Hi everyone, my personal website has been upgraded and I like it very much.👇

lochanpeng.com
There are my art reviews and reports over the years (in the process of collating)
There are also my works. In particular, my works will no longer be classified in series on the website, but in chronological classification. This is also in line with my perception of creativity in recent years. If the relationship between the work and the person is one in the present, then do the ten-year-long series mean that the person has not changed in the past ten years?
So for me, the series is a kind of framework, and it can even be said to be a shackle. Also because my website works are classified by chronology, I have also seen that the difference in my life course is completely reflected in my works-some years of creation are very colorful, Some years are very gloomy, some years are particularly obsessed with huge works, and some years have suffered setbacks in life. These are all very interesting to me. Creation is like breathing to me.
At the same time, I have been thinking about this part of the newly completed online course area for a long time. Is it necessary to have a promotion month and various marketing methods like when working with industry platforms in the past?
In the end, I decided not to do this.
I hope that the students who take my course can see my value rather than being attracted by the 20% discount. I hope that our relationship can be more purely focused on learning. Rather than let your head keep thinking about whether there is a cheaper way.
At the same time, designing and selling are very laborious. Abandoning the sales method, I will go back to the original point and focus on my creation, making better courses, and replying to your homework in the group. Just do this well.
I think this is my consistent way of doing things.
The new courses have just been established, and I will continue to add them in the future. Welcome to join my membership. You will receive all kinds of information updated on the website as soon as possible, including my exhibitions, new works, and new courses.
☆The course video will be converted to 1080P pixels from 10/1☆

The satellite broadband service might not be a test for much longer.

【一切的失敗和不足，都是最美好的安排】
All Failures & Lacks Are The Best Things to Happen to Us

三個月前，收到來自台灣客人的這封電郵時，開心和心酸交織著在心裡。

開心，因為這是一年前通過Zoom視訊的客人。他居然在我們看八字的一週年，特地寫了封感謝函給我，真有心！

心酸，因為他寫在電郵裡的低落心情，我完完全全明白。

他的經歷，是我的曾經。我當初也是很難，很久才能走出來。

有一回，我為一位芳華正茂的女子批八字時，她很用心的寫下我說的話。

論寫筆記的完整，她是我客人當中的佼佼者。

寫到一半，我注意到她的右手開始微微顫抖。我以為是空調的風太大了，冷到她，便問她要不要披巾。

她說，是她的焦慮症發作。

「我沒在兇你，也沒對你嚴厲，你為何突然焦慮？」

「我.....打從今年疫情打亂了我的計畫，我就一直很焦慮。我覺得我很沒用，同學們都前進了，只有我現在什麼都不是，亂糟糟的。我就一直很緊張，萬一我一直都是這樣，怎麼辦？」

說著，她眼眶一紅，眼淚像斷了線的珍珠鏈似的灑下來。

我的媽呀！是我的樣子長得很催淚，還是我的聲音聽起來很虐心？怎麼客人，不分男女老少，東南西北，看到我好像都很容易哭？

我抓起一張紙巾遞給她。

「所以，我不是來了嗎？你來找我，就是要問個明路，而你很幸運那麼快就看到我啦！你看你的筆記寫得多工整，多齊全。我很多客人都不如你啊！我今天的工作，就是來給你答案的。我沒有把握，也不會接你這份差事。我接了，就代表還可以補救。你照著我的指示去做，一定柳暗花明又一村。」

又另一回，一位四十多歲的媽媽請我看兒子的八字。

我在批著八字時，這位媽媽點頭認同，然後就聲淚俱下。

我轉頭看著她沈默不語的先生。我說錯了什麼嗎？太太哭成淚人，你怎麼連紙巾也不拿給她啊？

「我是個沒有用的母親，很不稱職的母親。我沒有辦法教好孩子。我很愛他，可是很多時候我都不知道要怎麼做，我就會對他發脾氣，說狠話，過後我又後悔。我忍下來，可是後來還是會一樣！」

我沒打斷她，等她的哭聲逐漸小聲後，我柔柔的說：「我來啦！我坐在你前面了。你已經看到我，就是有辦法了。你知道你自己不行，會去找辦法，就代表你願意去學習做個好媽媽啊！」

我把紙巾遞給她，再說：「不要哭了，要不然，別人看了以為是我不要借你錢，才把你弄得那麼傷心。」

曾幾何時，我們都會以外在所擁有的，來定義自己的人生是否值得自己喜歡。

從原生家庭、樣貌、健康、身型、智力、天賦等，到後來的學歷、友情、事業、財富、婚姻、子女......

哪一樣沒有，而偏偏是我們最想要的，我們就會認定自己失敗的一塌糊塗。

我認為這就是普通教育最大的問題所在。父母老師都是這樣把我們「分門別類」的。值不值得父母疼愛或向親朋戚友炫耀，也離不開那幾點。

久而久之，我們也只會以「成功」來定義自己是否有價值，甚至來衡量自己是否有活下去的勇氣。

我比較喜歡佛法的定義。我們每個人都是一尊佛，六道眾生皆有佛性，只因一時的迷，因此墮落在苦輪不停的輪迴。

可正因為我們有佛性，我們都有無窮無盡的可能。每個人的內在有著很強大的力量，等著我們遇到明師後，去發掘、探索和了解。

而這天生俱來的力量，就是你改命立命的資本。

如果人生順風順水，我們永遠不會想要出離，誤把人間當極樂，所以一定要有苦，我們才會意識到，為什麼我們會在這鬼地方？要怎麼樣才可以離開這鬼地方去到極樂？

反過來，我們都應該感恩自己遇到的挫折，因為從這些苦中，我們才能生出智慧。

沒有一個八字是完美的。一切的失敗和不足，都是最美好的安排，如此你才會有出離心，返本歸源。

_______________________

3 months ago, when I received this email from my Taiwan client, there was this feeling of bittersweetness.

I was happy because this was the client I did a Zoom consultation last June. He sent me this email on the one-year anniversary date of our Zoom call, to express his gratitude. How sweet!

On the other hand, I could relate to the emotional turmoil he felt at that point in his life.

His experience was my past. It also took me a very long time to walk out from my gloominess.

Once, I analysed the Bazi of a very young lady. She was meticulously jotting down notes as I spoke.

Her detailed note-taking skills easily took the top place among my clients.

Halfway through, I noticed her right hand was trembling slightly. I thought it was due to the cold draft from the air conditioning, so I asked if she needed a shawl.

She replied that it was her anxiety disorder acting up.

“I was not fierce or strict with you. What caused your sudden anxiety?”

“I…ever since the pandemic disrupted my plans, I have been in this state of anxiety. I kept feeling useless. All my classmates are progressing expect me. I have nothing to show for and my life is in a mess. I am very anxious. What if I continue to be like this? What am I going to do?”

As she spoke, her eyes turned red and tears started rolling down like a broken strand of pearl necklace scattering onto the ground.

Oh dear! I am beginning to wonder if I have a tear-jerker face or a heart-tormenting voice. Why do my clients, regardless of gender and age, North South or East West, seem to cry easily when they see me?

I grabbed a piece of tissue and handed it to her.

“Ain’t I here already? You came to me for a roadmap and you are very lucky to see me so soon. Look at how precise and neat your notes are! Many of my clients aren’t even on par with you. My job today is to give you answers. If I didn’t have the confidence, I would not have taken up your request. Now that I did, that means there is still hope. If you follow my instructions, you will see things looking up very soon.”

On another occasion, a mother in her forties came to me for her son’s Bazi consultation.

As I was analysing, the mother nodded her head in agreement. The next thing I know, she started weeping loudly.

I turned to look at her husband, who had been silent all along. Did I say something wrong? And hello, your wife was crying. Why weren’t you gentleman enough to give her a tissue paper?

“I am a useless mother. I am incompetent. I do not know how to teach my son well. I love my son very much. But many times, I do not know what to do and thus I flare up at him and speak harshly. I always regret afterwards. I tried enduring but it still ends badly!”

I did not interrupt her and waited for her cries to soften, before speaking gently, “I’m here! I’m already sitting in front of you. You are looking at me now and that means help is here. You know that you are incompetent, so you went looking for solutions. That means you are willing to learn how to be a better mother!”

I handed a piece of tissue and said, “Don’t cry anymore, otherwise, other patrons will think that it’s because I refuse to lend you money.”

Since young, we have been using external possessions to define whether our lives are worth liking.

The family we are born into, our looks, health, body shape, intellect, talents, and then we move on to compare our academics, friendships, career, wealth, marriage and children.

If we are lacking in the area we covet most, we grade our lives as a failure.

I think this is the biggest problem in societal education. Our parents and teachers categorized us that way. Whether we as children are worthy of their love and bragging, depends on the few points above too.

Thus over time, we can only use the term “success” to determine whether we are of value, for some people, whether they should live on to take their next breath.

I very much prefer the definition in Buddhism. We are all Buddhas. Each and every sentient being in the six realms has a Buddha nature in them. But they got lost momentarily and fell into the endless wheel of reincarnation.

Yet, because of our Buddha nature, we have an unlimited source of potential. Every one of us has a very powerful strength inside us. It is just waiting for us to meet an accomplished teacher, so that we have the tools to explore and understand it:

And this strength that we are born with is the capital for us to transform and establish our own destiny.

If life is smooth-sailing, we would never want to leave and would mistake this mortal realm for Pureland. Thus, we all need sufferings, to realise that we should break out of this hell of a place. There has to be a better world somewhere. So how we get there?

We should, in fact, be grateful for all the setbacks and failures we have. Because it is from these sufferings, our wisdom arise:

No single Bazi is perfect. Every failure and lack we experience is the best arrangement for us, so that the heart of renunciation will arise in us and we will return to where we came from.

■ 更多林子安：
INSTAGRAM：https://www.instagram.com/an__official/
FACEBOOK：https://www.facebook.com/Anviolin/
WEIBO：http://weibo.com/u/6511795600
Spotify：https://spoti.fi/2XmfcLw

各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

--

各位，尖叫聲！終於這天來到了！
終於有一隻影片開頭標題是林子安，代表我自己就是表演者，而不是cover別人的作品！
今天是耶誕節，到了耶誕節就也說明著一年的結束，以及要迎接新的一年。
在這麼受大家喜愛、誰都不會忘記的日子，我當然也要上傳對今年的我而言最具意義的一首歌。

MEET這首自創曲的產生，就是把從各位身上感受到的一切化為音符表現。
古典音樂背景出身，但後來決定走出古典音樂圈、站在街頭的出發與探索，面對人生十字路口，有撞牆有挫折，也有些規劃亂了套，但同時也摸索到一些東西，並且幸運地得到非常非常多幫助，所以副歌前的幾次堆疊，如同這一路上遇到挫折停下，但不因此停滯，反而一次次突破向前。

副歌的部分就像是帶著各位粉絲和我一起征戰，如同各位用屬於自己的方式讓我知道這些我堅持的事情不是一個人孤單在做，是大家一起陪著我一起的。
享受在街頭被人群滿滿包圍的當下，也喜歡站在台上被大家的尖叫聲完整的感覺。

我的音樂是回饋給大家，希望在各位工作或其他方面感到挫折的時候，也可以有接住各位的力量。
因為有大家我們的相遇才有意義，謝謝各位一起完整了meet這個字。

最後祝大家耶誕節快樂喔🎄🎁

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

--

Merry Christmas 🎄🎁

Everyone !!!! Finally the series 【AnViolin Original】comes !!!
The title starts with MY NAME, saying that it's my own video and it's not covering the works from other performers.It is Christmas today, and on this lovely and special day, I should also do something memorable for me this year.

《MEET》was made for my fans. Looking back, from the point I decided to step out of the comfort zone as a classical musician and perform as a busker, there were setbacks and obstacles at the intersections of my life and career, but at the same time I explored and figured out lots of things and fortunately I got sooooooo much help. The beginning of the song was saying this story.

The killing part of the song is about how those love and support from my fans (Anbers) take me all the way to the place where I am now. Thank you for being here for me all the way. Thank you all for completing our MEET.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

--

頻道文字編輯 Social media editor/manager： Lily Wu

｜音樂製作名單｜
製作單位 Production unit：緯肯藝術 WecAn Art
發行人 Publisher：高緯成
音樂總監 Music Director：盧鈞右
作曲 Composer：林子安、盧鈞右
編曲Music Arranger：盧鈞右
多軌錄音 Multitrack recording：吳駿宜、齊家陞
小提琴 Violin：林子安
爵士鼓 Drum：李科穎
鍵盤 Keyboard：盧鈞右
電貝斯 Bass：黃幼舜
電吉他 Electric Guitar：鄭元智
混音師 Mixing Engineer：蔡信澤 @烘嗓音樂製作
母帶後期處理製作人 Mastering Producer：蔡信澤 @烘嗓音樂製作

｜影像製作名單｜
伯樂影像工作室
導演 Director：陳俊甫
攝影 Director of Photography：陳俊甫、李金勳、陳弘軒、吳安綺、王正蘋、溫崇函、薛建宏
剪接師 Editor：陳俊甫

--

🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

--

【Cover by AnViolin】每週上傳新的cover影片，【AnViolin Original】不定期更新。
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看喔！

還想聽子安cover什麼歌，或是關於什麼主題的作曲？留言跟我說 ！
--

#林子安X李科穎
#MEET
#AnViolin
#MEETviolin
#AnViolinOriginal
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴

■ 更多林子安：
INSTAGRAM：https://www.instagram.com/an__official/
FACEBOOK：https://www.facebook.com/Anviolin/
WEIBO：http://weibo.com/u/6511795600
Spotify：https://spoti.fi/2XmfcLw

各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 【Cover by AnViolin】：https://bit.ly/2vWVtF5
■ 【AnViolin Behind the Scenes 幕後花絮】：https://bit.ly/2QuxqZp

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

--

音樂會結束將近一個月了，大家還記得當天感動的時刻嗎？
今天大放送，一起來回顧音樂會30分鐘！

從決定走出古典音樂圈站在街頭的出發與探索，現在回想起來面對這些人生十字路口，
有撞牆，也有些規劃亂了套，但同時也摸索到一些東西，並且幸運地得到非常非常非常多幫助。
感謝各位用各種方式讓我知道我堅持的事情不是我一個人孤單在做，是大家一起陪著我。
非常享受在街頭被人群滿滿包圍的當下，也喜歡這2天站在台上被大家的尖叫聲完整的感覺。

希望我的音樂是回饋給大家，在工作或其他方面不順遂的地方，可以給大家力量。
再次感謝到場支持的各位，因為有大家我們的相遇才有意義，謝謝各位完整了meet這個字。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版。
詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

--

It's been a month since the concert ended. Do you still remember the days?
Let's enjoy some behind the scenes =]

Looking back, from the point I decided to step out of the comfort zone as a classical musician and perform as a busker, there were setbacks and obstacles at the intersection of course, but at the same time I explored and figured out lots of things and fortunately I got sooooooo much help.

Thank you all for showing your support and being here for me all the way.
I enjoy the moment being surrounded by people as a busker and also every single moment standing on the stage for our MEET.
Thank you all again for coming complete our MEET.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

--

編曲Arrange：林子安 Lin Tzu An
混音mix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

--

🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

--

【Cover by AnViolin】每週上傳新的cover影片，
【AnViolin Behind the Scenes 幕後花絮】不定期更新。
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看喔！

--

#林子安X李科穎
#AnBehindtheScenes
#AnViolin
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴

創作理念：
我們會受傷，但堅強的人們還是能夠重拾碎片再度「拼回來」，如同花蓮並不會因為一場大地震而被擊倒，因為挫折，我們反能更加堅強茁壯。

創作背景：
2018年2月6日大地震造成花蓮嚴重災情，有感於災後地方石材產業受損嚴重，由在地圖文創作者Duncan發起，結合精通石雕技藝的三位藝術家，希冀藉由各自所長，利用具在地文化價值之素材共同創作一象徵重振精神的公共藝術作品，籌備期間惠納地方人士捐贈與各級單位之支持，本作品才能完整呈現於大眾面前。作品以破損石材堆疊後進行雕刻創作，並選址於此，即前身為舊監獄遺跡的自由廣場。而平日於自強外役監獄教授石雕技藝的藝術家們，亦盼於本古蹟場域傳達“拼回自己的人生”之正面附加喻意。

石材災損品提供：嘉太企業有限公司、國合大理石工廠有限公司、優寶石材有限公司
特別感謝：花蓮縣政府文化局、花蓮縣花蓮市公所、當肯迪賽有限公司、台灣區石礦製品工業同業公會、財團法人石材暨資源產業研究發展中心、艾朵國際股份有限公司、謝偉士建築師事務所、群策工程顧問股份有限公司、國立東華大學語傳系、指間音像設計整合有限公司、政雄建築工程、上鴻企業社、長雄機械工程行、泰鵬工程行、摩爾形象整合事務所、不只是行銷有限公司

Creative intent:
People get hurt, but the strong ones pick up the pieces and put them back together again. Similarly, Hualien will not be defeated by an earthquake, because setbacks make us stronger.

Creative background:
On February 6, 2018, Hualien was devastated by a massive earthquake. Seeing that Hualien’s stone industry suffered major loss, a local illustrator proposed building a public art display out of local materials. With the help of three master sculptors, donations from the public, and the support of the local government, the piece was finally completed and unveiled. Rocks broken in the earthquake were stacked and sculpted, and the sculpture was erected at Freedom Square on the grounds of Hualien’s former prison. The sculptors, who teach sculpting to inmates at Ziciang Minimum-Security Prison, also hope that erecting the sculpture at this historic site conveys the positive meaning of “putting one’s life back together.”