“The clothes we wear perfectly stick to our skin, and more, they are its extension somehow. It is the skin we decide to live in: a sheer, material, haptic membrane, that has the power to define who we want to be,” says Alessandro Michele in his notes on the Gucci Aria campaign, envisioned as an exploration of desire. “The rustle of clothing flings the doors open on the mysterious theater of the attraction.”

Presenting the new Gucci Aria campaign, envisioned by Alessandro Michele as an exploration of the Ontology of Desire. Featured in the campaign, shot by Mert Alas and Marcus Piggott, are band Måneskin and model Kristen McMenamy. Creative director Alessandro Michele, art director Christopher Simmonds.

Music:

‘I WANT YOU’
(Leon Ware, Arthur Ross)
© 1974 Almo Music Corp./ Jobete Music Co., Inc.
Licensed by Universal Music Publishing Ricordi Srl.
Artist: Madonna, Massive Attack
℗ 1995 Universal Music Italia Sr

Debuting Gucci Aria, the new advertising campaign envisioned by Alessandro Michele to capture the revolutionary and joyful impetus of eros as the creative force behind contemporary imagery, shot by Mert Alas and Marcus Piggott and featuring multi-platinum selling band Måneskin. Creative director Alessandro Michele, art director Christopher Simmonds.

#炎 #LiSA #鬼滅の刃
新年快樂！Happy New Year!
想了很久，最後還是想用最raw的方法cover這首年度之歌。投入到最後嗰頭撞左落支mic到? 完全沒理過鏡頭。用這些歌詞告別2020，迎接2021。希望大家無論經歷了什麼也好，還能「在心中點燃火焰，直到遙遠的未來……」❤️?
no matter what we’ve all been through in 2020, I hope we can still “light the flames in our hearts” and look forward to the future of 2021.
for this amazing song, I just wanted to sing my heart out & share the truest feelings from the bottom of my heart.
#再見 #謝謝
Keys/BV：Andy

instagram: www.instagram.com/indigoday_x
facebook: www.facebook.com/chanmingheijocelyn
weibo: @陳明憙jocelyn

大喊著「再見」和「謝謝」
想將比悲傷更重要的事情
傳達給離去的背影
願能感到那份溫暖與傷痛
以為會這樣持續下去
而描繪著屬於我們的明天
曾那樣呼喚著彼此
明明光線還未
將炙熱填滿心底
我們在炙熱的旅程中相遇
為了未來而將牽著的手分開
每次夢想成真，我都會想念你
想變得更堅強而哭泣
以決意餞行
被這般眷戀的情感囚禁
對著殘酷的世界哭喊
如同成長為大人般不斷滋長
我已不想再失去任何事物
只要被悲情吞噬，持續墮落下去的話
就不會感到痛苦了
你的話語
你的願望
我早已發誓要保護到底
發出巨響後便崩塌
僅此唯一的
不可替代的世界
伸出雙手緊抱不放的璀璨光芒
為了未來而於輝煌閃耀後消失
跨越了被託付的幸福和承諾離去
頭也不回地向前邁進
朝向前方吶喊
點燃了心中的火焰
直到遙遠的未來
"Goodbye" and "Thank you" at the top of my voice
What's more important than grief?
Hoping that they reach you as we part
In time for warmth and pain
I thought it would always be like this
I envisioned our days to come
Why, when our lights are calling out each other
Still burn deep in our hearts?
We meet amidst a blaze journey
Coming together, then letting go for the sake of our future
Every time dream comes true, I'll remember you
"Wishing to become stronger, I cried
With my resolvе as a parting gift"
Held captive by nostalgic memoriеs
Wailing at the cruelty of this world
There will be even more as I grow older
I never want to lose anything again
By succumbing to the grief
I might not feel pain anymore
By your words (your words)
Your wishes (your wishes)
I swear to protect them to the end
With a roar, it's crumbling down
Our one and only, irreplaceable world
The bundle of bursting light that I reached out for and held so close
Shimmered, then disappeared for the sake of the future
Going beyond the happiness and promise I've entrusted
I'll keep moving forward without glancing back
Looking straight ahead, I'm going to cry out
Lighting the flame in my heart
Until I reach the distant future

Valkyrie no Densetsu[a] is a 1989 action-adventure role-playing arcade game developed and published in Japan by Namco. Up to two players control the warrior maiden Valkyrie or her lizard-like companion Kurino Xandra as they set out to drop a mythical item called the Golden Seed into the Northern Fountain to replenish the dying cropfields of Xandra Land, and must also stop the antagonist Kamooz, who also sets out for the Golden Seed to enslave all the inhabitants of Marvel Land. Gameplay involves defeating enemies and collecting gold to purchase magical spells and weapons in shops. It is a followup to the 1986 Family Computer game Valkyrie no Bōken: Toki no Kagi Densetsu, with Valkyrie no Densetsu having a greater focus on action.

Valkyrie no Densetsu was the creation of Namco artist Hiroshi Fujii and a designer only known by the pseudonym of "Koakuman". The game's world, the fictional kingdom of Marvel Land, was greatly inspired by Viking tales from northern Europe and the middle ages, with a heavy emphesis on having a sort-of "magical" feel of it. It was originally meant to be four-player action game in the vein of titles like Gauntlet with a cabinet-linking system similar to Final Lap, which was scrapped later on. Characters were made to have personality and depth, a design choice inspired by The Wizard of Oz. The team envisioned a world that changed as the player progressed onward, with transitioning seasons and landscapes, however the usage of a vertical-oriented monitor forced much of this to be scrapped or altered.

Valkyrie no Densetsu was released in arcades to critical acclaim for its gameplay, characters and world, winning several awards from Gamest magazine. Namco ported the game to the PC Engine in 1990, a conversion that was met with a more mixed response for its difficulty, downgraded graphics and altered gameplay. The game was mostly unknown outside Japan until the release of Namco Museum Vol. 5 in 1997, which renamed the game to The Legend of Valkyrie and was fully translated into English. Several additional ports were made, including those for Windows, Japanese mobile phones and the Wii Virtual Console. The PC Engine conversion is also one of the 50 built-in games included in the upcoming TurboGrafx-16 Mini by Konami.

(個人通關414)

吉他手/Guitarist： 梁惟傑/Jay Liang
主唱/Vocals： 崔璀璨/Tristan H.
攝影師/Cameraman：倫心多媒體的林金罡/Jingang Lin
編輯/Editor： 崔璀璨/Tristan H.
.
特別感謝林金罡的幫忙，也謝謝歐日自助洗衣店讓我們利用場地。
.
許多的mv都在洗衣店裡面，但我是因為最近看到了Ash Vlogs的影片所以會想來這家試試看
.
有時候你有一個想法，但無法百分百做的像在心中那個樣子，這就是一個好例子。我們每次創造，每次拍影片都會比上次好一點點，因為上次學到了一些方法，我只希望能每次比上次好:)
.
Quite a few music videos take place in coin laundry stores, but the video that made me want to try out coin laundry was Ash Vlogs’.
.
Sometimes you have a vision, and it’s not always possible to create it 100% to how you envisioned. This was one of those times. Each time we create something, it will get better. Each time we create, we will learn something new and make it better than the last time, and that’s all I hope for.
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梁惟傑的社會媒體！Check out Jay's social!
臉書/Facebook：www.facebook.com/jayliangguitar/
IG： www.instagram.com/roackb2

倫心媒體的粉專：
www.facebook.com/king.kon.lin.tw

我的社會媒體！ Check out my social!
臉書/Facebook：www.facebook.com/yakitorisutan
IG： www.instagram.com/yakitorisutan
浪Live： 3177283