Now on Sale

https://takaya.zaiko.io/e/hanayuishi2021

Live streaming from Konkai-Komyoji Temple in Kyoto

Saturday, October 30, 2021

15:30 Start on fine weather
17:30 Start on rainy weather

Archive video will be available on Zaiko until 23:59, Wednesday 2/11/2021. (You can watch as many times as you want during this period)

NOTICE: *In case of raining, the performance starts at 17:30. You will receive an email from Zaiko if the time is changed on the day.

【Tickets】
2250yen (including 250yen for handling fee)
Available on Zaiko from 1 Oct (Fri) 10:00 - 3 Nov 21:00 (JST)
*You will need to register for a ZAIKO account to purchase tickets.

【Before Watch】
Register and watch guide
https://www.youtube.com/watch?v=BwDzQxC8vlE

☆Please refer to the support page on the ZAIKO website for information on how to watch the show and detailed settings.
https://zaiko.io/support
ーーーーーーーーーーーーーーーーーーーーーー
Tohru Yamasaki
President of T2Generation
Organizer of “TSUKENOKAI”. Tsukeuchi (tsuke percussionist) for Kabuki.Born in Kojima, Kurashiki City, Okayama Pref. on 28 February, 1969. Blood Type: B
1989: Joined in LIFE SOGOBUTAI Co.,Ltd. (formerly known as LIFE Bijutsusha Ltd.) located in Takamatsu City, Kagawa Pref. Autumn 1990: Moved to Tokyo.October 1992: Joined in Pacific Art Center Inc. after working freelance. Assigned to SHINBASHI ENBUJO (theater) to start a career as a tsukeuchi (tsuke percussionist). Since then, engaged in Kabuki performances in and outof Japan. August 2020: Resigned from Pacific Art Center Inc. Established T2Generation to start supporting cultural activities through tsukeuchi performance. Based on the career, trying various performances of art and culture by collaborating with others from different fields.
�Tsuke is one of the sound effects to emphasize the movements and power of the characters on the stage, which impresses the play more effectively. It is often used for the important scenes: when the main character is appearing on stage, changing his/her clothes, when the stage setting changes (stage elevator rises or a building collapses), and to highlight the effect of props.“Oto (sound) wo tsuke-ru” means “adding sound to the play”, which is the reason why it is called “tsuke”. The two wood blocks to make sounds are called “tsuke-uchi”. Tsukeuchi (tsuke percussionist) sits on the stage left (audience’s right side) where he makes sounds using tools, tsuke-ita (tsuke wood board)and tsuke-gi (two wood blocks).
WEBT2Generation https://t-yamasaki.wixsite.com/t2generation
TSUKENOKAI https://t-yamasaki.wixsite.com/tsukenokai

HANAYUISHI TAKAYA
TAKAYA, as known as HANAYUISHI, is an artist based inkyoto who combines floristry with art and fashion to create one-of-a kind headdresses. Takaya has invented and developed a technique of tying living plants like flowers.vegetables.fruits.twigs.plants and even taxidermy into hairs to make highly unique and ethereal works - as he describes as a “unity of human and nature.”
Takaya creates his works on the spot,choosing flowers to with cloth or personality of the person. It is an intuitive and spontaneous work that it is almost impossible to plan the design ahead since flowers are living things every bloom is different.every stems has its own line.There is beauty of working with living plants as opposed to dried plants - as if Takaya intensifies the energy of the living plants.the result of his stylings are so vibrant and memorable.
Takaya shows his work through photography and live performance.
Performances are often held in unique locations like Buddhis temples and museums in throughout Japan and Sweden. He has been featured in numerous publications and broadcasts around the world, including Daily Telegraph, Glamour Italia, Holland Herald, and NHK World TV.
Takaya also collaborates with Yumi Katsura, a well-known bridal fashion designer for Yumi Katsura Grand Collection.
http://www.takaya

KONKAI-KOMYOJI TEMPLE
https://www.kurodani.jp/en/

We’re back and ready to serve you better‼️ As a safety measure, we emphasize strict SOP to ensure our patient and staff safety

📌 Our staff are Fully Vaccinated 🛡️🛡️🛡️
📌 Our staff on full gear protections, and changes every patient.
📌 Our stores are sanitized consistently.
📌 Full body sanitizing.
📌 We conduct a swab test (on the spot).

⚠️ Your safety is our *TOP PRIORITY* 💯💯💯

For appointments, please WhatsApp message (http://www.wasap.my/60163491368)

#Masterchrisleong #bonesetting #tittar #tabibtulang #clm #clmethod #sunwaydamasara #midvalley #setiaalam #sripetaling #ampang #clmjakarta #drchris #datochris #跌打 #chris #datoserichris #bone #tulang #leong #梁潤江

#EMPHASIZE 設計款
大中小圓點蛋糕裙
✨設計亮點✨
🤍腰圍鬆緊帶設計
🖤全長84cm
🤍百搭！可愛！好看！
｡o♡o｡+｡o♡o｡+｡o♡o｡+｡o♡o｡+｡o♡o｡+
歡迎前往櫃上試穿選購
任何問題歡迎私訊詢問、購買唷～
#emphasizetw #設計師品牌 #kawaii #金典綠園道商場

Solve the problem of big thighs easily Exercises at home without jumping.
ปัญหาต้นขาใหญ่ไม่ใช่เรื่องที่น่ากังวลใจอีกต่อไป ถ้าหากคุณเข้าใจวิธีการออกกำลังกายแบบง่ายๆ ที่สามารถทำได้ที่บ้าน บอกได้เลยว่าช่วยได้อย่างน่าทึ่ง และส่งผลดีต่อต้นขา * ให้สวยเล็กเดียวได้อย่างรวดเร็วฝากกดติดตามและกดแชร์ด้วยขอขอบคุณ เน้นย้ำว่าไม่ต้องกระโดด

Big thighs are not a concern anymore. If you understand how to exercise simple That can be done at home I can say it has helped me remarkably. And good effect on thighs * to be beautiful, small and fast Emphasize not to jump.

ROOFTOPMOB -【Time】(Official Audio)
-
ROOFTOPMOB首張團體完整專輯【REEF】Officially Out Now !!
Available on iTunes, Apple Music : https://music.apple.com/tw/album/reef/1544228717?l=en
Listen on Spotify : https://open.spotify.com/track/1B1EmNRYZ5Ggbp42KEcxE1
KKBOX: https://kkbox.fm/dshn2s?utm_source=share&utm_medium=song&utm_campaign=RooftopMob+-+TIME
|
Presented by ｜ ROOFTOPMOB
Artist ｜ Aminato / Saxer / Zashō / LICKONE / HanLin
Beat Arranger ｜ Zac Rao
Composer & Lyricist ｜ Aminato / Saxer / Zashō / LICKONE / HanLin
Producer ｜ Aminato / Saxer / Zashō / LICKONE / HanLin / Zac Rao
Recording x Mixing ｜ Zac Rao
Mastering ｜ Zac Rao
Mastering Studio ｜ 金剛門大樹林工作室
Photographer ｜ Kenalwayscan
Album Art Designer ｜ LICKONE
;
[ROOFTOPMOB]
Instagram : https://www.instagram.com/rooftopmob_official/
Soundcloud : https://soundcloud.com/rooftopmob
StreetVoice : https://streetvoice.com/Rooftopmob/
[Follow Members]
Aminato : https://www.instagram.com/rooftopmob_aka_aminato/
Saxer : https://www.instagram.com/rooftopmob_saxer/
Zashō : https://www.instagram.com/rooftopmob_zasho/
LICKONE : https://www.instagram.com/rooftopmob_lickone/
HanLin : https://www.instagram.com/harry__liao/
Zac Rao : https://www.instagram.com/rooftopmob_zac_rao/
Ken : https://www.instagram.com/kenalwayscan/
-
Copyrights 2020 ⓒ ROOFTOPMOB. All Rights Reserved
\
Lyrics:
[Verse 1: Aminato]
漫漫長日的炎熱 時間持續發酵
那是成長還是腐敗 鬧鐘仍舊聒噪
溫度過高 酵母將理想縮小
包覆的青春縹緲 焦躁
牙齒徒增 在每次煙霧繚繞的我
早勸你戒了
打開社會的鎖
考驗你 得接著 再接著
攪碎的我
散落固體車廂
前進仍舊顛頗
帶著些許疙瘩
他說這是些許成長
也許稍能念舊
意識到長大這件事 不會使人變弱
怕陷落怠惰賴著時間不走
遷就挫敗終究是妒火

[Verse 2: Saxer]
走道 走不到
盡頭那處不明瞭
手套 脫不掉
枷鎖太重不想要
活著被反銬
拖著也煎熬
曾想要逃跑
何時可以Sign out
內心尖叫 啊啊啊啊
無法尖叫 漸漸我像台機器操控那最好
滴答滴答滴 知感不到快與慢
抵達停哪裏 追趕want to live or die ?

[Verse 3: Zashō]
我坐在漫無目的車廂裡 晃呀晃
抱緊了心頭的行囊 看倒映的矬樣
有時覺得美好的時間它就會那麼順理 成章
如同我們話 過的家常 But
all we know is 路不可能沒石頭
真要這麼說 那似乎也不對 cuz
就算沒有石頭 路它總是會有盡頭
迷惘越來越稀鬆 習慣了顛簸that we live it up

[Verse 4: LICKONE]
Sometimes I feel like I shouldn’t lie
Like things I’ve done before I die, bye
Never stop to craft, damn man, pass the vibe
Skydive to the north side, Imma feel alive
Cry baby cry, try get some criticize
Is time to let my mind mind Emphasize
Timepass, don’t let ya mind compromise
Mind fried that would cause you some jeopardize

[Verse 5: Hanlin]
I wanna stop
時間逼著它去前進
增長的年紀和回憶在無形之中貶低了我
And all I dream 也只是夢 在醒來以後
規律的作息當成麻醉注入減輕著痛 wow
分不清在前進還是後退
我搭上車卻找不到自己的座位
如果從未開始起頭 怎麼夢寐以求(？)
為了還清欠的債 不只working 9 to 5
不只Beats & rhyme 好的壞的全都帶著
Waiting for the Time 延後誤點出發慢了
收拾我的行李 沿途風景看遍
遠離家的列車急駛 我們到車站見

[Chorus: Zashō, LICKONE]
時間在飛 闖蕩台北 (I don’t wanna lose it)
到不了頂端也無所謂 (the passion that I living)
時間在飛 闖蕩台北 (I don’t wanna lose it)
到不了頂端也無所謂 (the passion that I living)

[Outro: Zashō]
so get your ticket and ride with me
車正加速 或許 到不了目的地
but the sound of our whistle
will go, as far as it can go woo oh
will go far
will go far
will go far
will go far

法國已經第二次的封城。。。
那我。。住在台灣，台灣的疫情管理非常成功。有一些新聞説台灣是世界上最成功管理疫情的國家。
比如：https://www.taiwannews.com.tw/en/news/4046909

我一直在問自己：爲什麽法國的政治的人，新聞，科學家都不在講到台灣？？台灣疫情管理世界上最成功！我們法國的媒體都在講國内的事情而已，偶爾在講鄰居的事情 （都是疫情管理不太成功的國家）。
爲什麽不要講到台灣？爲什麽不要學台灣怎麽成功的？？

我在這影片不會分享自己的意見，不是我的責任，我不是專業的一生。但是我想强調的是台灣做得非常好，我希望法國可以多研究台灣做了什麽，才可以成功！

我在影片講到的新聞：
https://www.taiwannews.com.tw/en/news/4040498
https://www.taiwannews.com.tw/en/news/4046909

請你訂閲我的頻道~
IG: @yuanyuanintaiwan
FB: www.facebook.com/yuanyuanintaiwan

France is already under the second lockdown to deal with the coronavirus.
In parallel, I have been living in Taiwan, which is in the top countries of the world for their handling of the epidemic. Actually a lot of media recognize Taiwan as being THE most successful country dealing with the epidemic.

For example this news from the Brookings institute saying that Taiwan is the first country in the world in term of success fighting the covid19 based on number of deaths X GDP growth in this period: https://www.taiwannews.com.tw/en/news/4046909

I keep questioning myself: Why are the French media, politicians and scientists not actively talking and studying about the different measures that Taiwan has taken to deal with the epidemic?
In France, we have a very self-centered media that only looks at our own struggle, or sometimes the neighbors, Spain, UK, etc, which don't do very well either.
Why aren't we constantly talking about how Taiwan is dealing with the epidemics? Why aren't we trying to learn something from Taiwan?

In this video, I will not give any particular advice on how to deal with the epidemics, because it is not my area of expertise. I just want to emphasize the fact that Taiwan has been doing extremely well, and I wish France would look into this seriously from now on.

Please subscribe to my channel!
IG: @yuanyuanintaiwan
FB: www.facebook.com/yuanyuanintaiwan