雖然這篇Visione鄉民發文沒有被收入到精華區：在Visione這個話題中，我們另外找到其它相關的精選爆讚文章
在 visione產品中有21篇Facebook貼文，粉絲數超過20萬的網紅TopGear TW 極速誌，也在其Facebook貼文中提到， 【把賽車生活化又有何不可？】 對於與性能二字畫上等號的保時捷而言，賽車運動正是讓這個品牌不斷進步的關鍵。因此當他們偶爾在設計一款新車時，免不了總會使用上一些賽車相關元素與創意。舉例來說，2019年的Porsche Vision E即是一輛採取Gentleman Racer風格，並結合Formula...
同時也有5部Youtube影片，追蹤數超過185萬的網紅70cleam，也在其Youtube影片中提到，#メルちゃん #学校ごっこ #Babyborn #Nenuco メルちゃんとキッズテントの学校で先生ごっこをして遊びました。 学校の視力検査をしました。メンバーはメルちゃん , ぽぽちゃん , Nenuco , Baby bornのベビーちゃんです。 楽しくおままごと遊びができました。 チャンネ...
「visione」的推薦目錄
- 關於visione 在 廖鳳敏 Instagram 的精選貼文
- 關於visione 在 廖鳳敏 Instagram 的精選貼文
- 關於visione 在 ユリコタイガー YURIKO TIGER Instagram 的精選貼文
- 關於visione 在 TopGear TW 極速誌 Facebook 的最讚貼文
- 關於visione 在 2how Facebook 的最佳貼文
- 關於visione 在 寶靈魔法學院 Facebook 的最佳解答
- 關於visione 在 70cleam Youtube 的最佳貼文
- 關於visione 在 Mr.GTA5 MOD Youtube 的最佳解答
- 關於visione 在 PojzPlaza Youtube 的最讚貼文
visione 在 廖鳳敏 Instagram 的精選貼文
2021-04-18 19:47:13
What comes to mind when you think of light? For me, it means to find the light within, to become a vision of light. Self portraits in collaboration wi...
visione 在 廖鳳敏 Instagram 的精選貼文
2021-04-02 06:30:30
I had the pleasure of creating a video to celebrate the launch of Visione Di Luce, an eye revitalizing cream formulated by @furtunaskin. This is the f...
visione 在 ユリコタイガー YURIKO TIGER Instagram 的精選貼文
2020-12-04 13:13:03
🇯🇵『鬼滅の刃: 友人とコスプレをした』Demon Slayer in Japan マナちゃんとまさは10年前からの友達。各自でコスプレはやっていたけど、3人揃ってコスプレをやるのは初めて！！ 最初は鬼滅の刃はそこまで好きではなかったし、ねずこちゃんのコスプレに似合わないと思って...
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visione 在 70cleam Youtube 的最佳貼文
2018-09-21 16:00:03#メルちゃん #学校ごっこ #Babyborn #Nenuco
メルちゃんとキッズテントの学校で先生ごっこをして遊びました。
学校の視力検査をしました。メンバーはメルちゃん , ぽぽちゃん ,
Nenuco , Baby bornのベビーちゃんです。
楽しくおままごと遊びができました。
チャンネル登録お願いします。
Please subscribe
Other videos
キッズテント 学校 メルちゃん ぽぽちゃん 先生ごっこ / Mell-chan Doll 3D Playscape , School Playset : Play Ten
https://www.youtube.com/watch?v=DiWvLAZ_hKM&sns=em
メルちゃん 学校ごっこ ふでばこ紹介 キッズテント 先生 ぽぽちゃん / 3D Playscape School Playset , What's In My Pencil Case?
https://youtu.be/QY4LbOd87bI
キッズテント ディズニープリンセス ドレス屋さん / Disney Princess Boutique , The Pop Up 3D Playscape
https://www.youtube.com/watch?v=p8cq2IvSEV8&sns=em
ふわふわ プリンセス馬車 お姫さまごっこ メルちゃん / Mell-chan Doll and Princess Carriage Ball Pit
https://www.youtube.com/watch?v=2_b6Kx0JgNM&sns=em
ツイッター Twitter
https://twitter.com/70cleam
70cleamのグッズをつくりました。
数は少しですが、動画で着ているTシャツなどがあります。
ショップのURL
https://uuum.skiyaki.net/70cleam
おうえんメッセージ等の送り先 ↓
〒106-6134 東京都港区六本木 6-10-1
六本木ヒルズ森タワー 37階
UUUM株式会社 70cleam宛
お人形遊び、おもちゃ遊びの70cleam(70クリーム)チャンネル。
幼児・子供向けのかわいい人形・かわいいおもちゃを紹介して
います♪ メルちゃん、ぽぽちゃん、ハローキティ、リカちゃん、
バービーや、赤ちゃんの人形、Baby Dollなどかわいいおもちゃが
いっぱいです。楽しんでもらえたら嬉しいです。
Hi, welcome to 70cleam Channel.
Thank you for visiting and watching our videos.
This channel is a cute toys and dolls play channel with videos featuring famous characters such as Mell-Chan, Popo-Chan, Hello Kitty, Licca-Chan, Barbie-doll and more!
Please subscribe, press the like button, and leave the comment, if you enjoy our videos. Also, if you speak Japanese, you can also help us add subtitles! Just click the cogwheel icon on the video display and select the "add subtitles" option to add your own line-by-line text and help our channel reach even more fans!
Please send me a fan letter here :slightly_smiling_face:
6-10-1 Roppongi Minato-Ku Roppongi Hills Mori Building 37F 106-6137
UUUM Co.,Ltd 70cleam
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楽曲提供：Production Music by http://www.epidemicsound.com
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visione 在 Mr.GTA5 MOD Youtube 的最佳解答
2017-12-26 22:01:47This is the showcase of the updated supercar in GTA V Online.
★Twitter《@shouda_yuuki》
https://twitter.com/shouda_yuuki
・Instagram《@mrgta5mod》
http://stalkture.com/p/mrgta5mod/2308987751/
・Subscribe my channel
https://www.youtube.com/channel/UC4Z1X8kxKaHrcRVbNK--5QQ
・G-mail
mita4618@gmail.com
tags: crash test speed jump cornering bending running run fastest faster fast strongest stronger strong which insurgent battle rocket propelled grenade rpg faster car visilante update explosion gta5 grand theft auto v funny mods awsome rocketboost![post-title]()
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visione 在 PojzPlaza Youtube 的最讚貼文
2017-09-15 19:30:01➽ D-bug Computer คอมถูก แรง ดี ต้องร้านนี้เลย (งบ15,000 ก็เล่น GTAV ได้)
ติดต่อน้าหมู 02-9279944 (เบอร์ร้าน) / Fanpage https://www.facebook.com/dbugcomputer/
======================================
ช่องทางโดเนท
ทรูวอลเลต ►0882873328
ทรูมันนี่ ►https://tipme.in.th/pojzplaza
paypal ►https://twitch.streamlabs.com/pojzplaza
แฟนเพจ
Facebook ► https://goo.gl/I6K4Tq
อย่าลืมกดติดตาม PojzPlaza ในทวิตด้วยนะครับ
https://www.twitch.tv/pojzplaza
======================================
แชแนลของพวกเรา The Gang
Youtube เน https://goo.gl/q34vpZ
Youtube ลีโอ https://goo.gl/Kz2y6y
Youtube มี่ https://goo.gl/yx3iGA
Youtube ไข่ตุ๋น https://goo.gl/ZN1WCp
Youtube น้าแมว https://goo.gl/dJQqIe
Youtube เก่ง https://goo.gl/hnbMzg
Youtube เบน https://goo.gl/rJsUrj
Youtube โจโจ้ https://goo.gl/WrQh2e
Youtube วะ https://goo.gl/v2Cn2d![post-title]()
visione 在 TopGear TW 極速誌 Facebook 的最讚貼文
【把賽車生活化又有何不可？】
對於與性能二字畫上等號的保時捷而言，賽車運動正是讓這個品牌不斷進步的關鍵。因此當他們偶爾在設計一款新車時，免不了總會使用上一些賽車相關元素與創意。舉例來說，2019年的Porsche Vision E即是一輛採取Gentleman Racer風格，並結合Formula E電動方程式賽車性能的概念車款。
除此之外，保時捷甚至也曾出現過將利曼LMP1賽車公路化的瘋狂想法，於是便以LMP1賽車做為參考原型，再進一步創作出採取中置單人座駕駛艙設計的概念車Porsche Vision 920。嗯，保時捷這種把賽車生活化的想法，又有何不可呢？
#Porsche #VisionE #Vision920
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推薦文章：
Porsche 911 GT2 Clubsport 這樣才配馬丁尼
https://bit.ly/32IGbnU
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網站 https://www.topgeartw.com
Youtube https://bit.ly/2UxJozN
IG https://www.instagram.com/topgeartaiwan/
visione 在 2how Facebook 的最佳貼文
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
visione 在 寶靈魔法學院 Facebook 的最佳解答
Qualche divertimento stanotte con lo smartphon, che non smette di dare sorprese con soggetti come, Luna all'ultimo Quarto, Saturno,il rosso Marte e stelle come Altair,nebulose come M57 nella costellazione della Lyra. Promette per il futuro, scatti difficili per il forte inquinamento luminoso, contro il quale ci si deve arrendere, purtroppo! Strumento utilizzato Newton 400mm ad 80 ingrandimenti con ploss Celestron economico, scatti singoli e ripresa zoom da smartphone. Esperimento su M57 da 4 a 10 sec di esp.a 800 ISO, dove compaiono fantasmi da riflessi ottici, non visibili alla normale visione oculare!