#ClearPick #620 ［作文系列-02］好好用句型！ By 小魚🐟 ⁉️ 受夠中式英文 ⁉️ 想讓句型豐富 給這樣的你 👉 不可錯過的好筆記！ 馬上到 Clear APP 看看什麼筆記能拯救我們的英文得高分 💯 #讀書 #學習 #手寫 #筆記 #分享 #考試 #國中 #高中 #高職 #大學 #統測 #會考 #學測 #指考 #英文 #study #learning #handwriting #notes #notebook #sharing #app #exam #juniorhigh #seniorhigh #undergraduate #english

你好，我是香港字體設計師思緒俠。這是我第一個NFT的作品，名為【大香港主義】。 我於2019年創辦思緒俠造字，是香港第一間以藝術字體為主要收入來源的媒體公司。我致力研發藝術字體和開發一套6000字的中文繁體字體，目前以字體產品和商業合作維生。 今次登陸NFT平台作試驗的原因是傳統眾籌字體/販賣字體的收入不足，更容易被複製為盗版，收入不足以營運新型字體公司的運作。而且香港被譽為「文化沙漠」，經營實體店和市集長遠而言無法讓香港設計被看得見， 如果今次能夠成功岀售NFT作品，其媒體報道的價值必定高於作品本身，令更多人關注【香港設計】。 我的原創NFT作品結合字體和平面設計，作品意念源自電影中常常中有美國隊長拯救世界，我們稱之為「大美國主義」，後來中國電影文化逐步掘起，中國人拯救世界屢見不鮮，「大中國主義」也慢慢萌芽。有見香港人自2019年後身份認同開始抬頭，我自己作為年輕人也身歷其境感受到自己是被選中的小孩，時代下要我們抬起頭認可，【大香港主義】便是我們的義務。 【大香港主義】用了我正在創作的思緒重生體，是19年後的字體創作。該字體曾接受明報/Umag/港台訪問，目前正在製作階段。 購買連結：https://bit.ly/moodmen1stNFT (LINK in BIO) Hello there, this is Moodmen, a Hong Kong typography designer. This is my first NFT artwork, “Hong Kong-centred Doctrine”. I founded Moodmen Font Company, the first design agency with revenue generates majorly from typography design in Hong Kong. I strive to explore the potentials of typographic arts and develop an entire set of traditional Chinese characters typography with 6000 words. We mainly reply on business-to-business collaborations, and launching typographic products to sustain the business. The reason for us to land on the NFT platform for the first time is because traditional crowd-funding and typography selling do not sufficiently support our business. The piracy of font is extremely rampant given its easily transferable nature. Being dubbed as “cultural desert”, Hong Kong does not possess a flourishing market to run a design store in the long run, which allows designers to be seen and heard. I fervently believe that the media and awareness capture is much more valuable then the actual selling value of this art work. It is a solid proof that typographic arts are valuable. Please go to opensea for more English caption. #nft #nftart #nfthk #hknft #firstnft #fontnft

⬇️ENGLISH BELOW⬇️ 我發現我走音也太誇張了吧。看了幾個自己的演出視頻整個嚇到了。傻！眼！ 這幾年來，我一直習慣戴一邊耳機錄音。 通常也只是用它來聽伴奏。自己的聲音是靠沒有戴耳機的那一邊去掌握。👂 在錄音室或小型的演出音準很少會是問題，畢竟聽得到自己唱歌。 不過在大一點的場合，聲音基本上聽不到了，拯救方式也就是用耳機。 問題是，我練習的不夠多，也太不習慣。 戴上兩邊就找不到東南西北，一開口真的不知道在唱哪一個音符。 導致最近的現場視頻讓我覺得好丟臉。 前幾天在陶山音樂錄影時也比較了一下。戴著兩邊唱的沒有感情，走音走回家之類呢。 陶山還說，為什麼寄給他的demo vocals也會那麼pitchy？ （答案是：我戴著兩邊耳機錄得。。。）🤓 Anyway，昨天狂練習戴耳機飆高音。我樓下的真的應該瘋掉了，拍謝。🥺 這個影片沒有修音準，但這個短短的50多秒我就唱了快十次。 （你們不覺得Hang On 真的很像超久之前的Somebody That I Used To Know嗎？） 大家可以試一試戴著一邊和兩邊唱歌，看有沒有差！會不會和我一樣聽起來不是同一個人😂 It has been brought to my attention (by me), that I am f*cking pitchy. I am so flat in some of my performances it cranked up my imposter syndrome real bad. I’ve always been used to recording and singing with just wearing one side of the earphones / in-ear monitors. Usually, I only wear it to keep track of the music, but I ‘monitor’ with my other ear. In the studio or smaller settings, it’s all good, I can hear myself. But in bigger shows, lord knows where that note will go, since I usually can’t hear shyt anymore. The problem is I’ve always put off learning how to properly sing with 2 sides on. It always trips me out. I never know what note will come out of my mouth when both ears are covered. All this to say, my recent performances have been terrible, looking back, and they didn’t have to be! Procrastination has to stop. I went recording at Skot’s a couple of days ago, and we did a quick test. The takes with 2 ears vs 1 ear. 2 ears = shaky, flat, no emotions, almost scared. He even asked me why were my demo vocals so out of tune. Welp, your girl is still practiSING.🤓 Anyway, I went hard on belting with headphones last night. My neighbour probably wanted to 🔪 me. Sorry!!! I didn’t tune my vocals here, and it still took sooo many takes. (Doesn’t Hang On sound like Somebody That I Used To Know?) Let me know if y’all test 1 ear vs 2 ears! Do you sound crazy different like me??