2021/0807
明天是父親節，祝福全天下父親，父親節快樂。也是農曆7月初一。

#農曆七月？有什麼禁忌？怎樣護佑全家平安？
農曆七月其實是吉祥月、歡喜月、感恩月和孝道月。
農曆七月應以平常心和清淨心來生活。
在這個月，讓我們發心供養十方諸佛、虔誠持誦以下咒語，
可以為現世父母積累福德資糧，亦可超度七世父母！
#七月念誦四種咒語可消災延壽，增長福報
每日念誦《報父母恩咒》四十九遍，
1.《報父母恩咒》
南 無 密 栗 多
哆 婆 曳 娑 訶

《往生咒》是佛教凈土宗信徒經常持誦的一種咒語。亦用於超度亡靈。用至誠之心為歷代祖先念誦往生咒，願佛陀慈悲加持往生西方極樂世界！
2.《往生咒》
南 無 阿 彌 多 婆 夜
哆 他 伽 多 夜
哆 地 夜 他
阿 彌 唎 都 婆 毗
阿 彌 唎 哆 悉 耽 婆 毗
阿 彌 唎 哆 毗 迦 蘭 帝
阿 彌 唎 哆 毗 迦 蘭 多
伽 彌 膩 　 伽 伽 那
枳 多 迦 唎 娑 婆 訶

3.《消災吉祥咒》可以每日念3遍，祈福自己和親朋好友的災難解除，獲得吉祥！
《消災吉祥咒》
曩 謨 三 滿 哆
母 馱 喃
阿 缽 啰 底
賀 多 舍
娑 曩 喃
怛 侄 他，唵
佉 佉 , 佉 呬
佉 呬,吽 吽
入 嚩 啰，入 嚩 啰
缽 啰 入 嚩 啰
缽 啰 入 嚩 啰
底 瑟 奼，底 瑟 奼
瑟 致 哩，瑟 致 哩
娑 癹 吒，娑 癹 吒
扇 底 迦
室 哩 曳
娑 嚩 訶

4.《六字大明咒》是觀世音菩薩心咒，此咒含有諸佛無盡的加持與慈悲，是諸佛慈悲和智慧的音聲顯現，六字大明咒是「嗡啊吽」三字的擴展，其內涵異常豐富，奧妙無窮，蘊藏了宇宙中的大能力、大智慧、大慈悲。此咒即是觀世音菩薩的微妙本心，
常誦具有不可思議的功德和利益。
《六字大明咒》
嗡 嘛 呢 叭 咪 吽

#農曆七月風俗禁忌
1.拜祭時要態度要嚴肅端正，嚴肅端莊，不可大聲喧嘩，出言不遜或有不雅舉止。據說否則會打擾到死者的靈魂，重者更會招致怨氣。
2.在七月的夜裡，由於陰氣太重，還是盡量不出門為好。而對於不得不出門的，應該盡量避免戴紅繩、鈴鐺、風鈴之物出門。
3. 農曆七月的陰氣十分重，民間有傳說，這月最好是要及早回家，夜晚不要停留於荒郊野外，不會很可能會看到百鬼夜行的奇觀。
4. 農曆七月的時候一定不要外出遊泳或者玩水，以免發生意外，也就是傳說中的水鬼會找替身，然後投胎轉世。
5.外出時不要隨意撿路邊的錢財，因為這些錢可能是用來買通牛頭馬面的，當你撿起的時候，鬼魂會認為你是想要搶佔他們的錢物，之後就會找你的麻煩，從而遇上不必要的麻煩。
6.農曆七月的時候有很多祭品，而這些祭品是用來祭拜的，而不是隨便就可以拿來吃的，如果你胡亂拿來吃，那麼很容易禍從口入，為自己招惹到厄運。
7. 農曆七月一定要小心不要披頭散髮睡覺，不然會被在外遊離的鬼混認為你是他們的同伴，從而來到你身邊，為你帶來厄運。
8.中元節到了各家各戶焚燒冥紙是必做的事情，而這些明顯是燒給他們用的，如果你在走了行走的時候，亂踩亂跳在冥紙上，那麼會讓他們認為這是對他們的不敬，故而會惹怒他們自然會對你不利。
9.不要熬夜，熬夜容易讓你精神狀態很差，鬼魂會在你精神狀態很差，陽氣低落時乘虛而入。
10晚上禁止拍照，相機容易捕捉到不應該看見的東西。

農曆七月，可以為現世父母祈福求壽，為已故父母超薦拔度，
以盡人子之孝！
並祈願天下所有父母、眾生，吉祥如意、福壽康泰！
快告訴身邊的朋友，一起誦念消災祈福！祈願平安健康順利。

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

疫情爆發以來，藝術家能做的事不多，平常就閉關在家其實挺習慣，但是總想為社會做些事、幫上忙，想了半天安撫人心也許還行吧！於是另一本「地獄空」將趕在中元普渡八月初出版上市，由典藏出版社社長發心首肯出版，設計名家黃子欽操刀，附贈很多符咒給大家趨吉避凶。諸惡莫作，眾善奉行，疫情消退，平安喜樂。附上後記給大家解封後參訪這些宮廟，觀照自己的心所。全文如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鐘情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。

2017年盛暑拍畢「巨神連線」，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒…總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鸞堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山…）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開郎基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘糟屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截…等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄…兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼…等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石…小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭…等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮…等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤…等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍…等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據「十八泥犁經」記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

➤ 青虫aoi 首張創作專輯《有你的故事 ū lí ê kòo-sū》
🎧 聽專輯 ➩https://aoi.lnk.to/firstalbum
🔔 訂閱青虫aoi 頻道➩https://youtube.com/c/Aoimushiband
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《刺蝟悲歌 Tshì Uī Pi Kua》

這世界上有一種相愛，叫互相傷害

「我們的愛就像兩隻刺蝟，靠太近彷彿有針在刺
離太遠又冷到顫抖，不得已只好分開」

#刺蝟理論 #金童玉女 #七世戀人

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◤ 青虫aoi 專場 ◢
⋄​【刺蝟悲歌 Tshì Uī Pi Kua】青虫aoi 專輯發行場 ⋄​
日 ​ ​ ​ ​ ​ ​ 期｜2021/01/24（日）​
時 ​ ​ ​ ​ ​ ​ 間｜19:00進場 · 19:30開演​
地 ​ ​ ​ ​ ​ ​ 點｜小地方展演空間 APA mini
地 ​ ​ ​ ​ ​ ​ 址｜台北市中正區杭州南路一段147號B1​
票　　價｜一蕊媠花預售票 500元／​我就是刁故意現場票 600元​
啟售時間｜2020/12/16（三）12:00
購票連結｜https://reurl.cc/Mdp4j3

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#青虫aoi X #林柏宏 Ｘ #李沐

《刺蝟悲歌》原本在青虫創作中談的是「刺蝟理論」。哲學家叔本華以「刺蝟理論」比喻建立人際關係時的情境，如同在寒冷雪地中的兩隻刺蝟會忍不住想要靠近對方取暖，但是靠太近又會無法控制地刺傷彼此；就像人與人的親密關係總伴隨著不可避免的傷害。

陳健禾與順兩位導演以傳統「金童玉女」為故事骨幹，架起七世戀人時空，由林柏宏與李沐擔任男女主角。前傳《刺蝟悲歌》裡，兩人的工作為接引者，傳說中行善的人歸西後，會由金童玉女來接引他們前往西方極樂世界。工作中金童玉女各司其職，在精神上互相依戀，但因其特殊身份僅能依靠嗅覺感受對方，無法有身體的接觸，致使柏拉圖式的關係在玉女心中漸漸產生質變。故事最後玉女因同情亡者，而犯下縱放靈魂的罪過，導致兩人受到懲罰必須分開，東方的金童玉女與西方的刺蝟理論，透過音樂和影像的結合，編織出台語歌的新維度。

MV 中關鍵道具「蘋果」象徵兩人對愛的欲望，而總是拿著無法進食，不止揭示了兩人的神祉身份無法彼此親近，也隱喻了對愛的觸不可及。續集《無你的故事》中，林柏宏與李沐則飾演一對前世被迫分離的戀人，今世在三角關係中重逢，兩支MV並陳表現總是想彼此靠近卻又互相傷害的感情樣貌。

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編織系 #都會民謠 暖聲 - 青虫 aoi
2020 首張 #台語 創作專輯《 有你的故事 ū lí ê kòo-sū》

「我的身軀變做一張一張紙，阮朋友的故事攏寫佇遮。」

這是青虫 aoi 的第一張專輯，也是他們嘗試跟這個世界建立連結的載具。《有你的故事》裡的每首創作都應對著一個「你」，這個「你」可以是一個對象，亦可以代表一種議題。

青虫 aoi 試圖把存於當下社會與個人日常的經驗反覆咀嚼，並雕琢著既熟悉但又不熟練的語言，吐出絲線，鋪陳在旋律之上－－經線是自我、情緒、聲響；緯線則是語言、對象、情節，彼此緊密地交錯。如同這張作品的音樂風格，橫跨了醉心電氣、原聲搖滾與溫暖民謠等元素，帶出了更豐富的聽覺紋理，卻又不失純粹。

將「你」編織於故事之中，用輕盈的口吻說深刻的話題，刻劃出這個世代青年們的所思所想，唱出每一段「有你的故事」。

▶關於青虫 About Aoi
YouTube｜http://www.youtube.com/c/Aoimushiband
Facebook｜https://www.facebook.com/AOIMUSHIBAND/
Instagram｜https://www.instagram.com/aoimushiband/
StreetVoice｜https://streetvoice.com/AOIMUSHIBAND/

🛒 [ 實體專輯 ] 購買通路
◈誠品：https://reurl.cc/3LbvAX
◈博客來：https://reurl.cc/x0Knbb
◈五大唱片：https://reurl.cc/A8boe8
◈佳佳唱片：https://reurl.cc/4mbZ7j
◈光南唱片：https://reurl.cc/GrGWRv

🎧 數位平台聆聽專輯 ➩https://aoi.lnk.to/firstalbum

🎬 MUSIC VIDEO
無你的故事＿https://youtu.be/JGK5Z0h33NA
簡幼＿https://youtu.be/aajufCLGiTQ
媠花＿ https://youtu.be/VJ8CaDuYKOU
青鳥＿https://youtu.be/DayZSsUtmUk
我毋是刁故意＿https://youtu.be/7wtlmbDxVgM

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刺蝟悲歌 Tshì Uī Pi Kua

Lyrics

一步一步　接近你　是自然　是身不由己
日日夜夜　思念你　每一暝　攏想欲夢著你
一擺一擺　傷害你　真失禮　我毋是刁故意
若是鬥陣顛倒無歡喜　不如放手

咱的愛親像兩隻刺蝟　倚傷近袂輸針咧揻
離傷遠又閣爍爍顫　不得已只好來分開
咱的愛親像兩隻刺蝟　鬥陣的歡喜總是有限
痛苦的感覺袂輸永遠　扯扯咧才是咱的圓滿

咱的愛親像一條悲歌　音樂那奏心那疼
過去的甜蜜袂輸電影　放煞就好清醒啦
咱的愛親像一條悲歌　音樂那奏心那疼
幸福愈唱是愈細聲　不如放手

咱的愛親像兩隻刺蝟　倚傷近袂輸針咧揻
離傷遠又閣爍爍顫　不得已只好來分開
咱的愛親像兩隻刺蝟　鬥陣的歡喜總是有限
痛苦的感覺袂輸永遠　扯扯咧才是咱的圓滿
咱的愛親像一條悲歌　音樂那奏心那疼
幸福愈唱愈細聲　心愛的就此再會啦

- - -

一步一步 接近你 是自然 是身不由己
日日夜夜思念你 每一晚 都想要夢到你
一次一次 傷害你 很抱歉 我不是有意的
如果在一起反而不開心 不如放手

我們的愛像兩隻刺蝟 靠太近彷彿有針在刺
離太遠又冷得顫抖 不得已只好分開
我們的愛像兩隻刺蝟 在一起的開心往往有限
痛苦的感覺彷彿永遠 切斷關係才是我們的圓滿

我們的愛像一首悲歌 音樂進行著心也痛著
過去的甜蜜就像電影 放映完就該清醒了
我們的愛像一首悲歌 音樂進行著心也痛著
幸福越唱越小聲 不如放手

我們的愛像兩隻刺蝟 靠太近彷彿針在刺
離太遠又冷得打顫 不得已只好分開
我們的愛像兩隻刺蝟 在一起的開心往往有限
痛苦的感覺彷彿永遠 切斷關係才是我們的圓滿
我們的愛像一首悲歌 音樂進行著心也痛著
幸福越唱越小聲 心愛的人 就此再會吧

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▶音樂製作 Credit
詞曲 Lyrics&Co｜黃如琦 Jeannie H
製作人 Producer ｜法蘭 Fran Chen
編曲 Arrangement｜青虫aoi、法蘭 Fran Chen
主唱 Vocal｜黃如琦 Jeannie H
電吉他 Electric Guitar｜黃柏翰 Po Han Huang
貝斯 Bass｜郭宏 Hung Kuo
鼓 Drum｜蔡信展 Hsin Chan Tsai
和聲編寫 Backing Vocal Arrangement ｜黃如琦 Jeannie H、法蘭 Fran Chen
和聲 Backing Vocals｜黃如琦 Jeannie H、法蘭 Fran Chen
主要錄音師 Main Recording Engineer｜徐玉光 Isidore Hsu
主要錄音室 Main Recording Studio｜輕鬆玩工作室 Studio-One
錄音室助理Recording Assistant｜江昱澄 Allen Chiang、林彥慶 Yen
鼓共同監製&錄音師 Drum Co-Producer & Recording Engineer｜單為明 Link Shan
鼓錄音室 Drum Recording Studio｜Lights Up Studio
鼓錄音助理 Drum Recording Assistant｜于世政 Shih Cheng Yu
混音師 Mixing Engineer｜李詠恩 Joshua Lee
混音室 Mixing Studio｜荒原錄音室 The Wasteland Studio
母帶後期處理製作人 Mastering Producer｜陳陸泰 LuTai Chen (A-Tai)
母帶後期處理工程師 Mastering Engineer｜陳陸泰 LuTai Chen (A-Tai)
母帶後期處理工作室 Mastering Studio｜原艾母帶工程錄音室 Mugwort Mastering
特別感謝 Special Thanks｜毛琮文老師與他的tele


▶MV製作團隊
Production Company 製作公司 | 雞肉飯影像工作室
Director 導演 | 陳健禾
Assistant Director 副導演｜李佳樺

Producer 製片 | 李光哲
Line Producer 執行製片 | 張丁文
Production Assistant 製片助理 | 周昀楓

Director of Photography 攝影指導 | 順
Additional Camera B機攝影師 | 基奇
First Assistant Camera 攝影大助 | 何晟豪
Second Assistant Camera 攝影二助 |鄭傑中

Gaffer 燈光師 | 順
Best Boy Electric 燈光大助 | 曾鈺展
Electrician 燈光助理 | 楊育鈞

Art Director 美術指導 | 羅文璟
Set Decorator 執行美術 | 廖姿穎
Art Department Assistant 美術助理 | 林効賢、蘇立亞智

Costume Designer 造型師 | 花籽
Make-Up Artist 化妝師 | 蔣佳芸（李沐）、美少女工作室－偉文（林柏宏）
Hair Stylist 髮型師 | 林亞靜（定裝）、黃若宜（李沐） 、Zoom Hair Styling－Spud（林柏宏）
Cast 演員 | 林柏宏、李沐
Extras 群眾演員 | 張忠瑞

Still Photographer 劇照師 | 黃煌智 Yellow
Transportation 九巴司機 | 廖桑車隊

Editor 剪接師 | 陳健禾
Colorist 調光師 | 朱四郎（圈起來映畫）
VFX _Artist 特效師 | 江光健、王芳俊（動工設計）
Front Design 標準字設計｜鄭麗華（動工設計）

Special Thanks 特別感謝 | Anita、Cheer Chou、陳柏言
視覺、唱片裝幀｜Li-Hua Cheng 鄭麗華（動工設計 mokraft）
企劃｜啟兒 Cheer Chou／黃如琦 Jeannie H／戴均叡 (戴居) Roy Dai
歌詞用字指導｜陳豐惠Tân Hong Hūi＠李江却台語文教基金會 Li Kang Khioh Taiwanese Foundation


－本專輯受文化部影視及流行音樂產業局補助－

寄件人｜李 英 宏

地址：西方極樂世界

另一端的你 收 【退回 ＝查 無 此 人＝】

-
七七四十九天的助念，就是我的電子郵件
一把火、一陣煙，取代了滑鼠左鍵
雙Ｂ跑車正在上傳
金童玉女正在上傳
洋房豪宅正在上傳
事實是，我的思念正在上傳
雖然我們住在不同的兩端，但天空就是你我共用的雲端
有什麼需要就說一聲
我隨時上傳，讓你下載我的浪漫。
　
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小花計畫展 —— These Flowers. Musical Memory & Art Exhibition
查無此人 Where Have All the Flowers Gone
創作人之一 / 李英宏＆新興糊紙文化＆齊振涵＆李嘉泉

-
✹一張流行音樂概念專輯Ｘ一場紀錄回憶的當代藝術特展✹
✹10組音樂人＋10大藝術家跨界打造最難忘的鄉愁回憶✹
　　
時間：2019/4/27—7/7
地點：台北當代藝術館
週二至週日 10:00–18:00，週一休館
　
計畫策展人— 方序中
計畫執行總監— 陳勇志
音樂執行總監— 瑪莎

-
▋#查無此人概念專輯：
相信音樂線上購物：http://bit.ly/2vpvvcR
博客來：http://bit.ly/2VkORib
佳佳：http://bit.ly/2PwlB2D
誠品：http://bit.ly/2GAwfRS
滾石：http://bit.ly/2UExvYV
五大：http://bit.ly/2IIfAz7

-
▋4/27各大數位平台上線
線上聽：https://stars.lnk.to/Where_Have_All_the_Flowers_Gone

-
▋更多參展人訪談影片
立即看：http://bit.ly/2UZyFTT　

#小花計畫 #查無此人

西方寺，座落荃灣老圍村，背靠大帽山，前臨三疊潭，花木青蔥，流水潺湲，環境清幽，全寺連後山佔地近二十萬平方公尺，由菩提學會會長永惺老和尚創建於一九七零年；乃仿中國宮殿式建築，琉璃瓦面，簷篷飛峭，莊嚴雄偉；四周群山環抱，綠樹成蔭，山明水秀，景緻優雅。寒來暑往，歲月遷移；由於信眾與日俱增，殿堂已感不敷應用，故於一九九八年初開始重建，至二零零三年春圓滿落成。寺院正中為仿古風格的大雄寶殿，下層為五觀堂，前為天王殿，兩側為鐘鼓樓；左右兩廂亦樓高兩層，上層為僧寮，下層為辦公室及客堂等，均為仿古建築，紅牆黃瓦，畫楝雕樑，古色古香。沿大殿後拾級而上，可見一幢巍峨壯觀的萬佛寶塔及一座古樸清幽的藏經樓。寺後山坡建有一所設備完善、可容納一百五十名長者的「佛教菩提護理安老院」。山門前路橋原為單程，為容納假日節誕川流不息的遊人，後已改建為雙程，以方便四眾及車輛往來；再配合西方寺重建後的殿堂格局，將山門拓建為四柱三門的牌樓式建築，整體效果，更見莊嚴宏偉。沿寺牆山坡修建而成之觀音山文化博覽區，亦於二零零四年初完峻。全區集中在寺院大雄寶殿左、僧寮樓後寺牆以下之山坡上，綿延近二、三十丈，坡面寬廣，懸崖陡峭，山石奇秀，主要分成五部份，包括：《妙法蓮華經．普門品》刻經；三十二觀音應化示現浮雕；觀音菩薩四十手印石刻；三十三觀音通俗立像；極樂世界之自然景觀及供養人壁畫等。佈局設計與造像風格以佛教經典為依據，每部份均含蘊豐富之教理與佛學意涵，是寺院建築與佛學宗教精神之體現。如今塔寺雙輝，巍峨莊嚴，全寺格調宜古宜今，氣象清新。現時每月均舉行彌陀佛七，提倡念佛法門，積極闡揚淨土思想，推動人間佛教理念之落實；國內外慕名前來參與佛七之信徒日漸增多，宗風日盛，堪稱本港重要的淨土道場之一。