The real #TrueCrime is #ClimateSilence
.
鬼島的環保節目 Waste Not Why Not 要來「認祖歸宗」了！！我們不是一個「科學」節目，也不是一個「自然」節目，而！是！一！個！
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🟩「#氣候」節目！
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國外的 podcasters 正在連署要求 Apple Podcasts 新增一個節目類別：「Climate」（氣候），讓聽眾更迅速找到關於氣候變遷的內容。
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台灣的綠色 Podcasters 一起來連署吧！讓台灣的氣候節目Logo都出現在連署頁面！ 👉https://podcastersdeclare.com
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🟩「 地球事就是家務事 」 by Home Work / 家務室 友善環境生活雜貨
🟩「 綠青出動 」by Greenpeace 綠色和平 (台灣網站)
🟩「 彭總李董的永續生活 」
🟩「 零廢棄教會 ZeroWasteLife」
🟩「 台大風險中心 」
🟩「 #地球臨界點 」by 天下雜誌, CommonWealth Magazine
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It's time to call our environmental show #WasteNotWhyNot what it really is. Not a "science" podcast. Not a "nature" podcast. Nah. We're a #CLIMATE podcast.

We're stoked to join this open letter alongside Podnews, Climactic, Climate & Capital Media, calling #ApplePodcasts to add a CLIMATE category.

You can tell your favorite podcasters to join us today:
👉https://podcastersdeclare.com

#自然８靠北環保
#原本一直認賊作父
#鬼島之音就是這麼好聽

我們一直覺得電影的感覺和演員的素質，都能從「一鏡直落」發揮。我很喜歡手搖鏡頭，因為能跟演員的距離更親近，與他們有能量的交流，跟他們起舞。張國榮絕對是我最喜愛的「舞伴」。

拍攝這壓場一幕的地點，有很強的個性。我們很想好好地展現這空間，證明它是真實場景，而不是搭景，讓觀眾探究為何劉德華和張國榮會在那裡出現，又會發生甚麼事。「一鏡到底」似乎是最理想的方式，可惜手拿攝影機爬梯又極高難度。於是，我們首次使用攝影防震器拍攝這一幕的開端。

問題是要從光猛的外景，切入陰暗的室內環境，讓觀眾清楚看見全貎，便要從窗外打燈讓光射進去。把窗戶打開，讓我們思考了良久，應如何放置燈光而不會「穿崩」，因為攝影機以360度全方位拍攝。我們也跟演員走了很多次位，務求使鏡頭跟演員「一拍即合」。

We felt that the mood of the film and the quality of our actors would be best celebrated in long takes. I love to hand hold the camera, to be as close as possible to the actors, to share their energy, to dance with them. Leslie of course is my favourite “dance partner”.

The location we found for this climactic scene had such a strong “character” we felt we needed to celebrate as much of it as possible. We wanted to show that it is a real space, not a set. We wanted a sense of anticipation for why Andy and Leslie are here and what is going on. One continuous shot seemed the a perfect way to do so. But it’s almost impossible to hand hold a camera and climb steps. So for the first time, we used a Steadicam to create the scene’s opening shot.

Thing is we are going from a bright exterior to a much darker interior. And since we wanted to see the whole space, the only way to light the scene was from outside the windows. But the windows are open, so it took a great deal of planning and to place the lamps so the camera wouldn’t see them as it turns 360 degrees around the room, and a lot of rehearsal so that the camera and the actors would dance together as one.

影片來源Video:《阿飛正傳》“Days of Being Wild”（1990）

#阿飛正傳30週年 #王家衛 #張國榮 #劉德華
#DaysOfBeingWild30thanniversary #WKW #LeslieCheung #AndyLau

我們一直覺得電影的感覺和演員的素質，都能從「一鏡直落」發揮。我很喜歡手搖鏡頭，因為能跟演員的距離更親近，與他們有能量的交流，跟他們起舞。張國榮絕對是我最喜愛的「舞伴」。

拍攝這壓場一幕的地點，有很強的個性。我們很想好好地展現這空間，證明它是真實場景，而不是搭景，讓觀眾探究為何劉德華和張國榮會在那裡出現，又會發生甚麼事。「一鏡到底」似乎是最理想的方式，可惜手拿攝影機爬梯又極高難度。於是，我們首次使用攝影防震器拍攝這一幕的開端。

問題是要從光猛的外景，切入陰暗的室內環境，讓觀眾清楚看見全貎，便要從窗外打燈讓光射進去。把窗戶打開，讓我們思考了良久，應如何放置燈光而不會「穿崩」，因為攝影機以360度全方位拍攝。我們也跟演員走了很多次位，務求使鏡頭跟演員「一拍即合」。

We felt that the mood of the film and the quality of our actors would be best celebrated in long takes. I love to hand hold the camera, to be as close as possible to the actors, to share their energy, to dance with them. Leslie of course is my favourite “dance partner”.

The location we found for this climactic scene had such a strong “character” we felt we needed to celebrate as much of it as possible. We wanted to show that it is a real space, not a set. We wanted a sense of anticipation for why Andy and Leslie are here and what is going on. One continuous shot seemed the a perfect way to do so. But it’s almost impossible to hand hold a camera and climb steps. So for the first time, we used a Steadicam to create the scene’s opening shot.

Thing is we are going from a bright exterior to a much darker interior. And since we wanted to see the whole space, the only way to light the scene was from outside the windows. But the windows are open, so it took a great deal of planning and to place the lamps so the camera wouldn’t see them as it turns 360 degrees around the room, and a lot of rehearsal so that the camera and the actors would dance together as one.

影片來源Video:《阿飛正傳》“Days of Being Wild”（1990）

#阿飛正傳30週年 #王家衛 #張國榮 #劉德華
#DaysOfBeingWild30thanniversary #WKW #LeslieCheung #AndyLau

Nature N8 is too old and tired to debunk anymore bad environmental hogwash baloney. So he’s definitely not debunking Seaspiracy today. Nope. Not doing it.

We also want to share an open letter that our friend Mark from the Climactic podcast is helping organize: Podcasters Declare. A group of Climate Podcasters is calling Apple Podcast to add a new category: Climate! This would greatly help listeners like you find more thoughtful discussions on climate change in other podcasts!

Go to PodcastersDECLARE.com to sign the letter, and tell your favorite podcasts to join us today!

Support “Waste Not Why Not” on Patreon. Follow us on Twitter @wastenotpod. Send questions to ask@wastenotwhynot.com. Subscribe to “Waste Not a Newsletter" on Substack.
EPISODE CREDIT | Nate Maynard (@N8May), host | Yu-Chen Lai (@aGuavaEmoji), producer | Emily Y. Wu (@emilyywu), executive producer | Music licensing MB01WR8IJHWPCOG | a Ghost Island Media production (@ghostislandme) | www.ghostisland.media

YOUTUBE

Support us on Patreon:
http://patreon.com/wastenotwhynot

Subscribe to our newsletter:
https://wastenotwhynot.substack.com/

Follow us on Twitter:
https://twitter.com/wastenotpod

Send your questions to:
ask@wastenotwhynot.com


SHOW CREDIT

Emily Y. Wu (Executive Producer)
https://twitter.com/emilyywu

Nate Maynard (Producer / Host)
https://twitter.com/N8MAY

Yu-Chen Lai (Producer / Editing)
https://twitter.com/aGuavaEmoji

Ghost Island Media (Production Company)
https://twitter.com/ghostislandme

www.ghostisland.media
MB01MXNGIWZARU6

N8’s noticing some viral trends on Twitter, again. This time, media pieces are comparing Covid-19 to Climate Change. (Spoilers: they’re not comparable.)

We also want to share an open letter that our friend Mark from the Climactic podcast is helping organize: Podcasters Declare. A group of Climate Podcasters is calling Apple Podcast to add a new category: Climate! This would greatly help listeners like you find more thoughtful discussions on climate change in other podcasts!

Go to PodcastersDECLARE.com to sign the letter, and tell your favorite podcasts to join us today!

Support “Waste Not Why Not” on Patreon. Follow us on Twitter @wastenotpod. Send questions to ask@wastenotwhynot.com. Subscribe to “Waste Not a Newsletter" on Substack.
Support us on Patreon:
http://patreon.com/wastenotwhynot

Subscribe to our newsletter:
https://wastenotwhynot.substack.com/

Follow us on Twitter:
https://twitter.com/wastenotpod

Send your questions to:
ask@wastenotwhynot.com


SHOW CREDIT

Emily Y. Wu (Executive Producer)
https://twitter.com/emilyywu

Nate Maynard (Producer / Host)
https://twitter.com/N8MAY

Yu-Chen Lai (Producer / Editing)
https://twitter.com/aGuavaEmoji

Ghost Island Media (Production Company)
https://twitter.com/ghostislandme

www.ghostisland.media

主持：Thomas、Tim
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收聽獨家及搶先播放節目

本集介紹：
D-DAY 諾曼第的巔峰時刻
D-Day : June 6, 1944: The Climactic Battle of World War II
作者： Stephen E. Ambrose 史蒂芬．安布羅斯
譯者： 雲曉麗
出版社：八旗文化
出版日期：2019/05/08
ISBN: 9789578654631

最長的一日—1944年6月6日 The longest day June 6, 1944
作者：Cornelius Ryan 考李留斯雷恩
譯者： 黃文範
出版社：麥田
出版日期：1994/06/01
ISBN：9577081649

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