13號星期五，去 #鳳甲美術館 #HonggahMuseum @honggah_spa 震靈一下❤️‍🔥 感謝策展大大 蕭伯均 的邀請 －❚❚❚ #6太小聲7太大聲 ❚❚❚＋ ​ ❍《4​:​4 震能量教激活》倍帝愛波， 2020 ，單頻錄像， 10'11" #全預約制開放參觀 倍帝愛波（Betty Apple）是台灣藝術家，專注於現場藝術和聲音藝術的表現。2017年9月，倍帝愛波在當地研究墨西哥的死亡聖神的異教信仰身體，探索人們在不同歷史軸度文化下產生的信仰文化語境，然預定於墨西哥 @vernacular.institute 的戶外演出因墨西哥城大地震被取消。在親身經歷此災難後，她決定邀請當地藝術家 Mabe Fratti 共同創作電子音樂《地震中的未來人民訊息》，透過藝術家記憶重建災難時感受的能量。 藝術家根據這個經驗衍伸創作的作品裝置《4​:​4 震能量教激活》，跳脫了其他展出作品的脈絡，以空降之姿在展場中以三頻道同步播放，建造震卦動態靜心與內觀的感官聲音聖壇（教堂）。4:4是震卦的代號等偽宗教肖像圖符的未來朝聖空間場域：「在中國古代易經中震卦之意，震卦上下都是震，有著二元相應卻是變動本質，萬物在變動、震驚中，會被當頭棒喝而覺醒，天災降臨讓人恐懼，然恐懼將使人類覺醒，推波人類開始追求靈性議題」。 作品中嘗試探索恐懼、異教與膜拜儀式的概念，解構台灣民間信仰與身心靈新宗教的身體方法，倍帝愛波（Betty Apple）透過動態展演「震能量教入教儀式」，呼應近日的病毒蔓延時世界驚動時可能的心理操縱與數位時代的神秘主義。 3D Character by @3030jackdin 3D Scenography by @chiu_lin_yao #BettyApple #4:4ZhenEnergy #Taiwan #soundart #videoperformance #digitalart #ZHEN #energy #震卦

Night fell on the Versailles and the #DiorAW21 collection by @mariagraziachiuri set in motion. At this bewitching hour, primitive, gasping figures seemed to rise from a dark, fairytale-like runway. Inspired by childhood stories such as The Toy Soldier, Little Red Riding Hood, or Beauty and the Beast, the #DiorAW21 collection echoed a new feminine sensibility not only with the garments, but also the art of scenography. Shimmering coats, hooded jackets, black leather skirts, and evening gowns tell proto-feminist myths whispered by French women at the time the Chauteau was built, reflecting troubling morals that endure in this livelong society. Truyện cố tích ở lâu đài Versailles… Bộ sưu tập #DiorAW21 mang đến cho người xem một góc nhìn ma mị về những mẩu truyện gối đầu giường hàng đêm của trẻ em trên khắp thế giới. Những chiếc áo khoác lấp lánh lấy cảm hứng từ Chú Lính Chì Dũng Cảm, chân váy đen, áo chùm đầu, váy dạ hội đỏ tươi trên nền runway u tối là cách Maria Grazia Chiuri đưa quá khứ đến với tương lai, bay bổng mà chênh vênh lạ thường.💫

快挙！🎉 #Repost @damienjalet with @make_repost ・・・ 🏆Vessel is named best performance of the year by the french critics collective “danse avec la plume” . They say : “Before the long night of isolation fell on the whole world, Damien Jalet and Kohei Nawa offered us, with Vessel at the Théâtre de Chaillot, a moment of incredible beauty. Never has the collaboration between a choreographer and a visual artist produced such perfect osmosis, to the point that scenography and movement are one. As if the two artists were inventing a new genre before our eyes. This metaphysics of bodies served by exceptional performers, Vessel, the last show before confinement, was a gift from heaven to face these complicated times. Damien Jalet is a great artist: he reinvents himself with each creation.” Vessel is also nominated in UK for a Laurence Olivier awards for best new dance production . extremely grateful to all the incredible people involved in this . ChoreographyDAMIEN JALET ScenographyKOHEI NAWA LightingYUKIKO YOSHIMOTO MusicMARIHIKO HARA, RYUICHI SAKAMOTO Danced by AIMILIOS ARAPOGLOU, NOBUYOSHI ASAI, MAYUMU MINAKAWA, RURI MITOH, JUN MORII , MIRAI MORIYAMA, NAOKO TOZAWA, NICOLA LEAHEY ProductionTHÉÂTRE NATIONAL DE BRETAGNE; SANDWICH INC. Co-productionYOKOHAMA ARTS FOUNDATION. With the support ofLA CAISSE DES DÉPÔTS, PERFORMING ARTS JAPAN PROGRAMME FOR EUROPE Production of European tourLE THÉÂTRE NATIONAL DE BRETAGNE #marihikohara #原摩利彦