[爆卦]capsule成員是什麼?優點缺點精華區懶人包

雖然這篇capsule成員鄉民發文沒有被收入到精華區:在capsule成員這個話題中,我們另外找到其它相關的精選爆讚文章

在 capsule成員產品中有15篇Facebook貼文,粉絲數超過3萬的網紅VOP,也在其Facebook貼文中提到, #新刊出版 New release!!!​ ​ Voices of Photography 攝影之聲​ Issue 30:美援視覺性──農復會影像專題​ U.S. Aid Visuality: The JCRR Issue​ ​ 本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史...

 同時也有101部Youtube影片,追蹤數超過172萬的網紅黃氏兄弟,也在其Youtube影片中提到,*疫情期間大家要嚴謹遵守相關防疫規定,戴上口罩勤洗手,非必要盡量待在家裡減少外出,自己和大家的健康都要照顧喔! 頻道會員全新改版啦!快加入頻道會員吧👉https://reurl.cc/KAp7ng .. 短暫的新成員Guri要離開了... 這陣子有牠的陪伴真好, 我們小公主回家也要繼續想我們喔~ ...

capsule成員 在 黃氏兄弟 Instagram 的精選貼文

2020-09-07 14:02:11

返校日3表演當天的景象還是歷歷在目,依舊還是超級感動,台下每一雙炙熱的眼神都讓我們享受在其中,最要感謝當天到場的每一位觀眾以及背後默默付出、辛苦的工作人員了。 一場表演有賴背後無數辛苦付出心力的工作人員,謝謝 Capsule和每一位工作人員在活動前後的付出,幫我們成就了這一場見面會,真的很謝謝你們...

  • capsule成員 在 VOP Facebook 的最讚貼文

    2021-07-28 22:13:57
    有 382 人按讚

    #新刊出版 New release!!!​

    Voices of Photography 攝影之聲​
    Issue 30:美援視覺性──農復會影像專題​
    U.S. Aid Visuality: The JCRR Issue​

    本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。​

    成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。​

    冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。​

    其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。​

    此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。​

    本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。​

    在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。​
    _____________​

    ● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!​

    購書 Order | https://vopbookshop.cashier.ecpay.com.tw/​
    _____________​

    In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.​

    Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.​

    How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.​

    Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.​

    In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.​

    Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.​

    Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.​

    _____________​

    Voices of Photography 攝影之聲​
    vopmagazine.com​
    _____________​

    #美援 #農復會 #冷戰 #台灣 #攝影​
    #USAID #JCRR #ColdWar ​
    #Taiwan #photography
    #攝影之聲 #影言社

  • capsule成員 在 小男孩樂團 Men Envy Children - MEC Band Facebook 的精選貼文

    2020-04-13 17:55:56
    有 106 人按讚

    『小男孩 X 黃氏兄弟 超大膽合作』
    這次是真的「小男孩x小男孩」合作啦😂😂😂
    和百萬人氣YouTuber 黃氏兄弟一起惡整黑羽大大
    超嗨的啦哈哈哈(對不起🙏🙏)

    謝謝 CAPSULE 黃氏兄弟和我們一起 Rock You 10 !!

    -
    另外,原定上週末中職開幕戰因雨又延期
    新的賽程請關注:
    CPBL 中華職棒 Rakuten Monkeys 最新消息
    開幕戰也會有我們的線上音樂會
    記得收看哦!!🤟🤟

    -
    整人PRANK六點準時首播🤪
    👉https://youtu.be/cTJ8GgmFyuw

    #一起RockYou10

  • capsule成員 在 泥泥汝niniru Facebook 的最佳解答

    2019-09-24 17:30:00
    有 491 人按讚

    百位YouTuber一起運動真的太嗨了啦
    好喜歡主持哈哈哈哈哈
    也很感謝部長,合作起來很棒!

    是很美好的回憶
    我會努力進步變更好的!

    也感謝Canon提供相機拍攝
    真的很讚 優點我都幫大家整理好了!
    記得看影片!
    Canon G7X Mark III 介紹:http://bit.ly/2krT1UU

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