【🎹🎵罕見鋼琴曲目分享】♩. ♪ 俄國作曲家 Ivan Wyschnegradsky (1893-1979)創作以微分音(1/4音程)為單位的24首前奏曲其中的第三首。

#這首很適合作為鬼屋詭異配樂👻🎃☠️

他的另一組24首前奏曲以1/4微分音程給兩架微分鋼琴/Wyschnegradsky, "24 Preludes in 13-Tone Diatonicised Chromaticism in Quarter-Tone System for Two Pianos" ：https://youtu.be/tDroa5WTU34

Ivan Wyschnegradsky (1893-1979) is typically acknowledged as a microtonal composer who spent most of his creative life in Paris and Germany developing his theories and "ultrachromatic scales." Before his emigration to Paris in 1920, he studied composition at the St. Petersburg Conservatory and became an avant-garde composer. Wyschnegradsky was clearly a disciple of Scriabin's music. He actually experienced something like an epiphany after hearing Scriabin's works and thereafter became a mystic, abandoned his Wagnerian approach to music, and emulated the "scriabinesque." His early orchestral work "The Journey of Existence" owes much to Scriabin's "Poem of Ecstasy". However, he was more interested in pursuing quarter-tone composition and even had Scriabin-like visions that this kind of music would push mankind to the next step in evolution. Composers like Messiaen and Boulez appreciated and performed his microtonal music, but there is virtually no interest in Wyschnegradsky today.

用樂高和3D列印製作微分音吉他你看過嗎？

原來樂高還有這個用途

這個微分音吉他感覺很酷又與眾不同‼️

最扯，幾千軌不用click跟tuning

Due to popular request, here’s what the metatron Logic session for Moon River looks like. 5292 audio regions!! A week’s work in total. Nothing was notated on manuscript. I didn’t record to ‘click’, since I wanted the concept of time to be so flexible. There is also a lot of microtonal skullduggery at work... Thus, I needed to work entirely by ear, without a timing, tuning, or notation reference. Just me and a microphone! It took ages. I loved the challenge :-)