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[爆卦]angular書是什麼？優點缺點精華區懶人包

雖然這篇angular書鄉民發文沒有被收入到精華區：在angular書這個話題中，我們另外找到其它相關的精選爆讚文章

在 angular書產品中有34篇Facebook貼文，粉絲數超過25萬的網紅國立故宮博物院 National Palace Museum，也在其Facebook貼文中提到， 筆墨見真章—故宮書法導賞（現正展出中） 書法是漢文化圈特有的藝術，和前面的宋代不同，元代繼起轉而提倡復古，於是晉唐書法傳統得以延續。今天看的這一件是當時的領導人物「趙孟頫」的作品。 ****************************** 【元 趙孟頫 柔毛帖】趙孟頫（1254-1322）是元代...

　同時也有2部Youtube影片，追蹤數超過7萬的網紅在地上滾的工程師 Nic，也在其Youtube影片中提到，現在學習知識的渠道越來越多，無論對於零基礎或是有經驗的工程師，想要持續成長應該看書還是看影片來的更有效率呢？ 主要會和你分享我過去從新手到資深的過程中，如何持續保持進步及學習的經驗 也許這個經驗可以幫助到你，也歡迎留言和我分享你的看法 相信彼此分享不同的學習見解，能讓對於想要更精進自己程式開發...

「angular書」的推薦目錄

angular書 在 國立故宮博物院NPM Instagram 的最讚貼文

2021-08-03 08:15:35

🐑一封有羊毛味的信 #牽絲 #銳角圓轉 #流利嫵媚 元 趙孟頫 柔毛帖 趙孟頫（1254-1322）是元代文人畫書的領導人物，其藝術復古理論影響深遠。 〈柔毛帖〉原是一通隨禮品附上的尺牘。「柔毛」指羊，「牟粉」泛指麥粉。通篇行書，摻雜章草。字體大小、線條粗細有豐富的變化，行氣端莊，章法...

angular書 在 國立故宮博物院NPM Instagram 的最讚貼文

2021-08-03 08:15:35

書法迷集合！筆墨見真章😎 書法是漢文化圈特有的藝術，宋人為保存前賢書法並長遠流傳，於是刻帖日漸盛行，不過宋代的人們並不以繼承傳統為滿足，書法取向表現也偏向個人情性與趣味。今天看的這件是 蘇軾的【楚頌帖】。 🟢【宋 蘇軾 楚頌帖】Chusong Modelbook 🔼 1084年，蘇軾出遊陽羨（今...

  • 國立故宮博物院 National Palace Museum

    angular書 在 國立故宮博物院 National Palace Museum Facebook 的最佳解答

    2021-02-22 18:08:27
    有 583 人按讚

    筆墨見真章—故宮書法導賞（現正展出中）
    書法是漢文化圈特有的藝術，和前面的宋代不同，元代繼起轉而提倡復古，於是晉唐書法傳統得以延續。今天看的這一件是當時的領導人物「趙孟頫」的作品。
    ******************************
    【元 趙孟頫 柔毛帖】趙孟頫（1254-1322）是元代文人畫書的領導人物，其藝術復古理論影響深遠。
    　　〈柔毛帖〉原是一通隨禮品附上的尺牘。「#柔毛」指羊，「#牟粉」泛指麥粉。通篇行書，摻雜章草。字體大小、線條粗細有豐富的變化，行氣端莊，章法錯落有致。書風源自王羲之（303-361），但常用果斷重壓、鋒芒畢露的筆法，讓線條中的銳角和圓轉、輕快的牽絲映帶互相襯托，更增流利嫵媚之感。
    【Roumao Modelbook】Zhao Mengfu, Yuan dynasty
    Zhao Mengfu (1254-1322) was a leader in Yuan dynasty literati painting and calligraphy. The artistic principles he espoused, which called for a return to ancient ways, had a far-reaching influence.
    The contents "Roumao Modelbook" were originally a formal letter included along with a gift. "Roumao" is a reference to sheep. The letter was written in running script (xingshu), with the occasional appearance of draft cursive (zhangcao). There are rich permutations in the sizes of the characters and the thicknesses of the lines. The columns of writing present dignified straightness, while the overall composition is one of delightfully elegant disorder. This calligraphy is Wang Xizhi's (303-361) stylistic descendant, but it includes frequent use of decisive, heavy downward pressure on the brush and full exposure of the brush's tip. These techniques set off the interactions between the angular and rounded turns in the characters' lines, as well as the quick traces of the brush's movements and the relationship between dots and lines, increasing the work's charming sense of fluency.
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    筆墨見真章—故宮書法導賞（展期：2020/12/26~03/29）
    陳列室：北部院區 第一展覽區 204,206
    https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
    The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
    https://www.npm.gov.tw/en/Article.aspx?sNo=04011536
    Gallery: 204, 206 (Northern Branch) Exhibition Area I
    日本語：https://theme.npm.edu.tw/exh109/calligraphy10912/jp/page-1.html

  • 國立故宮博物院 National Palace Museum

    angular書 在 國立故宮博物院 National Palace Museum Facebook 的最讚貼文

    2021-02-19 17:30:01
    有 1,145 人按讚

    最近的天氣很有春天的感覺（時冷時熱非常不穩定，大家出門還是要多加件衣服和攜帶雨具才好。），附圖這件「煙江待渡圖」也很有春天的感覺。
    🌸🐦筆歌墨舞—故宮繪畫導賞 展出不同時期的各式人物、花鳥、山水作品。有興趣的朋友請參考☘️展件清單：https://theme.npm.edu.tw/exh110/Painting11001/ch/page-3.html#main
    ******************************
    【宋 錢選 煙江待渡圖】
    Waiting for the Fairy on a Misty River, Qian Xuan, Song dynasty (960-1279)
    尺寸：21.6 x 111.2 cm
    💟喜歡這件畫作嗎？可以到 #故宮OpenData下載：https://tinyurl.com/y9asmugy
    畫作賞析：
    　　錢選（約1235－1307），吳興（今浙江湖州）人。字舜舉，號玉潭、巽峰等。入元後不仕，以書畫終其身。
    　　山水師法趙令穰與趙伯駒，花鳥師趙昌，人物師李公麟，然不為前人法度所拘。本幅繪秋景山水，山巒平坡多用硬拙直筆鉤皴，既表現出青綠山水的古雅工麗，又富有文人畫的恬靜意趣。樹叢以細筆皴點，蔥鬱清麗，構圖平遠浩渺，頗有絕世出塵之境。畫家藉畫上題詩，表達自己隱遁避世之願。
    Qian Xuan (fl.1235-1307, style name Shunju; sobriquets Yutan and Xunfeng) was a native of Wuxing (modern Huzhou, Zhejiang). He did not seek office after the rise of the Yuan dynasty, instead making a living through his painting and calligraphy.
    He took the landscape styles of Zhao Lingrang and Zhao Boju, bird-and-flower manner of Zhao Chang, and figure style of Li Gonglin as his teachers. Qian Xuan was, however, not confined by the methods of previous masters. This is a painting of an autumnal landscape in which the mountain ridges and level slopes are depicted mostly with angular texture strokes using a stiff, awkward brush held upright, assisting to express the archaic elegance and delicate beauty of a blue-and-green landscape that fully possesses the peaceful atmosphere of literati painting. The groups of trees are rendered with fine texture strokes and dots, conveying luxuriant growth and pure beauty. The painting has a flat-distance composition with a vast body of water suggesting an otherworldly and unsullied realm, the artist's poetry inscribed at the top of the painting expressing his wish to live in reclusion and retire from the world.
    ******************************
    ●筆歌墨舞—故宮繪畫導賞（展期：2021/01/01~04/06）
    陳列室：210【北部院區】第一展覽區
    展覽網站：https://theme.npm.edu.tw/exh110/Painting11001/
    ●Pictorial Songs of the Brush: A Guide to Paintings in the National Palace Museum Collection
    Dates: 01 JAN 2021~06 APR 2021
    Gallery: 210 (Northern Branch) Exhibition Area I
    https://www.npm.gov.tw/en/Article.aspx?sNo=04011497

  • 國立故宮博物院 National Palace Museum

    angular書 在 國立故宮博物院 National Palace Museum Facebook 的最佳解答

    2021-01-12 14:13:54
    有 675 人按讚

    筆墨見真章—故宮書法導賞（現正展出中）
    書法是漢文化圈特有的藝術，宋人為保存前賢書法並長遠流傳，於是刻帖日漸盛行，不過宋代的人們並不以繼承傳統為滿足，書法取向表現也偏向個人情性與趣味。今天看的這件是 蘇軾的【楚頌帖】。
    🟢【宋 蘇軾 楚頌帖】Chusong Modelbook
    🔼 1084年，蘇軾出遊陽羨（今天的江蘇省宜興市），他在船上寫下〈楚頌帖〉，說自己想在此地種橘、築亭的心情。不過原蹟已佚，僅刻本傳世。此帖由譚伯羽、譚季甫先生捐贈。
    🔼策展人說：「通篇行書，線條圓轉處豐厚而內斂，方折處剛斷而勁健。字體大小錯落，又逐漸加大，再嘎然而止。章法一任自然，毫不造作，正是乘興而書的佳作。」
    🟢釋文：請點進附圖觀看
    Chusong Modelbook
    Su Shi, Song dynasty
    Su Shi (1037-1101), whose style name was Zizhan and whose sobriquet was Dongpo ("Eastern Slope"), was one of the four masters of Northern Song dynasty calligraphy.
    In 1084, while Su Shi was traveling overwater to Yangxian (Yixing in present day Jiangsu province), he wrote the contents of the "Chusong Modelbook," which express his desire to plant mandarin oranges and build a pavilion in this region. Su's original inscription is lost, and only block-printed editions remain. This modelbook, written entirely in running script (xingshu), was donated to the NPM by Mr. Tan Boyu and Mr. Tan Jifu. It is distinguished by lines that show generous thickness as well as discretion where they make rounded turns, but are decisive and forceful where they make angular turns. The characters fluctuate in size, given rein to gradually grow until brought to sudden stops. The overall composition is unrestrainedly natural and utterly unaffected—this is clearly a work of excellence written in a flourish of inspiration.
    ******************************
    筆墨見真章—故宮書法導賞（展期：2020/12/26~2021/03/29）
    陳列室：北部院區 第一展覽區 204,206
    https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
    The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
    Gallery: 204, 206 (Northern Branch) Exhibition Area I
    https://www.npm.gov.tw/en/Article.aspx?sNo=04011536

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