，因為有太多唔同嘅平台，例如Netflix呀，上網睇內地節目，或者外國節目……」此時雪雪在旁邊笑邊搖頭說：「如果拉埋其他去討論，其實冇乜討論空間，Netflix我哋做唔到嘛，我哋係本地電視製作呀……我嘅着眼點唔會放喺電視台度，根本就係所謂娛樂節目嘛，譬如網上有好多本地年輕人嘅，亦都好高hit rate，好多人支持，甚至好多客落廣告，即係只要你有創意有人欣賞，自然錢呀，人呀乜都嚟晒。」

拿玻璃珠唔係我唔醒你啦, 喺度幫你宣傳埋你個youtube channel啦 , 那他我對你幾好 , 你哋如果覺得佢有誠意嘅 , 都可以去surprise佢 , 我慣好公道㗎 , 佢無非都係想出名啫 , 係呀網上係有好多選擇 , 有萬鳩幾個人支持你呀 , 我覺得唔差喎 .


講真嗰句 , 如果你真係教人煮嘢食嘅話 , 咪撚講咁多廢話 , 我覺得佢煮嘢食未必差得過媽媽張嘅 ,不過你係都要拆出嚟冇辦法 .為仔死為仔亡 ,餵仔撐男 先至有得上床 .

到最後, 玻璃豬呀 , 都係兜返去tvb嘅藝人 畀人哋網絡欺凌 , 收頭 , Michelle姐姐講到有啲冇耐性, 長話短說 , 佢都係話兩邊都有畀人欺凌呀 ,

咁我就做個總結 , 覺得佢哋而家冇廣告接就話收到人哋欺凌 , 不如大家都各自做返自己份內嘅款項先..............................
因此香港用這個計算觀眾人數是完全冇問題，但雪雪即插口說並不同意其說法。「我做咗娛樂記者好多年，一直覺得詬病嘅，就係如果TVB嗰個所謂嘅點數，只不過係幾多戶人裝咗部機去做一個projection，但而家係實際一個view我click入去，好清晰話畀你聽呢個（點數）唔代表晒我哋嗰批人囉。我唔係話個計法冇代表性，而係佢個代表性唔係做畀觀眾睇，而係做畀廣告商睇，廣告商攞住呢堆嘢去落廣告咁解。」

玻璃朱指網上跨平台7日數據，通常只有少於10%人去睇，計起上來只有兩點收視，因此不要說計算收視率沒有指標性，認為落廣告始終需要靠一個收視率去做。她說：「全世界都用緊嘅嘢，唔明點解我哋突然間唔buy囉！」雪雪即反擊說：「唔係buy唔buy，而係制度改變咗，而我哋繼續用緊舊制度去對應一個新時代，係不合時宜，我只能夠講當ViuTV正常播節目嘅時候，其實都好低收視率，佢重播都好少人睇，但你同人講，個個都講到喎，點解呀？因為我可以攞嗰條片去share，即使你冇去Viu任何平台去睇，不過你去咗我個平台睇咗，好多人share出去，咁呢個係一個新嘅模式，而呢個數字係可以好龐大嘅。」

發牌機構已包含道德底線
節目中，主持問到玻璃朱有否覺得TVB有問題，她想了想說：「我覺得TVB其實進步緊，自從志偉哥（曾志偉）返咗入去之後，例如以前淨係得星夢嗰一班人，但起碼你入返四大唱片公司入去，將成個音樂層面，即係我哋細細個好looking forward去睇嘅《勁歌金曲》，點解呢幾年搞到咁差，講真，我都覺得有冇搞錯呀？我哋都好開心終於有返個良性競爭喇，你哋唔使再講咩一台獨大，譬如最近ViuTV好有noise，我哋都啦，王晶都有屎尿屁啦，哈哈，呢啲出唔出得街㗎？我覺得每一個層面嘅觀眾，我哋都要迎合嘅，但係低俗到某一啲位，我都想講一講呢個節目（《ERROR自肥企画》），佢低俗到某一啲位係去到朋輩欺凌，我最驚係細路仔會覺得原來整蠱人係咁好玩，我又擺個波去炸吓佢下體先！」

此時雪雪就糾正玻璃朱的說法，指這個原本是一個有懲罰性的遊戲節目，每個人都有機會受罰，因此不存在朋輩欺凌問題。作為家長的玻璃朱就話擔心小朋友，雪雪即說：「你個仔都瞓咗覺啦……你哋成日話道德底線，道德底線對於一間發牌機構入面，只要你唔犯例，香港係冇人理你喎！」

離題扯Netflix討論
此台，例如Netflix呀，上網睇內地節目，或者外國節目……」此時雪雪在旁邊笑邊搖頭說：「如果拉埋其他去討論，其實冇乜討論空間，Netflix我哋做唔到嘛，我哋係本地電視製作呀……我嘅着眼點唔會放喺電視台度，根本就係所謂..............娛樂節目嘛，譬如網上有好多本地年輕人嘅，例如試當真游學修等嘅人，全部好有誠意、好有諗法，佢哋亦都好高hit rate，好多人支持，甚至好多客落廣告，即係只要你有創意有人欣賞，自然錢呀，人呀乜都嚟晒。」

堅稱黃人欺凌藍人
玻璃朱和雪雪在結尾時，終於擦出火花，雙方舌劍唇槍你一言我一句，但玻璃朱來來回回不斷強調「網絡欺凌」，實係嗰邊都suffer緊，都係事實嚟！」玻璃朱：「咁起碼啲藍人唔會欺凌啲黃人，啲藍人唔會走去V同藍兩批人，黃嘅人同樣受欺凌吖嘛，我而家惟有局住代表佢哋去講嘢啦，嗱！你又代表藍去講嘢啦！」而玻璃朱此時強撐說：「我都係講嗰句啦，欺凌嘅話，有一邊係零舍嚴重啲嘅，你哋成日話要爭取自由，點解唔畀自由人哋，我覺得係講唔通囉！」

#將軍澳 #日出康城 商場　#TheLOHAS 2期
商場樓面高達約31萬方呎，佔整個商場面積超過約65%，涉及商戶將會超過70間。而與商場緊連的港鐵康城站B出口以及公共交通交匯處屆時亦會開放，方便居民出入。
https://www.facebook.com/thelohasmall/
商場租戶組合方面，餐飲食肆及消間娛樂各佔四分一，餘下五成為零售超市等生活所需的店舖。此外，該商場引入各種嶄新科技以加強管理效率，以及提升顧客服務質素及整體購物體驗，並劃出特定空間，提供一系列智能客戶服務及數碼互動娛樂體驗區。

將軍澳全新地標 「The LOHAS康城」位於日出康城中央，佔地約48萬平方呎，以「Better Together」為理念，務求將『更好的』帶入日出康城，連繫整個社區，為居民及顧客帶來最好的體驗。

商場新開放更多設施和區域，包括將軍澳區內最大型影院英皇戲院，提供6個影院及超過800個座位。
商場內更設有佔地近一萬平方呎的全新期間限定店專區「The LOHAS Collect」，將引入特色店舖及新興品牌，首輪商戶集本地創作，文青小店，生活家品及特色飲料等超過20個品牌。

當自己和團隊另一人助理租務經理梁躍昊與一些網店老闆見面時，對方都半信半疑，都花了不少時間去講解LOHAS Collect的計劃，亦發現不少老闆身兼正職同時用兼職心態實踐自己創業夢。她認為LOHAS Collect既可以提供一個平台給一眾小店接觸自己的顧客群，可以面對面與對方交流，獲得對方對產品的感受，幫助小店營運，公司又可籍LOHAS Collect的計劃，給商場客人一個驚喜，向他們介紹平時少接觸的品牌。

YOHO MALL 形點座落西鐵線元朗站，佔地110萬方呎，是新界西和新界北最大型商場。由新鴻基地產發展的一項千億地產項目：YOHO sesies的商場項品。位於香港新界元朗元龍街9號及朗新界西和新界北最大型商場。由新鴻基地產發展的一項千億地產項目：YOHO sesies的商場項品。位於香港新界元朗元龍街9號及朗日路8號。日路8號。商場現分三期組成，第四期商場興建中。YOHO Midtown商場早於2010年10月落成，原打算空置至2013年正式啟用。但其後發展商希望待YOHO第二期商場落成後，連同翻新後的新元朗中心商場一同啟用，以增加商場吸引力。新鴻基地產在2015年4月20日宣布，YOHO Midtown商場將於2015年第3季率先啟用，並連同新元朗中心商場成為YOHO Mall 形點一期。而YOHO第二期商場（Grand YOHO Development）則被視作YOHO Mall I的擴展部分（YOHO Mall 形點二期），原預計最快於2017年3月啟用，現延遲至同年第三季啟用。商場由AGC Design設計，部份範圍模仿日本六本木Tokyo Midtown內的商場設計意念，用灰鏡及木條美化商場。而主中庭設有4間擁有8米特高店面設計的商舖，為租戶提供更大的空間設計店面。項目設1,500個車位，共6個車場入口，每層商場均有落客區，最特別各商場間是設有行車天橋連接，方便顧客前往不同商場部分，是全港首個有同類設施的商場。形點I（YOHO Mall I）樓高3層，面積為249,000平方呎。地下及1樓設佔地逾3萬平方呎的戶外餐飲長廊。1樓為各式店舖，2樓為H&M及Homeless家品店。當中地下設有一個15萬平方呎的大型廣場及綠化園林，以模仿日本六本木（Tokyo Midtown）的公共空間概念。公眾可以在園林綠色草坪欣賞翠綠景致，或觀賞公共雕塑。廣場有5,000平方呎空間作戶外推廣場地，場內亦有3個室內空間進行推廣，預計可同一時間舉辦不同活動，例如Pop-up Store、音樂會、展覽會等。實行將YOHO MALL形點打造成不單是消費商場，更加是港人消閒共聚的地方。地下以高檔食肆為主，包括IKI Teppanyaki Bento、高級西班牙菜Iberico & Co. Kitchen & Bar、Brotzeit German Bier & Restaurant、一杯鐵板燒居酒屋、The Sky Bar、美心旗下的Simplylife及Applegreen。但該層所有食肆並不設座位等候區供食客等候。1樓以時裝服飾為主，佔商戶組合50%，有40%為首度進駐新界西北區。商場面積最大的商舖為1樓的Zara，佔地2.2萬方呎（Zara在商場租用兩間商舖），其次為Collect Point。[7]其他租戶包括Hollister、Victoria's Secret、Calvin Klein、Clarks、Geox、Giordano Ladies、EVISU、Designal、Jack Wills、Pandora、Superdry、Swatch、inital以至i.t.旗下的AAPE、Chocoolate、Camper、Fred Perry及izzue等。7-11便利店、東亞銀行亦會在商場1樓營業。食肆大多以高檔消費為主，九成食肆是首度進駐新界西北，包括家上海、安南、caffe HABITU、Pizza Express、純壽司、丼吉日本吉列專門店餐廳、黑瀧板蕎麥專門店、人氣爆谷專門店Garrett及Holly Brown咖啡室。「安南」、Pizza Express及Holly Brown咖啡室外設有戶外平台，唯目前處於空置狀態。1樓戶外亦設花園平台，目前擺放LAAB設計的巨型迴轉滑梯，唯花園不設閒座區供遊人休憩。2樓原規劃作美食廣場，但最終改為1.8萬方呎複式舖H&M及全港最大的Homeless家居店，內設北歐主題餐廳Salt Recipes。其餘部份為停車場及YOHO Midtown住客會所。形點 II商場前稱新元朗中心，總面積280,000平方呎，樓高4層（底層不設商店），主攻女性服裝、化妝品、潮流配飾店、運動零售店、旅行社及連鎖電器店。食肆包括Bread Talk、Toast Box、太興燒味、茶木‧台式休閒餐廳（太興飲食集團）、甘味手打烏冬專門店、利小館、譚仔三哥、快餐店麥當勞、滿記甜品、百樂潮州酒樓、Pepper Lunch、鴻星海鮮酒家及Starbucks。商場暫時設有一間超級市場為Fusion（百佳超級市場姐妹超巿）。商場內大部份範圍以白色為主調，洗手間外設軟座閒坐區，全新洗手間則採用豪華設計。新鴻基地產佔87.5%權益。發展中的形點I擴展部分（Yoho Mall I Extension）總樓面面積475,000平方呎，樓高3層，以雙層行人天橋連接形點I。提供多個國際時裝品牌、美容、珠寶鐘錶、兒童服裝及中式菜館等商戶。地下設百老匯院線MY CINEMA戲院，佔地5.5萬平方呎，提供1間全新界最大IMAX戲院及7間普通戲院，合共1,200個座位，落成後是全港面積最大的IMAX戲院。1樓以國際時裝品牌及珠寶鐘錶店為主，包括agnès b.、Cocktail、DURBAN、Nike Kicks Lounge、UNIQLO等。鐘錶珠寶配飾店有8間，包括6000方呎的太子珠寶鐘錶、周生生、周大福、六福珠寶、ROLEX、TUDOR、Folli Follie、TISSOT。商場近行人天橋連接YOHO Midtown以美容化妝品牌為主，有34間，包括Dior、Lancôme、Shiseido、SK-II、shu uemura、Kheil's、MAC、benefit、JOYCE Beauty、The Body Shop、MAC及ORAGINS等。佔地逾2.1萬平方呎一田百貨超級市場已於商場開業。食肆大多以高檔消費為主，包括王子飯店、MANGO TREE Cafe、美心旗下Urban Bakery、PAPER STONE麵包店、鮨穴、法國甜品Pâtisserie Tony Wong、GODIVA、韓式炸雞NeNe Chicken、Glasshouse及利苑酒家。
1樓戶外設休憩場地「白鷺花園」，以藝術手法呈現元朗特色。包括裝設白鷺雕塑、以橫水涵為概念的座椅及蘆葦燈效。2樓設兒童天地及運動店，包括玩具反斗城、Chicco、CHICKEEDUCK、Kingscow、0/3baby COLLECTION、兒童家具店FLEXA、Book Castle、FILA、AIGLE等。其他租戶包括實惠家居、大眾書局、J Select、SINOMAX及蓆夢思。食肆包括Outback Steakhouse、小玉牛肉麵、翡翠江南、霸王川莊、北京樓、福建中菜館「莆田」、御前上茶、日本菜拉麵「金田家」、B.Duck Cafe等。商場內設面積約1,200平方呎的永東集團跨境巴士候車室，提供行李儲物櫃及免費Wi-Fi上網等服務，亦設專櫃代購高鐵等車票，方便內地旅客到來。