和大家分享一些在黃昏結束和入夜前的拍攝，這個系列沒有在展場出現，但是因為中秋節，想和你們分享和月亮有關係的作品。帶點雲霧的月光，有光暈的話，媽媽都和我說明天一定是晴天。

拍攝如果在北海岸的黃昏時分結束，真的很幸運，除了夕陽之外，也可以靜靜地坐著等待入夜前的靛藍，如果又有月亮，一整天拍攝的辛勞都被天空美麗顏色的漸層過渡洗滌了。

入秋了，傍晚很想去海邊再坐一坐，中秋節快樂。

展覽宣傳文字：

M I L D
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W I L D

Mild as the sea, wild as the rock
Unwoods 攝影個展
solo photography exhibition.

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日期｜9.11 (六) - 11.11（四）,Mon-Sun 12:00-22:00
地點｜ @homeys.cafe
地址｜106台北市大安區敦化南路一段236巷36號
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一趟探險中的自我投射

讓心靈與肢體於曠野延展
隨著浪花漂浮消退
凝固在岩壁裡
與草木浮光 隨興的融合為一

以多重曝光的拍攝手法，凝結當下所有元素，挖掘不斷流動的
肌理、光影、溫度⋯重建人與自然環境的親密關係。

A journey into self-projection.
Into the thick of wilderness, fade with the waves, solidify in the rock, and merge with the floating light of the green.
Condense all the elements of the moment by multiple exposures. Through exploring the texture, temperature, colors, light, and shadow, rebuild the intimate relationship between the human body and nature.

Unwoods a.k.a 高敏修(b.1986)
台灣·台東·卑南射馬干人影像創作者，自由攝影師。
擅長以攝影重曝手法結合人像與自然元素。

Net Goes Green 可持續發展輕食禮盒 ($188)
-
時裝美妝購物網站NET-A-PORTER首次聯同 Between Coffee，
即日起至9月26日期間喺Between Coffee
嘅中環大館分店同NET-A-PORTER網上平台推出輕食禮盒，
包括一份吉列植物肉三文治、
兩件豆腐芝士撻同一杯芝麻椰子奶或直接貿易咖啡，
仲會附送可用於NET SUSTAIN平台購物嘅HK$100折扣優惠碼💵

為迎合同推廣NET SUSTAIN嘅理念原則，
呢份輕食禮盒都選用返本地食材入饌，
三文治加入本地種植嘅紫心番薯同羽衣甘藍，
紫心番薯粉糯綿密且香甜自然🍠
貼心地將三文治垂直擺放所以竹炭麵包依然鬆軟乾爽並無因醬汁而變得濕爛，
而吉列植物肉外層炸衣亦能夠保持酥脆，
配以日式唐辛子粉蛋黃醬同燒汁，
整體口感層次分明而味道上比較輕盈清淡🌱

豆腐芝士撻餡料以本地豆腐混合忌廉芝士而成，
口感軟滑呈流心狀而撻皮則保持鬆脆，
淡淡豆香同芝士奶香相輔相成甜而不膩，
出乎意外地有驚喜令人意猶未盡😍
直接貿易咖啡入口溫和帶有薑花、檸檬同烏龍茶味，
芝麻椰子奶將黑芝麻奶加上椰子奶入口濃郁醇厚🥥
.
————————————————————-
📍Between Coffee (中環)
中環荷李活道10號大館賽馬會藝方2樓
————————————————————-
.
.

《 #籠罩下的巨大哀愁 》
正式開展啦～
歡迎各位到台北當代藝術館

/
詳細資訊｜https://reurl.cc/bXy09v

________________________________________________

A Dark Cloud of Sorrow Looms Over

by Yu-Jun LIN

Late mornings and sleepless nights. Frustration. Anxiety.

They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

Chung Chih Ting｜I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00

特別感謝｜ 贊助單位
厭世會社 @mis.society

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社

Man Mo Temple, located within a 15-minute walk from the main market, is not only the oldest temple in Mui Wo where generations have prayed to Chinese deities since the Ming Dynasty in the 16th century, but it is also where disputes over silver mining were resolved. Situated at the midway point between Pak Ngan Heung, which translates as “white silver village,” and the Silvermine Cave, it served as a court where villagers came for conciliation before going to work or home.

Originally a lead ore mine, the silver extracted among the minerals inside the Silvermine Cave had attracted flocks of miners. Walking along the waterfalls from Man Mo Temple, one reaches the lower cave of the mine where the mining activities took place. In 1886, Tien Wah Mining Company established by Chinese developer Ho A-mei started large-scale mining operations in the area, which were later passed to other entrepreneurs including Tong King-sing and Xu Run. The mining finally came to a halt in 1896 due to the poor quality of the silver minerals.

https://hk.appledaily.com/feature/20210131/IECSGWDAQNHLDLADQIVAIS5GKA/

影片:
【我是南丫島人】23歲仔獲cafe免費借位擺一人咖啡檔 $6,000租住350呎村屋：愛這裏互助關係 (果籽 Apple Daily) (https://youtu.be/XSugNPyaXFQ)
【香港蠔 足本版】流浮山白蠔收成要等三年半 天然生曬肥美金蠔日產僅50斤 即撈即食中環名人坊蜜餞金蠔 西貢六福酥炸生蠔 (果籽 Apple Daily) (https://youtu.be/Fw653R1aQ6s)
【這夜給惡人基一封信】大佬茅躉華日夜思念 回憶從8歲開始：兄弟有今生沒來世 (壹週刊 Next) (https://youtu.be/t06qjQbRIpY)
【太子餃子店】新移民唔怕蝕底自薦包餃子 粗重功夫一腳踢 老闆刮目相看邀開店：呢個女人唔係女人(飲食男女 Apple Daily) https://youtu.be/7CUTg7LXQ4M)
【娛樂人物】情願市民留家唔好出街聚餐 鄧一君兩麵舖執笠蝕200萬 (蘋果日報 Apple Daily) (https://youtu.be/e3agbTOdfoY)

果籽 ：http://as.appledaily.com
籽想旅行：http://travelseed.hk
健康蘋台： http://applehealth.com.hk
動物蘋台： http://applepetform.com

#MuiWo #ManMoTemple #MingDynasty #Mine #Lantau
#果籽 #StayHome #WithMe #跟我一樣 #宅在家

郵資不足Insufficient Postage - 音樂實驗劇場Music Experimental Theatre

“We are our choices.”
― Jean-Paul Sartre

2018年8月10日，地平線航空（Horizon Air）機械員工29歲理查羅素（ Richard Russell），突然開走一架龐巴迪Dash 8 Q400客機，機上雖然沒有其他乘客，但軍方出動2架F-15戰機想要阻止未果，最後羅素自殺式墜毀在附近華盛頓州科特羅島（Ketron island）上，當場身亡。空中交通管制員要求他降落時，他說：「我不知道。」他補充：「並沒有計劃過怎麼降落。」

飛行是潛藏於人類心底千百年來最深處、最久遠的渴望之一，每人心中皆有一個在如此的夢想。為著飛機離開地面而慶祝後，人才意識到實現夢想原是個旅程，而起飛只是個起點。怎樣在繼續空中停留，怎樣回到地面，怎樣抵抗現實的地心吸力，種種的現實問題，在離開地面後才會意識到。站在飛機殘骸前，只有自己才知道，這一切是否值得。

話梅鹿樂隊的第三張專輯"Insuffiient Postage"，以是次事故作啟發，創作出三首純音樂，兩首不同語言的歌與兩段環境聲效。音樂本身可以表達的內容有限，需要更多藝術媒介與觀眾溝通，將各種不同範疇藝術結合而成一個完整的演出。科技作為引線，由音樂穿針。包括但不限於互動戲劇，音樂，裝置藝術，Audiovisual art 等元素，將意志、選擇、個人責任發現自我和生命的意義的意念，以藝術方式跟觀眾作對話。

地點：MOM LiveHouse
日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉
完整陣容：

話梅鹿
Just a broken machine
周漢寧

日期：2020年9月5日晚上( 星期六 )
時間：下午9時30分至晚上11時

直播頻道：
YouTube: 話梅鹿 https://www.youtube.com/user/PruneDeer/featured
Facebook: 話梅鹿 https://www.facebook.com/PruneDeer/
Facebook: MusicSurveillance https://www.facebook.com/MusicSurveillance/

贊助支持方法
香港地區：Payme ( QR code 或 https://payme.hsbc/insufficientpostage)
其他地區：https://www.paypal.me/naturehin

◉ ◉ ◉ ◉ ◉ ◉ ◉ ◉

關於媒體伙伴Music Surveillance
Vic Shing is a photographer capturing Hong Kong’s independent live music performances. Since 2009, he has been shooting and documenting the changes and continuity in the indie music scene in Hong Kong under the moniker Music Surveillance, tirelessly and relentlessly chronicling gigs and performances in the city. The name Music Surveillance refers to how the cameras are arranged like CCTVs before each show, with Vic Shing oscillating between filming in a fixed location and darting back and forth the venue. Vic Shing does not discriminate between music genres—he’s at every show that interests him. The photographs and video recordings of these shows are uploaded onto the Music Surveillance Facebook, Instagram, and Youtube pages, with almost daily updates.

關於六合文化
六合文化(香港) 認為人人享有接觸文化藝術的權利，希望將香港建立成一個充滿動力和多元化的文化藝術都市。致力於支持新一代創意人才，持續進行獨立創作，孵化文化產業新網絡，並搭建進軍國際的專業平台。匯聚國際及兩岸四地創意先驅，打破地域界限，融合社區 ，傳承創作經驗，期望連結多元社群，以創新的視野和態度，改善社區，為公民社會拓展空間。一直透過藝術培養人的文化修養，充權，讓人能夠掌握和面對社會的轉變。以促進藝術整體發展，造就多樣化及多元化藝術環境的信念，開拓藝術家的發展空間。

✥ 第三屆《聲寶之星》冠軍、《台灣那麼旺》踢館成功
✥ 駐唱歌手、婚禮歌手、樂團合作、商演歌手、尾牙、春酒
✥ 工作邀約歡迎私訊 臉書/IG

日期：2020/6/26
地點：中壢 大江國際購物中心

歌名：Perfect
原唱：Ed Sheeran
作詞：Ed Sheeran
作曲：Ed Sheeran
翻唱：劉品謙
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I found a love for me
Darling, just dive right in and follow my lead
I found a girl, beautiful and sweet
I never knew you were the someone waiting for me

'Cause we were just kids when we fell in love
Not knowing what it was
I will not give you up this time
But darling, just kiss me slow, your heart is all I own
And in your eyes you're holding mine

Baby, I'm dancing in the dark with you between my arms
Barefoot on the grass, listening to our favorite song
When you said you looked a mess, I whispered underneath my breath
But you heard it, darling, you look perfect tonight

I found a woman, stronger than anyone I know
She shares my dreams, I hope that someday I'll share her home
I found a love, to carry more than just my secrets

To carry love, to carry children of our own
We are still kids, but we're so in love
Fighting against all odds
I know we'll be alright this time
Darling, just hold my hand
Be my girl, I'll be your man
I see my future in your eyes

Baby, I'm dancing in the dark, with you between my arms
Barefoot on the grass, listening to our favorite song
When I saw you in that dress, looking so beautiful
I don't deserve this, darling, you look perfect tonight

Baby, I'm dancing in the dark, with you between my arms
Barefoot on the grass, listening to our favorite song
I have faith in what I see
Now I know I have met an angel in person
And she looks perfect

I don't deserve this
You look perfect tonight
-
追蹤不錯過🔎🔎🔎
✅ Instagram：iiiichainiiii
https://reurl.cc/620AgM
✅ Facebook：劉品謙Debby
https://reurl.cc/7Xp62d
✅ 浪 Live 彈唱直播主：1488470
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#翻唱 #駐唱 #駐唱歌手 #駐唱人生 #婚禮歌手 #樂團合作 #商演歌手 #尾牙 #春酒
#cover #song #guitar