Connection with the tree.
Would u like to meditate under a tree with me?

@imperfect_mag
#IMStylingRoom : 憂傷的日子，我想和你一起看海

我們的城市在脫軌後逐漸失速，過往認知中的正常不再正常，只是，面對壞與更壞，日子還是要過。你說，想要還給內心一份平靜，那，在憂傷的日子，我們就一起去看海吧。在遼闊的岸邊感受純粹，閉上眼睛，在一呼一吸之間，浪還在，海還在，一切紛紛擾擾，都在頃刻間離你我遠去。

Imperfect 正式開設 Facebook 專頁 @ imperfectmagazine，為讀者帶來更方便的閱讀體驗。
完整文章請點擊bio link，或瀏覽 Facebook 專頁及 imperfectmag.com。
-
photo by @ssamtso , assisted by @huimartin
styling by @styledbybhisan , assisted by @niishamliimbu
make-up by @zhanglooo
hair by @nanasnana_
model @lingtse
text by @jausiu
produced by @ssamtso , assisted by @rubyrubymerry

#imperfect_mag #一切因感情過剩而起 #與慾望對話 #靈魂 #慾望 #對話 #世界 #相遇 #緣份 #感受 #靈性 #spiritual #physical #world #feelings #emotions #dimensions #energy #vibration #vibes #meditation #tree #stories #wisdom #life #truth #meaning #purpose #igers

「#信任」鐵人賽

在我上班生活的這一區，自從升為第三級警戒之後，儘管還沒Lockdown，街上已經自動空蕩蕩。但三不五時可看見救護車或消防車呼嘯而過。每次都是鳴笛聲遠遠先到，循著鳴笛方向看去，跑過眼前的救護車，都是由穿著全套防護衣的同仁駕駛，想必車上的患者與家人正經歷染疫的身心煎熬。

台灣人民的自律、體貼、友善以及願意為別人著想的心，很令人驕傲。或許也有一種「不想被唱衰」的心情吧，感覺隱隱有一股想守住「台灣模式」的愛國情懷，讓大家一起撐下去。

回顧從去年到今天，一年來當面對疫情的衝擊，我們之所以跟世界不同，還可以一路過著幾近正常的生活，是因為我們「信任」彼此。台灣人民信任了政府，政府信任了人民，我們合作無間。每天CDC疫情指揮中心，由醫師團隊對外召開的記者會，具備透明性與可預測性，讓我們知道自己所在之處的安全或危險指數，並提出措施。有喜報喜、有憂報憂、流程有瑕疵就改善、有就有、沒有就沒有。透明與誠實是面對疫情的唯一原則，也是對生命的尊重。

現在疫情嚴峻，儘管很多國內、外的評論者、媒體，或許各有觀點，各有想法，各有目的，但過去一週確診人數三位數起跳，假訊處傳播，誠實坦白的「回歸校正」說被扭曲誤解，這一切可能讓你不禁動搖，甚至產生懷疑。但，等等，試想，若我們真的放棄信任對方，若因為不信任產生懷疑，若因為相信假訊息而心神不寧，若因為不必要的政治攻防打擊對手，若指揮中心因此失去領導的基礎，若醫護人員失去救援生命的鬥志.....我們會垮。

一年多來，若台灣相較於其他國家還算OK，我們應該繼續下去。舉個例來說，現在疫苗陸續要來了，我們或許會晚，但未必會輸。這一搏，我們只能贏，不能輸。 總統說「我們有決心要守住」，副總統說「防疫是一場耐力賽」。現在「信任」就是這場鐵人賽的考驗。

疫情爆發後就不敢輕易回東部或中部看父母親人了。因為信任指揮官的方針，不要輕易移動。儘管每天都期待孩子週末可回家，父母還是體貼的跟我說不用回家沒關係，說要我保護自己。想念他們。

（照片來源：https://www.flowermeaning.com/freesia-flower-meaning/）

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

【曲名 : メンヘラって神じゃね？】
↓音楽アプリで鬼リピしてね♡↓
ダウンロード : https://linkco.re/nUTrun5v

Music/Lyrics/Track/Mix/Mastered : たかやん (Takayan)
Twitter : https://twitter.com/takayan_gorizal
Instagram : https://www.instagram.com/takayan_gorizal
Soundcloud : https://soundcloud.com/takayan_gorizal

Illust : mano
Twitter : https://twitter.com/mano__aaa

【Lyrics】
ヘラる 生まれたくも無いのに生まれて 裏切られまくって
ヘラる おともだち欲しいから目元だけ写して自撮って

切る 自分に厳しい メンヘラは神
だけどそれ以上傷つけないで
生まれただけで素晴らしいんだって
理不尽な奴らには中指立てる

ヘラる 脳にしがみ付く元カレ
ヘラる つまらないのに愛想笑い
ヘラる 生きる意味が分からない
ぱおんだよ！ダルすぎてずっと自粛！

エナドリ 薬 OD スト缶でハイになって永遠に無理して体壊す
大丈夫だよ、かあちい目指すだけでかあちい
誰もが憧れる 「あのギャル」

皆、同じような目 だが天国
かまちょでも加減分かるなら良いよ
リスカは鍵垢でして欲しいよ
まぁどう生きようが君のふりーすたいる！
イラついたら君のサンドバックになりてぇな
常識無い害悪の退治 お疲れ様
一人じゃない！ 音り乗って 憂鬱さえも教えてな
「好き」を追う君は一番輝いてる！

元彼なんて後悔させようぜ。
愛想笑いでいいよ つまんないもんね
おっけい 生きる意味 誰も分かんねえ
都合良いだけの人じゃなくていいから
自分責めるくらいなら その原因に疑問を持って
また憂鬱が始まるよ 自分許して自由に歩こう

切る 自分に厳しい メンヘラは神
だけどそれ以上泣きすぎないで
生まれただけで素晴らしいんだって
嫌いな奴らには中指立てる

切る 自分に厳しい メンヘラは神
だけどそれ以上泣きすぎないで
生まれただけで素晴らしいんだって
嫌いな奴らには中指立てる

ほら、まだ生きれてる。
結局、自分の道進んでるから
さあ ごーいんおん いざぴえん
まだまだ ごーいんおん いざぴえん
足りない ごーいんおん いざぴえん
自分に勝つその日まで。


【English Lyrics】
("Menhera" mean is "ill girls" Japanese people called this.)

Ill, was born but not in your own purpose. Betrayed, always.
Ill, want to make friends and take selfies, only for half of the face.

Wrist cut, harsh to yourself, ill girls are god.
But please don't hurt yourself anymore.
"It's amazing to be born by".
Show your middle finger to those nonsense guy.

Ill, ex-boyfriend which clings in your brain.
Ill, bored but still give a fake smile.
Ill, don't even understand the meaning of living.
OMG, too dull that don't want to go out anymore.

Energy drink, drugs, overdose, alchahol, high as f*cked. Repeating forever, breaks the body.
Its fine, just want to be cute.
Become 'the girl' that everyone admires.

Everyone looks the same, but I like it.
Want to be loved, but not too much.
Want to upload wrist cuts to private accounts.
You have your freedom to decide how you live!
Wants to be your sandbag when you're irritated.
Kill harm who have no common sense, good job.
Not alone! Follow the rhythm and tell me about your depression.
Shines while you chase for your love!

Let's make your ex regret.
Give your fake smile, cuz live is boring.
OK, no one know about the meaning of living.
Don't have to be a yes-man.
Blame the cause rather than blame yourself.
Depression repeats, forgive yourself and live freely.

Wrist cut, harsh to yourself, ill girls are god.
But please don't cry too much.
"It's amazing to be born by".
Show your middle finger to those you hate.

Wrist cut, harsh to yourself, ill girls are god.
But please don't cry too much.
"It's amazing to be born by".
Show your middle finger to those you hate.

See? You're still alive.
After all, you are living with your own way.
Keep on, sob sob.
Still goes on, sob sob.
Not enough, sob sob.
Until the day you beat yourself.

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Ed Sheeran & Justin Bieber《I Don't Care》mix Shape of you 小提琴版本
| Violin cover by Lin Tzu An of I Don't Care mix Shape of you by Ed Sheeran and Justin Bieber

這首歌的旋律其實不是太複雜，但是歌曲表達的意義遠大於簡單的旋律。
雖然歌名講得瀟灑，歌詞也像一般芭樂情歌，因為派對很無聊，遇到了一個女孩，愛上了她，最後一切都不重要了，只要有妳就好。然而細細去看就會發現這首歌完全譜出了Ed Sheeran和Justin Bieber兩人的人生歷程和各自所面對的痛苦、恐懼和對於人群的恐慌。

即使這首歌很簡單，並且也因為兩人的鐵粉所以一躍而上成為熱門歌曲，可是在音樂之外，還包含著兩人在經歷了爆紅、憂鬱、逃避、再次站起來後的心聲，我們欣賞歌曲的同時，也應該要尊重所有藝術家們與那些不在乎世俗眼光，勇敢做自己的人。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽這些cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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Here comes my weekly updated cover.

The song is actually not too complicated for violin cover, but the meaning behind the song is far greater than the simple melody.
The name of the song is like saying how much easy they are, and the lyrics are about the boring party, meeting a girl and falling in love with her at the party. In the end, everything is not important, as long as the girl is with me there. However, if you take a closer look, you will find that this may indicate the life stories of Ed Sheeran and Justin Bieber, and the pain, fear and panic they face after they are super stars.

Even though this song is simple, and because of the stans of Ed Sheeran and Justin Bieber, it is literally the hit. but in addition to the music, it is saying the life after they are popular and their depression, escape, and standing up again after all these. When enjoying the song, we should all respect the artists and those who don't care about the world and those be themselves.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Another week, another cover. Let's goooo, hope y’all like this!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
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還想看子安cover什麼歌？留言跟我說 ！

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#JustinBieber
#IDontCare
#EdSheeranIDontCare
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#IDontCare小提琴
#IDontCareviolincover
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#CoverSong
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『月色ホライズン (chill out ver.)』
作詞・作曲 / 川上洋平
編曲 / [ALEXANDROS]・蔦谷好位置
プロデュース / 蔦谷好位置・[ALEXANDROS]

東京はこんなんで
どうもこうもないような日々が続いているよ
たまの晴れ間に一喜一憂して過ごしている
熱い言葉はどうも性に合わないみたいでむず痒いよ
捻り曲がりくねったまま僕は旅へ出た

飛行機の窓から世界を眺めた
昨日が明日と背中合わせて
今でも僕らは
そのどちらかで
迷いながら　居場所はどこ?
って探してる

僕らには　いつまでも
光と闇が待っているの、いるの
Well maybe it's not so bad
今をただ生きていく

あっという間に僕らこんな時代まで辿り着いていたよ
たまの晴れ間のその瞬間だけ君を思い出して

蜃気楼のままで未来描けたら
どれだけ楽に過去を消せるだろう
それでも僕らが
此処に在るのなら
ためらいは捨て
居場所はここって
言い切るよ

僕らには　いつまでも
青いメロディーが鳴っているの 、いるの
Just let it go out tonight
心が歌っていく

大人には　いつまでも
なりたくないと思っていたけど
Well maybe it's not so bad
心が巣立っていく

The meaning of our lives
The reason why we're here
I guess I don't even care at all
It's just the way it is
But I don't mind at all
As long as I'm here

僕らには　いつまでも
光と闇が待っているの、いるの
Well I guess it's not so bad
今をただ生きていく
僕らには　いつまでも
青いメロディーが鳴っているの、いるの
Just let it go out tonight
心で歌っていく



Connect with [ALEXANDROS]
Instagram: https://www.instagram.com/alexandros_official_insta
Twitter: https://twitter.com/alexandroscrew
Facebook: https://www.facebook.com/Alexandros.jp
YouTube: https://www.youtube.com/user/ALEXANDROSchannel?sub_confirmation=1
iTunes: https://itunes.apple.com/jp/artist/alexandros/350239299
Spotify: https://open.spotify.com/artist/1luOe8HkZQ7zwuaO2wuJqI
Official Site: https://alexandros.jp



#Alexandros #アレキサンドロス #月色ホライズン