Down, Sal? Ya!
Nyerah? GAK!
AKAN KUPELAJARI LEBIH LAGI TERKAIT ATURAN DAN UNDANG-UNDANG PMI secara autodidact !
Setidaknya modal nekad begini.. suara saya sudah bisa sampai ke pihak terkait, perjuanganku slama ini gak sia-sia. 😎
Thank you buat kalian yg selalu mensupport aku slama ini.
I'm going to my next level.

感謝 唐鳳政務委員！今天採訪中學到很多～ 請大家盡情期待本週Taiwan Insider What a pleasure to interview Taiwan’s one and only Digital Minister Audrey Tang, who has presided over the digital solutions for handling COVID-19. When I asked her what she would say to the child version of herself, who was shy, bullied, and an autodidact, she looked directly at the camera and said: “There are cracks in everything; that’s how the light gets in.” ❤️

【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架，附上英文版的介紹。

Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.

Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.

As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.

Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”

Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.

Tristan Bath

期待値高いしまたやりたい

パーク
・独学者(Autodidact)
他の生存者を治療中、スキルチェックに成功する度にトークンを獲得する。このトークンは最大3・4・5個まで獲得できる。
スキルチェックを成功させる度にトークン1個につき+15%の進行ボーナスを得られる。ただし進行ボーナスは-25%のペナルティを受けた状態で儀式が始まる。
・連帯感(Solidarity)
負傷時に医療キットを使わず生存者を治療すると、40・45・50%の変換率で自分の傷も回復する


twitter
https://twitter.com/hukuryu02
スポンサー登録はこちら
https://gaming.youtube.com/channel/UCWKY6T2N6naDo5VcsRE7B3A
お借りした音源
https://www.youtube.com/channel/UCa_UMppcMsHIzb5LDx1u9zQ

石が最強

パークは時計回りに
・Deliverance(解放)
他の生存者を安全にフック救助すると効果が発動。フックから自力脱出を試みた際に100%成功する。その後、60秒間衰弱状態（※治療出来ない状態）になる。
・Diversion(陽動)
追跡中ではない殺人鬼の心音範囲内に45秒間いると効果が発動。しゃがんだ状態で動かずにEキーを押すと小石を投げ殺人鬼に対し騒音を通知させる。小石は20m前方に投擲可能。
・Autodidact(独学者)
他の生存者を治療中、スキルチェックに成功する度にトークンを獲得する。このトークンは最大3・4・5個まで獲得できる。
スキルチェックを成功させる度にトークン1個につき+15%の進行ボーナスを得られる。ただし進行ボーナスは-25%のペナルティを受けた状態で儀式が始まる。

twitter
https://twitter.com/hukuryu02
スポンサー登録はこちら
https://gaming.youtube.com/channel/UCWKY6T2N6naDo5VcsRE7B3A
お借りした音源
https://www.youtube.com/channel/UCa_UMppcMsHIzb5LDx1u9zQ

どうも「れぷちん」です！
今日はテストサーバーで実装された新サバイバー
「アダム・フランシス」のパーク紹介と実戦プレイの動画となります！
全く日本人ではありませんが、日本で教職に就いている人です

▶新キラー｢THE SPIRIT｣の動画
https://goo.gl/Cvcmnw

▶動画作成に協力してくれたリスナーさん達
Aniさん、春月逢花さん、おじいちゃんさん、メメント三郎さん
翻訳:てつやさん　


▶初心者の為のデドバイ動画
https://goo.gl/3LuUhM

▶デッドバイデイライトシリーズの動画はこちら
https://goo.gl/P5wwVX

▶新サバイバー固有パーク紹介
①DIVERSION
心音範囲内で非チェイス中だと45秒で発動可能状態になる。
発動可能になったらしゃがんでボタンを押すと投石が出来る。
石が当たった地点で音がなり、キラーをかく乱できる。

②DELIVERANCE
生存者を安全に救出成功すると発動可能状態になる。
その後、自分が吊るされたとき、自力脱出の成功率が
必ず100％になる。しかしフック脱出後1分間回復不可能に。

③AUTODIDACT
他生存者を治療すると特殊なスキルチェックが発動する
最初はそれに成功すると治療ゲージ－20％だが
トークンを貯めて行く毎に＋20％になって行く
最終的にはMAX5ﾄｰｸﾝで＋80％の治療ボーナスが付く。


▶Dead By Daylightとは
デッドバイデイライトは鬼側と逃げる側に分かれ
どちらもプレイヤーが操作して戦うゲームです！
逃げる側は4人でプレイし、生きて逃げれば勝ち
鬼側は1人で4人の逃走者をより多く倒せば勝ち！

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▶コラボ、企業様のお話はこちらまで！
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▶使用した音楽
NCS -Cartoon - On & On (feat. Daniel Levi)
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