Bridge of Sighs • Radcliffe Camera • The Divinity School • The Sheldonian Theatre 🎓 can you feel the magical vibes of Oxford? ⚡️🔮⚔️🛡 #teeradatravelcollection

. The Portrait of Divinity- His Hand Mixed media 29.4*21cm (With frame: 50.5*50.5*3.8cm) 2018 《creN/Ature》 Dates｜08.07–9.18.2021 Venue | TKG+ Projects (2F, No. 15, Ln. 548, Ruiguang Rd., Neihu Dist., Taipei, Taiwan) Recently I have invited by curator Wu Muching to release new series in TKG+ Projects. It’s also my return to the same place since my solo exhibition in 2018. The curator intends the exhibition to serve as an intimate question about art making: As a creation of God and a creator of art, what does each artist think is the relationship between all sentient beings, the act of creation, and the role of creator? I ponders the act of creation through a carefully selected array of manuscripts and documents from his past creative process as a dialectic between objects’ history and the attestation of art making. In that, I exhibit the document of the adaption of . — a physical exhibition transfer to visual virtual and visual experience, to respond this group exhibition concept. - 神像—他的手 複合媒材 29.4*21cm (含框：50.5*50.5*3.8cm) 2018 《物‧自‧造‧ˍ creN/Ature》 展期｜2021.08.07 - 2021.09.18 地點｜TKG+ Projects （台北市114內湖區瑞光路548巷15號2F） 我近期受策展人吳牧青之邀，於TKG+ Projects 發表系列新作。這也是我繼2018年個展後，再度回到同一個地方展出。 因此這一次的展覽，我展示了當時構思2018年個展的文件、圖像、手稿、模型，影像中提到，未展出的作品。 我循著自己的創作痕跡，在裡面找出當時未被發現的感受，重新以這些痕跡「再創造」，回應策展人對「創作」的提問。 一開始本來想跟牧青以「創造的恐懼」為題，來回應他對創造提問。在很多提案之後，最後還是以文件和自問的方式，再現2018年的展覽過程。 對我來說，TKG+ Projects 這個現場，有是那檔展的產生的重要素材之。因此三年後在此做打開這個展的過程，也是另一種新/舊作的辯證吧。 #niujunqiangsoloexhibition #crenature #creature #creation #artificial #photography #visualart #tkgplus #tkgplusprojects #gallery #artmaking #document #manuscript #dialectics

TGIF 🥵 On my eyes: @patmcgrathreal Celestial Divinity palette. 💕 #tgif #tired #readyfortheweekend #ineedabreak