「莉莉絲」星盤中的黑暗母親（二）
#莉莉絲 #榮格心理學
榮格心理學家Hurwitz, Siegmund認為莉莉絲的原型代表著充滿性誘惑的女性，尤其是對男性來說，便是一種原始的阿尼瑪（陰性能量）的代表性人物。對於女性來說，莉莉絲則有兩面性存在，一面是滋養、照顧者的特質，另一方面則是會傷害孩童、懷孕中的婦女，因此具有“吞噬”的意涵在。（取自「莉莉絲，第一位夏娃」）

人類本性中的大母神特徵則會顯現為感官之愛的女神阿芙羅黛蒂（希臘神話中的金星女神），或是家庭與爐灶女神赫拉，或是農業女神狄密特。若是在印度世界，我們會發現大母神則是幻化成Kali，他是同時庇佑又毁壞的可怕女神，在自然的永恆迴圈中賦予生命、奪取生命。（取自「與內在對話」）

有一說誘惑夏娃吃下禁果的蛇，就是莉莉絲的化身。蛇在許多文化中，是療癒 智慧的源頭、轉化和永生的能力，但在『舊約』中，蛇是 危險、邪惡的誘惑者。（取自「夢，通往生命的泉源」）

Hurwitz, Siegmund進一步說明，他認為莉莉絲的兩面性是Ishtar（金星女神）與Lamashtu（美索不達米亞神話中的女性惡魔）的綜合體。Ishtar是歡愉、喜悅、美好事物的代表，Lamashtu則是半鳥半人的型態，往往會傷害小孩或是準媽媽。不過這樣的兩面性也體現在維納斯（同樣也是金星的化身）與賽姬之間矛盾的關係，在阿芙羅黛蒂與賽姬之間的鬥爭中，維納斯也顯示出對於地面上最美女人的嫉妒心，而一心想要摧毀她；即使當時的女神受人膜拜，女神應該要守護眾生，卻因嫉妒而傷害賽姬。

然而，半人半鳥的型態，在東方文化中有九天玄女與姑獲鳥的樣態，多半象徵著守護孩童健康的存在。

有趣的是，不論是蛇或是鳥，在古代人眼中，鳥是靈魂的化身。古代人相信，人死後，靈魂會由鳥帶至天堂/冥府。因此鳥可以穿梭「人間」和「冥府」之間，是地母神的使者。目前還有些少數民族，當親人/朋友重病時，會故意在門外大聲呼喊親人/朋友的名字，接著開始灑穀物，慢慢退回病人房中，希望病人的靈魂可以回歸而康復。

後來古代人，將「鳥」和「蛇」的形象合而為一，成為「有翼之蛇」，這就是龍的原型。龍，英文Dragon，從字源來看，那是出自希臘文的Drakon(大蛇)。「有翼之蛇」，是將擁有「大地」代表的蛇和「冥府」代表的鳥合而為一，也就是代表管理「人間」和「冥界」的全能之神。（以上兩段取自ptt之Falcom版內的文章）

這也是為何莉莉絲的形象到後來演變成惡魔之首。

如同之前的文章所言，以客體關係心理學的概念，便是孩童看待母親或是主要照顧者是愛恨交織的客體，而依附理論便會感受到母親本質是矛盾依附類型，每次孩童想要靠近母親時可能會被傷害、被指責，又可能被照料、滋養，再度被母親推開等等，使得孩童對於母親有種混亂且困惑、害怕等複雜情緒。

使得孩童長大之後，一方面很害怕被拒絕，但又抗拒進入親密關係當中，不容易信任他人，並且對自我沒有價值感與社交無安全感，他們預期自己會遭到拒絕或是被剝奪的扭曲視框，容易讓他們錯聽治療師的關愛回應。（取自人際歷程取向治療）

在星盤中不論是內行星或是重要的四軸點與黑月莉莉絲產生緊密相位時，不論男女都容易對於依附關係產生一種不確定感，一方面渴望被滋養、照顧與認同，另一方面也擔憂自我被吞噬。即便心裡頭渴望獲得照顧者的滋養，也感受到照顧者釋放出矛盾且具有吞噬意涵的訊息，而使得內在孩童對於依附關係感到相當焦慮不安。

賽姬，靈魂的字根，我們要如何從這樣的焦慮不安的狂躁中解脫，或許藉由賽姬如何一步步走入蛻變之旅，我們可以稍微窺探走向自由與療癒的道路。

我們都是通道，這些原型力量必須透過我們的通道而成為具體的存在。我們以自身的實體生命來體現這些原型。我們的個別生命就像容器，讓原型得以在地表具體化；我們的個別生命是讓他們為永恆宇宙奮戰的戰場，也是讓他們表現普世戲劇的舞台，具象表現在每個人的生命中。（取自「與內在對話」）
#占星與心理學
關於更多莉莉絲與星盤之間的秘密與療癒，歡迎參加于玥在8/6線上的小講座（防疫價600台幣）
https://www.beclass.com/rid=254641c60f18ceebb2ec

sụe sáng tạo của hội tụ ảnh trên ly inox

Artist: Jonty Hurwitz
#drawingaz

【不知不覺，你也聽了許多大師級作品：影史上不容錯過的7首「爵士電影配樂」】 Every little d

雖然許多爵士樂手對於將《 #樂來越愛你》視為 #爵士樂電影，感到很不以為然，不過，不得不說正是這部電影將爵士樂給人的刻板印象，轉化為戀情中浪漫的旋律，將爵士樂推送到大眾的耳中。

而製作《樂來越愛你》配樂的二人組——達米恩查澤雷和賈斯汀赫維玆，也在這之前製作了令人血脈噴張《 #進擊的鼓手》的電影配樂，除了向爵士史上的英雄致敬，也展現繼1959年電影《The Gene Krupa Story》以來最精彩的爵士鼓獨奏。

時間往前倒推半世紀，其實早有一群可敬的老前輩打造眾多絕妙的爵士電影配樂，並獲得奧斯卡金像獎加持，本次，就與我們一起來回味影史上不容錯過的7首 #爵士電影配樂：

—
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Enjoy this medley of songs from the movie "La La Land" by Simon Csokan!
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#lalaland #piano #medley

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Composer(s): Justin Hurwitz

Arrangement © Simon Csokan (2020)
Original Music © Summit Entertainment (2016)

Dear all,

Eversince KokoKaina days, I'd always look forward to writing the descriptions of a video. In a way, I felt that it was always a little more peek behind the song, and of me, to you.

It's been awhile since I've written in it, though I feel now is the time to so...

This song was a joint creation with my friend and former guitarist, David Hurwitz (dAvid sTrange) when he showed me some of the poems he'd had, many years ago. He is quite a prolific writer and this one in particular just spoke to me. So we worked on the song and melodies that day, as the words were already written by David.

It was quite an elevated feeling we had, after we were done, as I think we both knew how much this meant to us, and to everyone who will listen to it. Medicine.

It then took a few more years to be able to record it to its full form that you now hear. I recorded this in Los Angeles, where it was produced by one my dear friends and musical partners, Andre DeSantanna. I would like that this chance to thank him and the musicians, Rafa and Daniel for bringing it further to life.

Dear all,
We are now going through such a strange time, where we are all experiencing the same force, where no one is pardoned from it...

But I, just like the rest of you, feel uncertain, but coping and most of all, hopeful, that we can get out of this.

Once we do, we must remember, that even though, this grave situation may leave a large dent on our world and ways of living, we absolutely MUST rise wisely, do things fair and accordingly, and steadily, and not go into the extremes, as we must remind ourselves, that ALL OF US ARE/WERE IN IT TOGETHER!

Lets all do the right thing as citizens, humans, friends, family, and stay home, for the love of yourself, your family and all your loved ones.

Til then, just a gentle reminder to all that...

'Good Things Come To Those Who Wait.'

Many blessings, stay safe,
Zee xx
................................................................

Author: Zee Avi & dAvid sTrange
Composer: Zee Avi & dAvid sTrange

Vocals: Zee Avi
Drums/ Percussion: Rafa Pereira
Keys: Daniel Mandelman
Bass/Programming: André de Santanna

Produced by André de Santanna
Recorded at DeSantanna Studios, Los Angeles
Engineered and Mixed by André de Santanna
Mastered by Dave Locke


LYRIC VIDEO
................................................................
This video was a passion project between my friend Curly and I, and a small crew of 5, one camera, Curly and I co-directing, as he creative directed (he wears many hats). We shot this back in January, in Johor, Malaysia, near the beach, where it was very very warm. I insisted on having very minimal makeup, as you can tell, but most of that melted off as well.

I kept true to my vision and wore a turtleneck anyway because i was told, you gotta suffer for the art. ;)

I would like to thank the land of Johor for providing us with such beautiful weather that day though. And to Yiwen, Curly, Yunus, Masbro and Azrol. Terima kasih to you guys for making my vision come through. 100% Made in Malaysia, by Malaysians.

Creative Producer: Curly
DOP: Masbro
Prod Assists: Yunus
Editor: Monameqa
Translations: Kent Lee

WARDROBE:
Jimmy Lim

................................................................
Connect with Zee Avi
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這是英美語言文化學系送給大二準備出國和大四即將畢業的同學，在淡江大學大一到大四的回憶路全部，從蘭陽日的新生日到大三出國和畢業演給你們看！有這些活潑的學生，其實英美語言文化學習其實沒那麼無聊！歡迎來加入我們的學系！

音樂：La La Land Soundtrack - Epilogue (Justin Hurwitz) &
G-Eazy & Kehlani - Good Life (from The Fate of the Furious: The Album)
劇本：Christina Huang
編舞：Christina Huang
主持人：劉書文，陳育揮，Christina Huang
舞者：英美語言文化學習學生會