[爆卦]Materialist feminism是什麼?優點缺點精華區懶人包

雖然這篇Materialist feminism鄉民發文沒有被收入到精華區:在Materialist feminism這個話題中,我們另外找到其它相關的精選爆讚文章

在 materialist產品中有5篇Facebook貼文,粉絲數超過1,115的網紅Yoga with Joey,也在其Facebook貼文中提到, We want nothing materialist but trust, love, support and lots of affections. We may scared but we will never escape. 👚@tystaactive #tystaactive #a...

 同時也有1部Youtube影片,追蹤數超過5,640的網紅鍾翔宇 Xiangyu,也在其Youtube影片中提到,購買實體專輯: 已完售,感謝大家的支持! Follow Xiangyu on Twitter https://instagram.com/notXiangyu Follow Ransom-Notes on Twitter https://twitter.com/ransom1992 0:00 星...

materialist 在 中學生減塑 Instagram 的最讚貼文

2021-09-10 14:26:17

哈嘍這裡是學測倒數95的#wei小編 - 聽到「物欲」,大家通常的第一反應是「奢侈」「浪費」「大量購物」「物質主義(materialism)」「資本主義底下的陰謀」 - 但其實,物欲從很早,可以說是人類的遠古時期就有了,並非資本主義的出現才興起;只能說資本主義是再推波助瀾物欲的推手。 - #懶貪懼法...

  • materialist 在 Yoga with Joey Facebook 的精選貼文

    2019-01-03 06:12:55
    有 23 人按讚


    We want nothing materialist but trust, love, support and lots of affections. We may scared but we will never escape.

    👚@tystaactive #tystaactive #activewear #whatdoyouwantfromlove #whatcanyoudoforlove #bebrave #keepthefaith

  • materialist 在 SU MISU Facebook 的最佳貼文

    2016-10-20 13:44:50
    有 28 人按讚

    *此為英文版介紹,中文介紹請參閱關於及討論區
    *特別感謝中翻英翻譯 / 林養璇

    ihategoodbye SU MISU solo-exhibition (ENGLISH)

    SU MISU solo-exhibition 10/29~10/30 in Taipei,Taiwan
    TWO days exhibit only at Nanhai Gallery.

    ・゚・。゚+゚・*Sponsored by the Ministry of Culture・゚・。 ゚+゚・*

    ゚ ,   , 。 .   +  ゚   。  。゚ . ゚。, ☆ * 。゚. o.゚  。 . 。。 .  .。    o   .. 。 ゚  ゚ , 。. o 。* 。 . o. 。 . . ░░Exhibition Info‧°∴°﹒°.。・゚゚・*:.#
            。   .   。  . .゚o 。 *. 。 .. ☆ . +. .  .。 .  . .   .   .  。 ゚。, ☆ ゚. + 。 ゚ ,。 . 。  , .。
        ゚  。   ゚  .  +。 ゚ * 。. , 。゚ +. 。*。 ゚.  

    This is SU MISU’s Solo photo exhibition after showing in Kaohsiung and Taichung. The event lasts only two days to mirror how fast time passes with different events taking place in a marathon style over a limited time period, including an opening tea party, the artist’s talk, DJ and live performances. In addition to viewing the exhibition, the audience is invited to contribute - there is a temporary photo studio built in the space for the audience to participate in both viewing and producing this limited work in this particular time and place.

    ░『Today』10/29 Sat.Opening Ceremony Party
    15:30 Opening
    DJ∞LIVE SHOW∞Drinks and Desserts  

    DJ. HsinHsin
    DJ. Xanthe Yang
    DJ. AoWu
    DJ. Plus Minus
    DJ. Yu Hong
    PERF. Mai Maya x Su Misu

    ░『Tomorrow』10/30 Sun. Closing Party
    14:30 Opening

    14:30-19:30 Live Event《Flash Mob Photo Studio-・゚・。・゚゚I am a fake, but my heart is true..・゚・。・゚゚・*:.。 True Heart Never Lies》
    ✺Event Details: TBA

    19:30-20:30 Artists Talk and Tour
    In Conversation with|Nawakiri Shin, Auther of《繩縛本事》、kanghao, Co-Creater of《@sisterssaying》

    ░░Free Entrance░░
    SPECIAL THANKS REWARD♡ Bring your ihategoodbye photo album to redeem the newest limited edition poster magazine(We will snip off the corner of your book☺)o。。.゚*。

    ░░About Book 《ihategoodbye.》
    This is a product of this passing stage. It contains two seperated parts, the visual and the text. To me, taking photographs is no longer as simple as recording what everyone appears to be; but a way of looking at my past/dead images and accepting my alienated/live existence. From a perspective of the main narrator,I looked closely at how I felt that I did not want to be parted with the "that-has-been" moments just before pressing the shutter.

    The first "ihategoodbye" says good bye to the past. The aura has gone in a twinkling. The still images stay. Time moves, and the image passes (away).
    The second "ihategoodbye" says I do not want to see you. Not wanting to be parted because what was photographed is the "old you", but what I see is the "new you". You are still on-going. The virtual images reflect the reality, nontheless, are added with the unstability of alienation and enstrangement. As per J. Lacan's Theory of Mirror Stage, similar to images in the mirrors, one may falsely recognize the images in the photographes as oneself, but the images are never as real as the ever changing realities.

    The text, Diary, is the record of an intimate relationship between 2010 to 2012. BDSM practitioners are almost always particular about privacy, so that the images were transformed into words. The words may then be visualised and evolved into images.

    At last, this is a collection of the fragments of the past. This is the ultimate relic that says, "Good bye".

    ░░SU MISU’s Introduction|
    Born in Taipei, she is a photographer and BDSM model. Su Misu is known for her practice in exploration of gender, BDSM and sexual minority topics etc... And coming from the medical background, she’s therefore also interested in the “Synthetic”, the “Unnatural”, and all sorts of embodiments. Using photography to discuss the struggle between the real and the illusory. Besides photography, she is also a performance artist, and is an event planner.

    ░░Host|SU,
    ░░Co-Host and Exhibition Location|Nanhai Gallery
    地址:台北市中正區重慶南路二段19巷3號
    Address: No.3, Ln. 19, Sec. 2, Chongqing S. Rd., Zhongzheng Dist., Taipei City 100, Taiwan (R.O.C.)
    ░░Advisor|Ministry of Culture、National Culture and Arts Foundation

    ░░About video|
    The image begins with the Bodhisattva in Taoism. In 2006 33% of the population of Taiwan is Taoist; tied with Buddhism, they are the two main religious beliefs.

    Bodhisattva is often depicted not only as both male or female, but also genderless. According to , there are thirty three incarnations of Guan yin Bodhisattva, but in Sanskrit there is a distinction between male, female, and neuter. Nowadays the female incarnation is called “Gyoran Kannon (Fish-Basket Guan yin)”. “Women since ancient times always suffered more than men. The character of a woman is merciful and compassionate, and so motherly love is rare in male-oriented society.”《The Universal Door of Guan Shi Yin Bodhisattva》 explained why the incarnations are often depicted in women's image. Therefore the “incarnation/ metamorphosis at will” of Guan yin in the East emphasized the identification of intersectionality. By starting with Taoist deities and Bodhisattva, consumerist misappropriations are rapidly distributed by the pervasive internet and capitalist society. These materialist pursuits inherent in capitalism, because religious fanaticism also derives from the emptiness of the soul, increase religious “Disenchantment” in modern society.

    ░░Work Team|
    Art direction/Photography |Su Misu
    director of Photography|Yeh Che
    Sound|Xanthe Yang
    Movie assistant|Tao Zen Shuo/Hsu Jun Yi
    Photo assistant|Oscar Ko
    Stylist|Lu Yin Yin
    Makeup|Suan6
    Hair|Blue Vegetable
    Models|Lu Yin Yin/Gao Xiao Gao/ Noah Huang /Yun Yun Hu/Yamaneko/ Poppyfuks/Mai Maya/Su Misu
    Installation art|RuRu Kuo
    Scenery|Chen Ming Shan Taiwan Folk Scenery Painting Studio
    Special thanks|Liu Ching Hao

  • materialist 在 Gucci Facebook 的精選貼文

    2016-07-22 17:32:18
    有 761 人按讚

    Adam Csoka Keller for Gucci #24HourAce
    Born in 1991 in Bratislava, Slovakia just 2 years after the Velvet Revolution ended decades of communism, Adam Csoka Keller’s work draws on Cold War architecture and fuses it with fashion, movement, and set design. Faceless human figures are organized into formations evocative of military marches or chorus lines. Is it group exercise, ritualistic performance, or brainwashed trance? A seductive colorist and materialist, Keller uses fashion and props like a paintbrush to contrast the concrete walls and fluorescent lit lobbies where he films. The Gucci Ace sneaker makes its entrance inside a drained swimming pool worn by listless adolescents who walk along the pool lanes, run across tiled surfaces, and play alongside slithering reptiles. The peripatetic wanderings give way to a locker room rave, breathing new life into the pool party and proving that concrete and techno are a match made in heaven. – Paloma Powers
    See more works here: gucci.com/24hourace

  • materialist 在 鍾翔宇 Xiangyu Youtube 的最佳解答

    2019-07-27 04:00:02

    購買實體專輯:
    已完售,感謝大家的支持!

    Follow Xiangyu on Twitter https://instagram.com/notXiangyu
    Follow Ransom-Notes on Twitter https://twitter.com/ransom1992

    0:00 星星之火 A Single Spark
    2:52 延續和決裂 Continuity and Rupture
    6:02 流言蜚語 Rumors and Slanders
    8:56 夢 Dream
    11:26 這不是請客吃飯 This Is Not a Dinner Party
    14:50 社會主義還是人類滅絕 Socialism or Human Extinction

    Spotify: https://open.spotify.com/album/5LXDWD9UWMinJpuGXfOHF9
    Apple Music: https://music.apple.com/album/1475720641
    KKBox: https://www.kkbox.com/tw/tc/album/Po-XjuEwvaj3s0F3XnGK009H-index.html
    虾米音乐: https://www.xiami.com/album/5021315036

    專輯介紹: https://tw.news.yahoo.com/%E5%98%BB%E5%93%88%E5%8F%8D%E5%B8%9D%E5%9C%8B-%E9%8D%BE%E7%BF%94%E5%AE%87%E8%AA%AA%E5%94%B1%E6%98%9F%E6%98%9F%E4%B9%8B%E7%81%AB-063724380.html

    繼 2018 年金音獎入圍的《炮打司令部》後,中文嘻哈界絕無僅有的共產主義饒舌歌手鍾翔宇與英國製作人 Ransom-Notes 馬不停蹄地聯手炮製出六首歌的新專輯《星星之火》,相較於上張專輯還有如〈保力達B〉、〈偶像的手冊〉等比較詼諧幽默的歌曲,這張專輯顯得更加嚴肅而深入的闡述自己的意識形態。

    即使如此,這張專輯並沒有流於自我重複的說教,而是透過自己在美國成長過程親眼目睹的(台灣媒體跟好萊塢電影不告訴你的)具體事實,鍾翔宇戳破所謂的「美國夢」,一層一層爬梳嘻哈音樂如何失去最初的反抗精神、分析爭取勞動權益的困境甚至環保議題。很難想像這麼龐大的知識量被鍾翔宇精巧的放在一張不到 20 分鐘的專輯當中,這樣大膽的嘗試絕對值得你靜下心搭配歌詞細細玩味。搭配 Ransom-Notes 充滿黃金年代風格的編曲,讓嚴肅的歌詞不再難以下嚥。而鍾翔宇精心設計的多韻和不時的好笑 punchline,也展現他想讓歌曲直面普羅大眾的誠意。

    批判美國的霸權和當今的社會經濟制度等於動搖了非常多人的基本信念,鍾翔宇也深知這一點。然而看到不公不義的事實而站出來發聲,這是讓鍾翔宇之所以愛上嘻哈的浪漫初衷。《星星之火》這張專輯就如同他的偶像,英國嘻哈詩人 Lowkey 的 “Soundtrack to the Struggle” 一樣,是貨真價實的革命之聲,所有真心想衝破世界當今所面對的困境的人,肯定能從鍾翔宇的音樂中得到啟發。


    Shortly after his 2018 album "Bombard the Headquarters" was nominated best hip hop album by the Golden Indie Music Awards, Xiangyu, one of the few openly communist rappers in the Sinosphere, together with his comrade Ransom-Notes from the UK, began working on "a Single Spark." In comparison to his previous album, which contains comedic songs like "Paolyta B" and "the Idol's Handbook," "a Single Spark" takes on a more serious tone and delves deeper into Xiangyu's ideology.

    Despite the comparatively somber tone, this new album avoids repetitive preaching. Through sharing his personal experiences and the things he saw growing up in the United States, Xiangyu debunks the so-called "American Dream." Using materialist dialectics, he tells us how hip hop has lost its rebellious essence, and also analyzes power dynamics and touches on topics such as the environment. It is difficult to imagine how Xiangyu and Ransom-Notes were able to condense such a vast expanse of knowledge into an album less than 20 minutes in length. You will not be disappointed should you decide to sit down and listen to such a bold album while studying the lyrics. Reminiscent of hip hop's golden age, Ransom-Notes' beatmaking provides the listener with the sugar that makes the pill easier to swallow. Xiangyu's carefully constructed rhymes and the occasional humorous punch line demonstrate his sincere attempt to make his agitprop more accessible to the layperson.

    Criticizing US hegemony and the socioeconomic order of today is tantamount to shattering the fundamental beliefs of many, and Xiangyu is acutely aware of this. The fact that hip hop can serve as a platform for pointing out injustices is what attracted Xiangyu to the genre in the first place. "A Single Spark" is similar to "Soundtrack to the Struggle" by Lowkey, one of Xiangyu's influences, in the sense that it is truly revolutionary in content. Those who genuinely seek to transform the predicaments plaguing our world today will certainly find inspiration in Xiangyu's music.

    作詞:鍾翔宇
    編曲:Ransom-Notes
    錄音:鍾翔宇
    混音:鍾翔宇、Ransom-Notes
    母帶後期製作:Glenn Schick
    繪圖:Bijan Nader Sharifi

    Lyrics by Xiangyu,
    Beats by Ransom-Notes,
    Recorded by Xiangyu,
    Mixed by Xiangyu and Ransom-Notes
    Mastered by Glenn Schick,
    Artwork by Bijan Nader Sharifi.

    #星星之火 #鍾翔宇 #aSingleSpark

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