總獎金93萬！外交部 #第7屆全民潮台灣 短片徵件競賽開跑

主委真的加碼了，今年潮台灣短片徵件比賽的總獎金創下新高，在人人手機都可以拍攝影片的這個時代，千萬不要錯過這個機會！

這次有兩個獎項
#創意主題獎
3分鐘內，紀錄性質，呈現台灣獨特的風土民情

#品牌故事獎
1分鐘內，劇情性質，拍出台灣特有故事

現在馬上開始規劃，10月16日截止，#不限年齡、#不限國籍
一起用鏡頭讓世界看見最潮的台灣～～
讓世界看見台灣的DNA～～

官網連結請看留言！

#TrendingTaiwan #AlwaysTrending
#拍片的你還是要遵守防疫規範RRRRRR

The 7th Trending Taiwan #ShortFilm #Competition has just launched with a total prize pool of NT$930,000 and #WeWantYou to take part!

If you think you can capture a moment that encapsulates what makes Taiwan great, you can enter the creative/open category, which focuses on showcasing Taiwan in a documentary-style format. Whereas, if you think you have a unique take on how to market the Taiwanese brand to the world, you might want to opt for the all-new brand story category!

You can submit your entry from now until October 16, so grab a camera and get to grips with Taiwan’s DNA! The competition is now in its 7th year and, as always, is open to foreign nationals and Taiwanese alike, so let’s make this one special!

More details at the link in the comments section!

The latest chapter in a quintessentially French story, Violette’s insouciant attitude and irreverent approach to beauty perfectly encapsulates le chic à la française - Guerlain’s creative signature. Although today based in New York, she remains true to her roots and the timeless Parisian style that sets her apart from the beauty crowd.

“The Guerlain woman is Parisian from head to toe - a modern empress!” - Violette, Makeup Creative Director at Guerlain

Taking pictures of fireworks can be a fun experience that proves quite the technical challenge for many photographers. At any skill level, there are ways to try fireworks photography with automated settings or fine-tunable manual controls to get a shot that encapsulates the awe and wonder of this explosively colorful light. Click the link below to read about a few core techniques and universal practices for capturing an event that is synonymous with summer, the 4th of July, and a general sense of excitement and delight.

Click the link to learn more: https://bit.ly/LeicaBlog_Fireworks

Photographs by Antonio Di Benedetto

#LeicaCameraUSA #LeicaCamera #Leica #🔴📷#LeicaCommunity #LeicaShooters

I've always been inspired by the concept of "humanity before religiosity" and there's a Hadith that best encapsulates this that I'd love to share with you guys today!

This is the link to the lecture: https://www.youtube.com/watch?list=PLEDk24gvh6t-HEYRMaRNz1-jv2MQ_NyTf&v=yeonqcnFR3o

If you want more of such reflections, subscribe at http://aidaazlin.com. You'll get access to my Tuesday Love Letters (where I share my reflections, thoughts and musings that I don’t share anywhere else) and access to other cool stuff! "See" you there!

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Rebeca Lane is a trailblazing rapper whose music encapsulates what it’s like to be a woman in Guatemalan society.
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Streets of Rage 2 gets a lot of attention, and deservedly so, but Streets of Rage is also an excellent game.

Its music is darker and more depressing than its sequel's. It encapsulates the latent feeling of fear in the streets of New York City in the 1990s perfectly.

During the 16-bit era, a lot of developers tried to make their sprites as big as possible, and their games, in turn, were impressive to look at, but it wasn't always in the best interest of the gameplay to have such big sprites taking up a lot of the screen. With Streets of Rage, I think the sprites are the perfect size so that they don't crowd the screen too much.

A good way to illustrate my point would be to look at the Megaman-games on NES, and then look at Megaman VII on SNES. The sprites are huge - unnecessarily huge, in Megaman VII. The game is still playable, of course, but sizing sprites appropriately is very important.

Streets of Rage is also more difficult than Streets of Rage 2, but not too much in a cheap way, unlike Final Fight.

When I was in high-school, I once went over to someone's house and we played Streets of Rage 2. There, I learned about the infinite combo, where instead of doing a full melee-combo, you hit an enemy once or twice, and wait... and hit him or her once or twice again. The enemy will be stunned, unable to do anything. It also works in Streets of Rage. You can see me using it as much as possible, especially when I'm only fighting one enemy.

I had little trouble until Round 4. I got myself thrown into a hole, which took off one life instantly, and the boss that breathes fire gave me trouble as well.

The two palette-swaps of Blaze that serve as Round 5 bosses also historically give me trouble and today was no different.

In Round 6, I encountered the rotund fire-breather mid-level, and he gave me trouble again.

In Round 7, I started throwing people off the elevator, but unfortunately, I got thrown off as well.

In Round 8, I tried jumping out of the way of the first moving table, but I got hit, so I decided to attack it instead, and it worked. My biggest worry was facing the Round 4 boss again, but I caught him in an infinite combo, and he went down. I had a lot more trouble against the Round 5 bosses than I did during Round 5 itself.

I wasn't sure I had enough lives and continues to take down Mr. X, but he was easier than I thought he was.

To play and record, again I used a Model 1 NTSC Sega Genesis/Megadrive using HD Retrovision component-video cables and line-quadrupled the 240p signal to 960p using an OSSC. I captured the footage with a Micomsoft XCapture-1. Today I tried line-quintupling (5X), and my monitor liked it, but the XCapture-1 did not.