《 疫苗？到底有什麼問題！》

By Phil Smith

前幾天我想到一件事，為什麼我對反疫苗者毫無耐心，因為他們已經到達近乎荒謬的境界，聲稱疫苗具有磁性和藍牙功能。

(拜託上帝，真是這樣的話請讓我啟用我體內的藍牙，這樣當 J 和我在車子裡時，我就可以在腦海裡想像“是的，親愛的”和“不是的，親愛的”，讓汽車音響清楚地代我回答她的各種政治抱怨，這通常在高速公路上每五公里就會發生一次。）

我們的豐田汽車沒有天花板，所以當我們在車裡時，她無法衝上天花板我難以擺脫這些抱怨，不過由於我們所在的雙北這幾個月有小規模的疫情爆發，我們無法經常旅行，所以最近這個問題還沒有那麼明顯。

我一直在想的是我一生中接種了多少次疫苗。

於是我數了數，不包括我小時候在英國長大期間接種的幾十種疫苗，但自從我 1997 年搬到亞洲以來，應該是說從 1990 年代中期準備離開英國前往亞洲以來，我總共接種了 24 種疫苗。

這包括我派駐印度兩次和中國一次，還得加上黃熱病疫苗，當時我去非洲幫中國新華社派駐非洲的記者開了一門如何在危險環境中採訪的訓練課程。最近我已經在台灣接種了兩劑 AZ 疫苗。

當然，喬伊斯也有類似的經歷，因為她跟著我和我的工作，在亞洲各地遊蕩。

我們從澳洲啟程前往印度之前，在雪梨市區接種中心發生的事，至今我還記得很清楚。

路透社安排我們拜訪雪梨市區布萊街的醫療中心，當天我們被帶進一間裝修精美的現代化辦公室，在一張巨大的辦公桌後面，坐著一位外表嬌小的印度裔女醫生。

她抬起眼從半月形眼鏡的上端凝視著我們，接著很開心地確認預約記錄上我們即將前往印度是否正確。我們說是的。

她像一隻好奇的小鳥一樣啾啾地說著話，歪著頭，告訴我們她出生在孟買和如何在那裡度過她生命中的最初幾年，她又是如何嫉妒我們可以去住在孟買，以及她是如何喜歡拜訪孟買。

她拿出一本不太厚的疫苗指引，我們談話是這樣進行的……

醫生：好的，你們要去那兒多久？這只是假期或商務旅行，還是更長的時間？她邊說邊翻開那本疫苗參考書。

我：三到五年。

她放下那本，抽出比較厚的另一本，打開。

醫生：好，你們會只待在孟買嗎？

我：不，我們將會在整個印度旅行。

她合上那本，抽出另一本，打開。

醫生：只待在印度？

我：不，我會前往阿富汗、斯里蘭卡、孟加拉、巴基斯坦以及南亞的其他任何地方。

醫生現在看著我的眼睛……

醫生：農村地區也會去是嗎？

我：哦，是的，很可能，所有的地方都有可能。

她微笑著，把她那像小鳥一樣的腦袋歪向另一邊，啪地一聲合上那本厚厚的疫苗指南對著我們宣布。

“我把全部可能的疫苗都給你們……只是為了安全起見。”

可憐的史密斯太太不得不忍受一針又一針。根據記憶，我們造訪了接種中心幾次才能完成我們需要的所有疫苗，總共17種。有些跟 Covid 疫苗一樣，必須打兩針。

打了這麼多疫苗，我們有沒有想過我們處於危險之中，一刻也沒有。 我們是否認為這不是明智的做法，一刻也沒有。我們是否相信醫生和科學？當然。。

(我哥哥是醫學物理學家，如果我們有養狗我不會放心他幫我去遛狗，但我相信他的科學。）

其實我很驚訝，即使過了這麼久，那些疫苗也沒有從我的耳朵裡滿出來。

就像一個古老英國諺語說的，疾病騎在馬背上飛馳而來，卻安步當車散步而去。盡量讓更多人施打疫苗，是對抗 Covid 的辦法，雖然過程會很長。

這只是我對那些反疫苗者零容忍的一個小原因而已。

Tinkerty Tonk… 掰掰。

原文在此
https://daysmumbai.blogspot.com/2021/08/vaccines-ha-i-laugh-in-face-of-vaccines.html?m=1

《＃籠罩下的巨大哀愁 》A Dark Cloud of Sorrow Looms Over

A place where millions of people live alone together— the city.

During the busy and constant labor all day and night, we have fewer opportunities to talk to ourselves. The sudden epidemic has opened a door to calm our hearts and let us rethink our relationship with the world.

In the 1970s, urbanism rises in Taiwan, bidding farewell to the landscape of an agricultural society. In addition to skyscrapers, the meaning of the city also produces a certain kind of violent acceleration on our bodies. Before we could face all kinds of unpleasant questions, we quickly escape with the acceleration.

The city seems to be bustling and lively, but in fact it’s a series of stranger encounters unexpectedly. Trying to accompany each other is reduced to their
own mumbling with obscure social distance. They trying to escape from restlessness and distress for a short time; rising the conflict between governance practice and the sense of freedom. The closed, lonely cycle of labor faintly affects the changes of modern cities, and so on.

The people who live here are trying to learn how to coexist with it.

In A Dark Cloud of Sorrow Looms Over, we invite eight artists. The age difference between them is about 20 years old. We are trying to figure out in this big era,how people among different age groups to re-understand and break through the urban conditions of survival and change.



幾百萬人一起孤獨生活的地方-------都市。


沒日沒夜的繁忙，不斷勞動的過程中我們少了與自己對話的機會，突如其來的疫情，像開啟了一扇靜心的大門，反思我們與世界之間的關係。


1970年代台灣興起都市主義，揮別過往的農業景觀，其意義除了建築摩天高樓外，不外乎產生某種劇烈加速度於我們的身體，各種不適的提問還未面對，就隨著加速度快步的逃逸。


城市貌似繁華熱鬧卻只是意外地與一切陌異、他者的肉身遭逢；試圖相伴卻淪為各自的喃喃自語、不成文的特殊社交距離；嘗試短暫逃離不安及困頓的慾望；興起的治理實踐與自由意識的衝突；在封閉與寂寥的循環勞動，隱隱牽動著現代化城市的變遷等......


生存於此的人們，正試圖學習如何與它共存。

「籠罩下的巨大哀愁」一展邀請八位藝術家，之間年紀落差20來歲，我們試圖整出一個大時代下不同年齡層中，面對生存與變動的都市景況是如何重新理解及突破。


＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿


《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00
嘖嘖募資｜https://reurl.cc/bXy09v



#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_OverThe
＃Misanthrope_Society_厭世會社

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

あけましておめでとうございます🎍✨今年もどうぞよろしくお願いします🙇‍♂️新年早々、世の中が幸先の良いスタートとは言えないニュースが多く苦しい悲しい気持ちになりますよね。私は、私で今できることを今できる活動をします。少しでも楽しんでもらえたり前向きになってもらえるような動画発信を頑張ります!!※今回のルックは、コロナが落ち着いたら観光地にしていきたいなという妄想メイクです


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〜本日の使用コスメ〜

♡ワンピース
favorite
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♡ウィッグ
Brightlele 部分手植えフロントレースセミロング  ビター 5980円
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1:59 ＆be(アンドビー) UVミルク ナチュラルベージュ　1800円

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4:35 VELY VELY アイエムカスタムフローレスコンシーラー 1980円(伸びが良すぎてよすぎて。乾燥しすぎず、べっとりカバー強すぎずしっかりと素肌感残るのが私は好き。一番好きなテクスチャのタイプかも。こってりバームとサラサラ系の間って感じ。カバー力が物足りなく感じる方もいるかも)

6:08 CLIO クリオ－キルカバー光彩ファンデーション（ファンデーション＋ブラシ）2.5MORY 2390円　（薄膜でコーテイングしてくれるのはありがたいけどカバー力大丈夫？の不安を取っ払ってくれるくらい結構カバー力あります。ただ、物足りない方もいらっしゃるかと思います。艶肌が好きな方、素肌感が好きな方におすすめ。つるつるむき卵肌を作れます。水への耐久性もあるので化粧崩れしにくいです。そして、カラバリの多さも魅力的かと！）

7:52 オンリーミネラル マーブルフェイスパウダー シマー　4500円(ミネラル&天然由来成分100%でSPF50+/PA++++ を実現。4色のミネラルカラーがくすみ・色ムラを補正するので、朝の仕上げにもメイク直しにも活躍します。さらにツヤを引き出すダイヤモンドパウダーを新配合でマット肌だけど適度な艶感が残ります)

9:00 ROSELABO ローズリップ美容液 2200円(農薬不使用の食べられる薔薇を使用したコスメシリーズ。天然由来成分にこだわっていて、希少な薔薇エキスもたっぷり使っているコスメシリーズのリップ美容液です。味など気になる部分もなくうるっと乾燥した唇をふっくらさせてくれます)

9:09 Peripera インクVシェーディング 03. HAZEL GRAY 1440円（肌馴染みがよくて好きです。ぐるぐるに混ぜて使うのがフェイスカラー。ノーズシャドウは部位別に好みでミックスしてます。やっぱりPCにあったシェーディングカラー大事。カラバリが選べるのが嬉しいです)

10:13 KATE トーンディメンショナルパレット EX-101(限定パッケージ) 1800円(フェイスにもマルチに使用できる大好きがパレット！パッケージも和風なお狐様でかわいいです。ラメがギラギラなのがケイトの一つの特徴かと思いますがこちらのパレットは上品にまとまっていて、もちろんラメとパールで構成されていますがギラギラ感は少なめです。色味的にもこれからの季節にもぴったり使えると思います。PC問わず使用できそうです)

12:54 KATE トーンディメンショナルパレット EX-1レッドブラウン 1800円(赤みが深くてとても使いやすいパレットです。色の主張が強めなのでカラーメイクが好きな方におすすめします)

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15:26 ラクオリ リキッドフィルム2 　1400円

15:44 Msh ラブライナー ブラック　1600円

16:53 パラドゥ リキッドアイライナー RD 褒められバーガンディ　900円(濃厚なバーガンディカラーになっているので遠目から見ると濃いブラウンのような、ブラックのような感じで色々なメイクに合わせやすいです。ですが、色っぽさも引き出してくれますし簡単にカラーライナーが楽しめます。ブラウンやテラコッタ系のメイクに特に映えます)

17:29 エテュセ アイエディション(マスカラベース) 1000円(重ね塗りすればしっかり盛れるし。とにかく軽い液体だから睫毛が下がってこない。マスクから発生する蒸気にも耐久性あり。このベースだけでマスクメイクしたらメイク直しすごい楽。硬いコームなので清潔に保つこともできてありがたい)

18:00 mude. インスパイアカーリングマスカラ ブラック 1890円(ロング＆ボリュームマスカラです。アジアの目の形に合わせて作ったコームで、気持ちいいほどに塗りやすいしフィットします。重ね塗りしても汚くなりづらく、伸びる伸びる。ロングマスカラお探しの方へおすすめです。ブラウンも買いました)

19:05 LB 3イン1アイブロウ　ナチュラルブラウン　900円(ペンシルが硬すぎず柔らかすぎずの細芯で描きやすいです。一本一本毛を描くように眉毛がかけます。苦手な方も形から描いて内側を埋めると綺麗な眉に仕上がります。パウダーもついているのでふんわり眉にしたいときにうれしい。パウダーは薄づきです。カラバリ豊富なのも魅力ですね)

20:22 KATE トーンディメンショナルパレット EX-101(限定パッケージ) 1800円

20:42 KATE 3Dアイブロウカラー　BR-2 850円(スクリューの先端が鋭利になっているので、短い毛や眉尻の細い部分にも塗やすい。スクリューが荒いことで液含みが少なくベタっとしづいらいです)

21:50 CANMAKE クリームチーク17 580円(絶妙なラテカラー。どのメイクでも邪魔しない万能カラーです。こってりしすぎず、ほわっとつけることができて便利ですよね。こちらのカラーもとても柔らかい色味で血色感を与えてくれます)

22:31 セザンヌ パールグロウハイライト 01シャンパンベージュ　600円

23:39 romand ゼロベルベットティント 21VILLAIN VEST 1450円(ロムアンド の新色可愛すぎる。悪女感がでるカラーをどうしても買ってしまいます笑 同じ色っぽいけど微妙に違いがあるのがロムアンド!!リキッド系ではなくムース系のマットリップです。乾燥はしやすいかもしれません)

24:35 セザンヌ　ラスティング リップカラーN 402 480円(硬すぎず潤いすぎず、しっかり発色してくれて色もちの良いシリーズで大好きです。オレンジブラウンレッドのような色味でお洒落なこなれた印象になります。このシリーズ本当に安すぎてありがたい限り)

25:10 rom&nd グラスティング ウォーターグロス #00 メテオトラック 1199円(つぅるつぅる唇になります。全くモッタリ感のないグロスでオイルのようです。つけすぎるとティントが滲んだり下唇に垂れたりするので注意。写真映え抜群のグロスです)


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♡ちくわっぷる カップルチャンネル
https://www.youtube.com/channel/UC3fYUUS9JgcpMTaeAlANJsw/featured?disable_polymer=1
♡CHICKwarp音楽ユニットチャンネル
https://www.youtube.com/channel/UC3vQvDGpvHtWROV__S3XSKg
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ハンドメイドショップ　https://thebase.in/to_app?s=shop&shop_id=surero-handcrafted-jp&follow=true
Ameblo　http://ameblo.jp/sumimin06/
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字幕提供協力のお願い
いつもご視聴ありがとうございます。世界中の多くの方にVideoを楽しんで頂きたいので字幕機能に協力してくれる方は連絡くださいm( _ _ )m
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Hi♡ I'm Surero :)

I upload makeup tutorial videos such as makeup transformations, and cosplay videos from JAPAN!

I give all girls a reason to 'SMILE', to have 'COURAGE' and 'HOPE', and to be 'CONFIDENT' and I hope to make all boys surprised when they see how beautiful all girls can be :o!

♡Makeup is magic ♡
☆Makeup is art☆
♡The face is a canvas♡
☆From your complex to a charm point☆

Please enjoy my Channel :)
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#和装メイク #成人式 #着物メイク

鄭雙雙 Sherry Cheng 全新創作單曲 【 FADED 】

⬇️數位平台馬上聽⬇️
https://rock-mobile.lnk.to/ZpK6xpnQ

#鄭雙雙 #FADED #獨立音樂 #創作 #MV

「 每一次吶喊，都在勇敢地向過去道別。」
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都會自療系歌姬鄭雙雙 睽違多年全新創作
感性厚實的嗓音 唱出人生道路上的愛與迷惘
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有一種情感寄託
找尋的是自己，而不是任何人。

還記得第一次替自己做重要選擇的時候嗎？
穿梭在無數個十字路口，決定勇往直前或轉彎的那一刻，
都在勇敢地向過去道別，堅強地重新定義自己。
-
過去的五年，代表著一段逐漸走向自我的過程。人生路上，有時候走著走著暮然回首，突然找不回從前自信的眼神，想不起最初的夢想，也記不得自己為什麼一直堅持到現在。

這段日子，從害怕大家的眼光，到慢慢放下偏執，傾聽自己的聲音；到現在能夠打從心底的擁抱自己，接受最原本的自我，原來力量從心而生，愛從自我而起。
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《 Faded 》由資深製作人楊鈞堯編製完成，襯著鄭雙雙一貫的敘事風格，毫無保留的描繪出消失在幕前這段期間的自我療傷。曲中加入獨特的冷色調電氣聲響，磅礴的空間感加上齒輪轉動的餘音繚繞，象徵記憶中的模樣慢慢消逝，清晰的靈魂逐漸模糊，經歷了情緒的層層堆疊，從一開始的糾結與徬徨不安，到最後堅決放下一切的勇氣。一路走來，每一次艱難的抉擇，都成就了現在更好的自己。
-

➡️鄭雙雙 Youtube
https://www.youtube.com/c/SherryCheng1006

➡️ 鄭雙雙 Facebook
https://www.facebook.com/sherrycheng1006

➡️ 鄭雙雙 Instagram
https://instagram.com/_sherrycheng/

➡️ 鄭雙雙 StreetVoice
http://tw.streetvoice.com/sherryccexon/

➡️ 鄭雙雙 Weibo
https://www.weibo.com/sherryccexon

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Faded

Is that your voice
I miss the tender whisper from your kiss
You said you dreamed of our love
You said you’d never let go of our love

Is that your face
I miss your blazing eyes like old days
You said you dreamed of our love
You said you’d never let go of our love

But we’re barely holding on
All the pictures fall apart

You keep fading
Down into my bones
Deep into my soul

You keep fading
Down into my bones
Deep into my soul

You keep fading
Down into my bones
Down into my soul

I can’t take it
I can’t take it
I can’t take it

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Songwriter 詞曲 | 鄭雙雙 Sherry Cheng
Artists 演唱 | 鄭雙雙 Sherry Cheng
Producer 製作人 | 楊鈞堯 Bryan Yang / 發條工廠創意工作室 Clockworkers Studio
Arrangement 編曲 | 楊鈞堯 Bryan Yang / 發條工廠創意工作室 Clockworkers Studio / 楊瑞韻
Backing Vocals & Arrangement 合聲&合聲編寫 | 鄭雙雙 Sherry Cheng
Recording Engineers 錄音師 | 楊鈞堯 Bryan Yang / 發條工廠創意工作室 Clockworkers Studio
Recording Studio 錄音室 | 發條工廠錄音室 Clockworkers Studio
Mixing & Mastering 混音師 | 楊鈞堯 Bryan Yang / 發條工廠創意工作室 Clockworkers Studio
Mastering Studio 混音室 | 發條工廠錄音室
Production Assistant 製作助理 | 葉承叡 Turtle Yeh / 發條工廠創意工作室 Clockworkers Studio

-

Director 導演 | 鄭育哲 Norman Cheng / 伍參壹 April Huang
Producer 製片 | 小花 Ｍin-Hua Tsai
Line Producer 執行製片 | 黃牧謙 Mu Qian Huang
Production Assistant 製片助理 | 蘇嘉薇 Jake Soo / Jay Meador
Director of Photography 攝影指導 | 黃偉根 Wayne Huang
First Assistant Camera 攝影大助 | 謝明倢 Ming Chine Hsieh
Second Assistant Camera 攝影二助 |
陳韋鈞 Wei Jyun Chen / 巫尚恩 Shang En Wu
Gaffer 燈光師 | 鄭得壽 Te-Shou Cheng
Best Boy Electric 燈光大助 | 林信丞 Shin-Cheng Lin
美術指導 Art Director |伍參壹 April Huang
Hair & Makeup 妝髮師 | 幸寧馨 Sa Sa Shin /Angelita
Transportation 九巴司機 | 林俊良 chun luang Lin Camera Equipment 攝影器材 | 用力拍電影有限公司
Cast 演員 | 葛凡 Geifan / 陸夏 Lucia
Editor 剪接師 | 鄭育哲 Norman Cheng
Colorist 調光師 | 詹謹嘉Ben Chan Title Design文字設計 | 三橫一豎設計DEREK WANG DESIGN

特別感謝Special Thanks： 快洗可得自助洗衣(農安店) 佑晟貿易股份有限公司

■ 更多林子安：
INSTAGRAM：https://www.instagram.com/an__official/
FACEBOOK：https://www.facebook.com/Anviolin/
WEIBO：http://weibo.com/u/6511795600
Spotify：https://spoti.fi/2XmfcLw

各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

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방탄소년단《Dynamite 다이너마이트》 바이올린 커버 | Violin Cover by Lin Tzu An of Dynamite by BTS

果然只有防彈才可以超越防彈！Dynamite輕快並且聽起來愉悅的曲風，成功把防彈登上推上了Billboard百大單曲冠軍，成為名符其實的世界彈！
節奏一下就讓人嘴角上揚，滿載日常小確幸和愉快正能量，充滿活力的曲風和極具感染力的節奏，感覺很適合在夏天開車兜風的時候聽，可以搖下車窗對旁邊的車喊「嘿！旁邊的～你好嗎？」
（但防疫期間或農曆7月先不要😆）

普天同慶沾光防彈並且預祝世界彈實現葛萊美獎的願望，我也在MV加入新的元素做新的嘗試，
感謝@Julia 咪妃 特別演出，希望大家喜歡！

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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Only BTS tops BTS for sureee! The pleasant style of Dynamite has successfully put our BTS boys on the top of Billboard HOT 100 singles!
As the song goes, Dynamite would make you pleased and you'll end up with positive energy and a big smile on your face.
For no reasons, I just feel like driving with Dynamite in the summer, rolling down the window n shouting to the car beside mine like "Hey! You!! How are you?"
(But please don’t do it during the social distancing period 😆)

To celebrate with BTS and pre-celebrate their "foreseeable" Grammy Award in a near future, I have new elements in my MV cover. Special thanks to @Julia 咪妃 for my guest, hope y’all like this!

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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特別演出Special Guest：@Julia 咪妃
編曲Arrange：林子安 Lin Tzu An
混音mix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

--

#BTS
#방탄소년단
#Dynamite
#다이너마이트
#BTS_Dynamite
#빌보드_핫_100
#Billboard_Hot_100
#AnViolin
#Dynamite_violin
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴