[爆卦]劍靈暗咒是什麼?優點缺點精華區懶人包

雖然這篇劍靈暗咒鄉民發文沒有被收入到精華區:在劍靈暗咒這個話題中,我們另外找到其它相關的精選爆讚文章

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劍靈暗咒 在 艾米希莉的啃書觀影日常 Instagram 的最佳貼文

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✝️ 《天命之咒》第一季:繼《獵魔士》後另一部奇幻鉅作 . 🔸完整文章+好讀版詳見主頁連結🔸 .⠀ . † 經典傳奇重新詮釋 † ⠀ ⠀ 由於《天命之咒》是改編自青少年小說,所以若是將其定位為與《獵魔士》同等級的奇幻史詩確實會覺得劇情遜色許多,而且難免會有些讓人想吐槽的對白和情節發展,但若是單純將...

  • 劍靈暗咒 在 Facebook 的最佳解答

    2021-09-08 20:59:23
    有 234 人按讚

    [請神•超幽......]
    ......當他和護士們在坐上前來拯救、並且消滅小鎮上一切『證據』的軍用卡車內,眼睜睜看著荷槍實彈的數百名傭兵槍手衝進去小鎮,在喪屍出沒的各個酒吧、旅館、民宅……尤其是礦工醫院裡掃射,不斷爆掉了那些喪屍們的頭顱。
      那一聲聲得意囂張的大笑聲,伴隨著轟然震耳的槍聲,喪屍們臨死前的嘶吼哀鳴聲……
      約翰醫生在這一瞬間終於打了個冷顫。
      他不知道該慶幸還是……恐懼……
         &   &   &
      寶圓呆呆地佇立在破舊風車下,看著原本熱情純樸貧窮卻勤奮的美國西部煤礦小鎮,經過這麼殘酷巨大的陰謀摧折凌虐下,所有的居民成了喪屍,最後又一一死在兇手們的槍下……
      一陣西部特有的乾燥北風刮吹而過,空氣中到處瀰漫著惡臭的血腥。
      她看見了所有無辜喪命的居民們在成為喪屍後,連死,靈魂都不能得以解脫,他們全部被綑縛在這個小鎮上,成為了渾渾噩噩的地縛靈。
      ……九十多年來,沒有人知道發生在這個小鎮上真正的殘忍可怕駭人事實,但卻有小鎮喪屍出沒的美國西部靈異故事傳播了出去,日復一日,年復一年……
      口耳相傳,最後真正的事實卻面目全非成了後人們拿來製作成『血腥喪屍鎮』VR遊戲的題材。
    棕髮小男孩喬淡薄得近乎透明的靈體突然出現在她面前。
      時光流逝,近百年歲月侵蝕的不只是小鎮上的所有建築物,還有強撐著最後一絲絲魂魄元神的喬。
      「我會告訴世人,關於你們的悲劇,還有你們所受到的這一切不公和傷害,」她不知該怎麼用英文告訴他,只能誠摯得近乎虔誠,柔聲鄭重地用中文道。
      小男孩喬望著她。
      「──我、我跟妳們的上帝不熟,還不懂得讀聖經幫你們……超度,可我們家的祖師爺也是很好很好的神,我可以試試看,請祖師爺幫忙代為轉告你們的上帝,請祂讓天使來接你們嗎?」
      神奇的是,喬居然聽懂了,他點了點頭。
      原來靈魂和靈魂的心念相契、交流,是不需要言語才能溝通的。
      「至於那些做惡的人,他們應該都已經審判到地獄受苦罰了,」她嗓音軟軟的,卻堅定地道:「我再來……想想辦法,讓你們能親眼見一見他們的報應好嗎?」
      喬還是點點頭,小小臉龐隱約透著抹期盼的紅暈。
      寶圓溫柔地朝他伸手,喬遲疑了一下,慢慢地走到了她面前。
      她蹲了下來,展臂輕輕地擁抱住了他。
      透明的小小身軀冰冷如朝露,彷彿會在太陽升起的那一瞬,就蒸發得無影無蹤……
      「為了幫家人和小鎮上所有鄉親們申冤,等了那麼那麼多年。」她抱著小男孩喬,心疼地摸摸他的頭。「苦了你了。」
      喬起初有些僵硬,他已經太久太久沒有接觸到溫暖、善意和明亮的氣息,九十幾年煉獄般的絕望仇恨痛苦將他的靈魂一寸寸腐蝕即將殆盡,他只差一步就想和撒旦簽訂契約,若能為家人鄉親們報仇,若能把那些兇手一個個趕盡殺絕,連帶他們的後代子孫也一個不留……
      可是小男孩喬心底深處最後勉強搖搖欲墜支撐著他的,卻是母親在全面淪落為喪屍前,在病床上含淚顫抖地用唇語對著天空的方向道──
      「喬,你是個好孩子,媽媽永遠愛你。」
      「無論你正在哪裡,媽媽只要你好好兒地活下去。」
      「未來,我們都會在上帝身邊團聚。」
      母親不知道,那時的喬並沒有成功逃離小鎮,而是被警長抓了回來,並且死於警槍下。
      喬的鬼魂守在媽媽病床邊,哭得不能自己……
      「Please help us(請幫我們)……」
      「別怕,準備好了嗎?」寶圓眨眨濕熱的眼圈兒,起身深吸了一口氣。
      小男孩喬仰望著這個遙遠的、近百年來唯一能跨越陰陽,打破次元壁的異國東方小姊姊。
      她長得黑髮雪膚,嬌嫩小巧,看著像沒大他幾歲,可是身上卻有著令人情不自禁想靠近的暖意,還有隱隱約約的光。
      像無邊的黑暗恐懼中,眼前突然出現的一盞燈火……
      寶圓面向東方,十指翻飛比劃出道法劍指,心中一片寧靜空靈清和,曾經覺得艱澀難背的祝香神咒,剎那間自然而然吐露而出──
      「道由心學,心假香傳,香爇玉爐,心存帝前,真靈下盼,仙旆臨軒,弟子關告,逕達九天──」
      東方剎那間霞光萬丈乍亮而起,天空雲間恍惚有仙樂絲竹聲悠然蕩漾而來,空氣中不知何時漸漸飄浮著沁人心脾、寧心安神的淡淡檀香……
      小男孩喬睜大了眼睛,癡癡地望著空中,小鼻子忍不住嗅了嗅這好聞的香氣。
      虛空之中,隱約點點金光閃爍現出了一個八卦印。
      寶圓差點喜極而泣……
      感謝祖師爺庇祐,她這半桶水的請神道法,居然也有靈光的一天?

  • 劍靈暗咒 在 Facebook 的最佳解答

    2021-08-20 17:25:01
    有 73 人按讚

    【讓小說再次偉大?】
    寫作真的是件殘忍的事情啊
    真的
    不知道為何昨天又有人跟我聊到「創作顛峰」的話題,一時有感🤣🤣
    對啊,儘管我目前自己好像還有些很薄弱的信心
    但是
    那也僅止於如此短暫的此時此刻而已
    還是覺得很可能我某天一覺醒來就江郎才盡了
    到底還能撐多久呢?
    怕.jpg

    這裡貼一下今年三月印刻雜誌封面專輯
    我與駱以軍老師的長對談
    真的是長對談
    名副其實,非常長
    有1.5萬字左右
    我找了其中大概最輕鬆有趣的一回合貼在這裡
    提到有次2006年
    機緣巧合,駱以軍開車載我從南投回台北
    路上塞車
    所以我們就尷尬又歡快又激情(?)地在車上「共處」數小時的事情
    (剛寫完時,我曾開玩笑地想把這次對談命名為「讓小說再次偉大」🤣🤣🤣)

    然後週六晚上8點有個中國的直播活動
    (應該是類似podcast)
    如圖
    有興趣聽我聊一下生物龐克的朋友們可以自己掃QR扣
    ────
    駱以軍:
    我記得十幾年前(搞不好十七、八年前),有一次我去南投一個文學營演講,你也去了,我回程台北時,你搭我便車。如今回想,我那時也才不到四十歲,所以你也不到三十歲?更早些時我就認定,你們那一輩的頂尖天才,一個童偉格、一個你、一個甘耀明。這和後來的文學地位無關,我就是只讀到你們二十多歲時第一本小說時的,一種同為練武者,對這年輕作者,他初展露的某些極特殊的眼球轉速,或濾光的方式,或奇怪為何他為特別定格某一幅畫面。
    這是我作為武痴內心真的驚嘆。當時你搭我的車,年輕的你非常害羞沉默。其實我好像後來變成一個哈啦大叔,但那時碰到純質的小說天才,我會有一種怕碰碎玻璃器皿的笨拙。天知道那次台中到台北的高速公路大塞車,我們的車好像緩慢在車陣困了五個小時嗎?天啊那對我是和一個劍氣在身的下一代頂尖小說家,我們在封閉車內共處五小時!
    我連年輕跟同輩哥們在PUB喝酒亂屁小說、電影,也沒那麼長時間。而且那時我(愁苦於自己那麼窮,然後妻小,一籌莫展),你(愁苦於家人還不接受你放棄醫學系,改要寫小說),我們都並沒那麼多的人世閱歷,哪怕如今如果這樣場景我們還可說些自己遇上的倒楣事,但那時我超焦慮。
    我後來才認識童偉格,啊啊那更是你發動漫天唬爛忍術,他都可以一句話不說就只傻笑的悶葫蘆。
    不過那一次困在高速公路上,發生了一件奇妙的事,拯救了我焦慮的那五小時,我問起你「最喜歡的世界小說家」。
    說真話,我覺得我自己那樣真的很幼稚,但我記得我年輕初遇黃錦樹、董啟章、童偉格時,都會很白痴問這問題,甚至會問「你心目中的第一到第五名」?真的很白痴,但如今想來真美好。因為這些人也會出現同樣崇敬、嚴格內心排名的表情,真的認真和我說起來。卡夫卡、波赫士、馬奎斯、杜斯妥也夫斯基、納博科夫、大江,這些人一定跑不掉的。偉格很意外對我提到巴加斯.略薩,錦樹則對我展開那時我根本不認識的奈波爾。
    這幾年,有次我遇見黃崇凱,我和他說到波拉尼奧,簡直像在說喬丹那樣的迷醉。
    我記得你對我說起符傲思的《魔法師》,然後我們也歡快激情的說著艾瑞斯‧梅鐸的《大海,大海》。
    天啊,那可是那時我內心的兩大天書!極品!啟發之理想大小說的某種「城堡設計圖」啊!我沒有和任何人提過(後來才有在文章中提過)。
    對我而言,我們兩個像是對了「通關密碼」,為何那其中的設計、展開、愛之瘋狂、高藝術修養之人,但卻搞了個莎士比亞《暴風雨》的現代演劇。我們講得超嗨,完全忘了之前的拘謹、張力。就像兩個天才棋手在大聊哪一年世界西洋棋大賽,哪一局經典然後白方哪一手下錯,黑方在哪一手如何做局,那真是聊的暢意、兩眼發光。
    當然之後,我們其實隔幾年遇見,某些對談活動,某些和其他創作者的咖啡屋聚會。但好像不再能復返,那樣我們相較都年輕,然後像高手拿劍晃幾下探對方內力的傻瓜行為。
    但我心中留了個念想,想有機會再聽你說說。

    伊格言:
    你提到多年前這件事(準確地說是二○○六年十二月;因為我清楚記得前晚天氣極冷,我在南投文藝營住宿處小房間電視上看到陳菊以極小票數差首次擊敗黃俊英當選高雄市長。換言之,那時《噬夢人》也還在我腦子裡還沒被寫出來呢),我讀得熱淚盈眶。
    是啊,如你所言,那多麼「傻瓜行為」,純淨而真誠無比──並無特別私交,但同樣懷抱著對小說這藝術行當的虔誠之心的兩個瘋魔者(是啊,不瘋魔,不成活)的彼此試探,擺好了架式過招;然而同時又信服於對方的虔誠與深情,心知肚明因而有種知音的相濡以沫。那是多麼美好的時刻。而確實也正如你所說──那樣的時刻如何可能?連你(以軍老師!)和你的同輩們聊小說,也不太可能一聊五小時啊。黑暗的北上高速公路上黑暗的車裡,有時車行順暢,路燈的橘色燈光霧氣般間歇性侵入車內;有時路面擁堵成為大型停車場,舉目所及所有車輛方盒子共同陷落於一個被按下了暫停鍵的虛擬夢境中。
    而後我們竟然就這樣聊小說聊了五個小時!誇張點說,出之以〈二階堂雅紀虛擬偶像詐騙事件〉主角葉月春奈之語:一切豈非近乎神蹟?
    所以「上帝」是什麼?「神」是什麼?我們何德何能,何其幸且不幸,與那樣既徒勞無功又煙花般燦爛的命運相遇?
    我想到的是,在無神論者佛洛依德那裡,那是人類用以抵禦恐懼的心靈幻覺(《圖騰與禁忌》、《一種幻覺的未來》);在另一位無神論者馬克思那裡,那是統治階級用以麻痺人民的鴉片。而如今重新思索這不可思議的提問,如果一如馬克思與佛洛依德所說,「神」純粹是人類心靈的創造物,那麼我會問的是:在何種時刻,在「智人」此一物種的心靈中,恐懼誕生了,神也因此而誕生了?
    尼安德塔人的心中有神嗎?黑猩猩們的心中有神嗎?虎鯨、狗或貓的心中有牠們自己的神嗎?
    我必得如此提問,因為我無法無視於數世紀以來人類的智識進展與文明跳躍。那是達爾文的凝視,《盲眼鐘錶匠》的洞見,丹尼爾‧丹內特等一眾心智哲學家手術刀般鋒利的思索,凱文‧凱利的的空照視野,甚至再加上伊隆‧馬斯克等夢想家的狂想與實踐。
    法國作家韋勒貝克在《誰殺了韋勒貝克》中虛構了一幅藝術家傑德‧馬丹的成名畫作,題為「比爾蓋茲和賈伯斯討論電腦資訊的未來」(韋勒貝克的描述是,畫幅中,北加州燦爛的夕照下,正向生命終點快速趨近的賈伯斯眼中燃燒著深沉的火焰,「不只是預言者、先知的火焰,也是儒勒‧凡爾納筆下描述的發明者的火焰」)──
    而在我們這個時代,毫無疑問我們該凝視的是「伊隆‧馬斯克與哥德爾虛擬視訊會議」或「凱文‧凱利、理查‧道金斯與教宗聖方濟各針鋒相對」。
    我懷疑,在小說的世界裡,「神」與「鬼」或許都是命運的代稱(幾年前我寫過一篇談及普利摩‧李維的小文章,題為「鬼是命運的隱喻」)。
    《魔法師》的作者符傲思並未迴避此一大題,在序言中,他明白表示,《魔法師》最初的原名叫「上帝遊戲」。是,我個人以為,符傲思在討論的確實就是「命運」;而小說主角于爾夫的遭遇無非是一部微縮膠卷化的個人心靈史──必須說明的是,此處的「個人心靈史」並不僅是小說情節中的角色個人心靈,而毋寧隱喻著整部人類文明之智識啟蒙流變的歷史。
    在我看來,符傲思與《大海,大海》的艾瑞絲‧梅鐸(Iris Murdoch)、《基地三部曲》的艾西莫夫,以及韋勒貝克等人是同一類小說家
    (當然了,或許可以再加上《三體》、《阿特拉斯聳聳肩》),他們思索的是整個文明過去的脈絡與未來的去向。
    「我是誰?我從哪裡來?我到哪裡去?」的個人哲學三問,在此或已化為烈焰煙塵中的「文明三問」:「文明是什麼?文明從哪裡來?人類文明終將往何處去?」。我以為,這或許就是最「大」的小說了。
    小說還能有多「大」?是以,就此一角度而言,或許我可暫且心虛地回答你半開玩笑的提問──你提到,你很想聽我唬爛看看「愛的量子力學論」。
    當然了,我沒有直接回答的能力,但或許恰恰有一趣事可供參照:在《噬夢人》的幾十則註解中,有一則我簡稱為「方程式測定儀」的註解──我假想未來有位名叫森山和正的日本教授發現了關於「愛」或「靈魂」的物理學證據。
    事實上,此刻,二〇二一年科學家們所掌握的弦論已然推測,我們身處其間的世界並非僅只我們所習以為常的四維時空,而是另有七個細小的維度踡曲於其中;是以,宇宙並非四維時空,而是以共十一維的形式存在。而小說中森山和正教授的理論則論證了,類似「靈魂」、「意識」、「生命」與「愛」,甚至「詛咒」這樣我們此刻以數學或物理無法證實的「東西」,都實存於那感官不可見的七個細小維度中。
    《噬夢人》成書於二○一○年;而其後數年,英國大導諾蘭就釋出了他的《星際效應》(*Interstellar*),在電影中拋出類似設想:「愛」就在第五維度裡。我有時演講時提到此事,不無得意,開玩笑地說我與諾蘭大約是英雄所見略同吧(笑)。
    當然了,這在《噬夢人》中僅是一支線,而在《星際效應》中則得到了完整的發展。諾蘭無疑是個自造迷宮的高手,《星際效應》中迷宮仍在,但明顯不如《全面啟動》(*Inception*)與其後疫情下的《天能》(*Tenet*)般錯綜迂迴,取而代之的則是巨大的、寬闊的,宇宙尺度的深情。我在想,這個小巧合或許也代表了我對此類「大小說」的個人偏執。小說此一藝術形式,究竟可能「宏偉」至何種程度?
    我對此事好奇無比。而這點,又直接連上了我個人對藝術的另一理解或執念──小說,或謂藝術,是否有可能更有效、更毫無閃躲地回應當代人類的議題?如何「讓小說再次偉大」?
    作為一位虔誠的文字手工藝人,我猜想,這或許就是我們所在的這個行當為文明做出一些無可取代的創新的機會吧?

  • 劍靈暗咒 在 Facebook 的最佳貼文

    2021-07-14 00:07:18
    有 229 人按讚

    「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:

    野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
    2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。

    創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。

    台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

    人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

    地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?

    地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?

    病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

    姚瑞中寫於2021年端午節

    Postscript

    I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

    In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

    Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

    Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

    Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
    Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
    Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

    The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

    June 2021,

    Yao Jui-chung

  • 劍靈暗咒 在 Shaun&Nick Youtube 的最佳貼文

    2021-08-16 18:30:02

    成為這個頻道的會員:
    https://www.youtube.com/channel/UC0b3OFZOXHEHDfL7kONoH4g/join

    妖精國不列顛的圓桌騎士之一。
    冠名了汎人類史的圓桌騎士·蘭斯洛特靈基的妖精騎士。
    原本在不列顛只是一種「龍」之妖精。
    雖然身為戰士時冷酷無情、
    但因為她的舉止、優雅感、從其他妖精中脫穎而出的身姿
    讓她成為了妖精國中最高貴,最美麗的妖精。

    身長/體重:147cm・20kg
    出典:法國妖精史、美露莘傳說
    地域:黑暗之沼
    屬性:中立・惡 性別:雌性
    「雖然美露莘也不是我的真名。
    但這個名字對我來說很重要」

    身為妖精的名字為美露莘(Melusine)。
    是法國傳說中的妖精,又叫做美露莎(Mélusine)。
    自古流傳的民間童話主題『異種婚姻』故事中的主人公。
    擁有蛇的下半身,長著龍之翅膀的半人半妖美女。
    是人類父親和妖精母親結合誕生的妖精、
    雖然美麗,但因為把父親關在洞窟中的罪孽
    受到了『每週六下半身會變成蛇』的詛咒。
    如果下半身變成蛇的狀態被戀人看到,詛咒會再次增強,據說增強後美露莘會完全變成可怕的妖蛇。

    ○性格
    內向・主動。
    一邊把自己的心情隱藏在心底,一邊迅速把該做的都做完的行動派。 是個有著潔癖症,不苟言笑,總是繃緊神經的少女騎士。
    把人類分類成壞東西並且毫不留情地進行排斥,很容易被認定成『冷酷的妖精』。 不過,雖然她本人對人類很冷淡,但並沒有憎恨,看不起的意思。
    她只是單純地把人類當成『生存能力低下的生命體』。
    這和美露莘本人的經歷有關,她不會以『與生俱來的生態』為理由歧視別人。

    ○龍之心:B
    龍的爐心、也被叫做龍之寶玉,是美露莘的魔術迴路。
    汎人類史中此技能被分類為『魔力放出』,生命體能量過剩釋放的狀態。
    雖然不是龍種,但作為「龍之妖精」重新構築自身的美露莘,擁有和龍相同的生理機能。

    ○無窮的武煉:B
    從汎人類史的英靈,蘭斯洛特那裡摹寫的技能。
    無論處於怎樣的精神狀態,都能完全發揮持有的戰鬥技巧。
    也就是依靠過度修鍊,銘刻到肌肉記憶的戰鬥經驗...... 不過對天生就很強大的美露莘來說,這個技能並不是必要的。
    美露莘自己也不喜歡這個技能,畢竟天生強大的生物並不需要什麼技巧。

    ○Ray· Horizon :A
    來自英格蘭傳說中,作為通往異界之門「地平線」「境界」的守護之龍(mirage)的傳說。
    美露莘不過是生物『妖精』時的名字和容器,原本的職責正是『境界』本身。
    ...... 是美露莘變回原來樣子的步驟。

    生物妖精騎士時的第一人稱是『僕(boku)』,舉手投足間如同一個王子。
    但是回歸美露莘的本性時,第一人稱會變成『私』,展現出性格天然的一面。 她原本就是『被拋棄的孤獨者』,因此很怕寂寞,又很自虐。
    她深刻認識到自身是最強的生物,強大和弱小並不是她判斷喜歡與否的標準。 畢竟和自己比起來,大家都是『弱者』。
    美露莘喜歡的並不是「敢於面對比自己強大之人的勇氣」、而是「關懷比自己弱小之人的溫柔」。
    不如說,她會一邊說著「必須要服從強大,這是絕對的,也就是服從我。 」一邊撒嬌。

    『至今未知的無垢湖光』
    等級:A 種類:對人寶具
    範圍:2~10 最大捕捉:1匹

    Innocence Aroundight。
    用自己的外皮精煉的『妖精劍阿隆戴特』、
    使用此劍攻擊對方的簡單質樸的寶具。
    蘭斯洛特的阿隆戴特的槍版。
    傷害不高但回轉率是頂級的。
    如同通常攻擊一樣,輕鬆展開的寶具。
    至於為什麼傷害不高,是因為對美露莘來說,此寶具基本等同於借來的(偽造品),是蘭斯洛特的寶具而不是自己的。


    『無人知曉的無垢搏動』
    等級:EX 種類:對界寶具
    範圍:20~500 最大捕捉:500匹

    Hollowheart Albion。
    通過第三技能變回『原本模樣』的美露莘釋放的龍之威壓。
    變回『原本模樣』的美露莘已經不能稱作是妖精了,從那威嚴的心臟釋放的光芒,成為了廣範圍破壞兵器。
    可將其視為跨越境界的彩虹,或者是敞開的前往異世界(異次元)的大門。
    使用後,美露莘將無法回歸『想變成這樣』的妖精的樣子,在無人知曉的情況下消失。

    異聞帶的阿爾比昂在『無之海』不斷地飛行,直到斷氣。但是這也證明瞭不管是哪個人類史『沒能回歸於星際的龍』都會迎來淒慘的下場。

    #FGO #妖精騎士蘭斯洛特

  • 劍靈暗咒 在 創意油管 IDEAS TUBE Youtube 的最佳解答

    2021-07-02 22:00:14

    大家都有看過林正英的殭屍系列嗎?
    原來殭屍有分很多種?!
    讓老師解說給大家聽喔~
    有任何問題或想法都歡迎在下方留言


    0:00 開場
    0:29 僵屍的特徵
    1:50 殭屍外表為何差異大
    4:23 暫時停止呼吸真的有用嗎?
    4:48 對付殭屍最佳武器是?
    5:55 殺殭屍
    6:10 糯米可以殺殭屍?
    7:00 殭屍怕光的原因
    7:33 寧遇厲鬼 莫見殭屍?

    ✧ 訂閱追蹤
    ▪︎ 謝沅瑾命理/民俗文化研究中心 Facebook
    https://www.facebook.com/hyjls/
    ▫︎ 創意油管 Instagram
    https://www.instagram.com/ideastubetv/
    ▪︎ 創意油管 Facebook
    https://www.facebook.com/ideastubemedia

    ⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄
    ♡ 合作邀約歡迎聯繫
    ▫︎ frank@ideastube.co
    ⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄⋄
    #殭屍 #暫停停止呼吸#驅邪殺鬼

  • 劍靈暗咒 在 浪哥Holiday Youtube 的精選貼文

    2021-04-03 20:41:26

    藤原還是屈原 就看這一彎
    男子漢的超車 要嘛拓海 要嘛填海

    亞洲服新服!! 全忘光的感覺真好 ,,
    3年前有玩個月,但都忘了,,就像就新遊戲
    上古世紀台服已收攤打烊,,在LINE POD上面 官方直營了上古世紀R
    和幾位朋友來回味一下,,
    ----------------------
    #CarRace #藤原拓海 #ArcheAge
    #mmorpg #沙盒 #LinePOD #巴溫 #巴蕊 #吳柏毅 #外送

    我是浪哥 感謝各位
    歡迎直播間交流 : https://www.twitch.tv/holiday1977


    歡迎【訂閱】支持,
    ➤Youtube➤ https://www.youtube.com/c/DrHoliday1977
    ➤Twitch➤ https://www.twitch.tv/Holiday1977
    ➤Facebook➤ https://www.facebook.com/dr.holiday1977
    ➤bilibili➤https://space.bilibili.com/72978349
    個人遊戲經歷簡介 在這 https://reurl.cc/yO2YM

    《上古世紀》(英語:ArcheAge)是一款由韓國人宋在京開發的大型多人在線角色扮演遊戲。2013年1月15日在韓國上線,隨後在中國、日本、歐美等地上線。2016年7月1日台港澳地區由雷爵網路宣布代理營運,預計2016年第四季上市。但都無進一步消息,2017年6月30日普雷威 Playwith 公司宣布取得經營權,2017年8月25日宣布約同年第四季會開放封閉測試。後續宣布在2017年10月25日開放封閉測試。
    ---------------------------------------------------------------------------------
    《上古世紀》匯集了各界菁英共同合作,遊戲背景來自曾經著作知名線上遊戲天翼之鏈原著小說符文之子韓國有名的奇幻小說家全民熙的寫作的故事《上古世紀》為遊戲世界觀和劇情設定的骨幹,視覺美術總監「尹龍基」擁有20餘年視覺設計與美術特效經驗,曾參與電影鐵達尼號、楚門的世界視覺特效製作;遊戲配樂更由韓國教父級音樂人「尹尚」編寫譜曲,並由首屈一指的「韓國首爾愛樂樂團」現場錄音製作。
    --------------------------------------------------------------------------------
    劇情主要是善與惡的鬥爭,主角被設定為可以改變未來。遊戲中採用任選天賦組成職業的創新系統,10種天賦可變化出120種的不同職業,同時還設計了豐富的副本、任務活動與經商貿易等 PvE 玩法;PVP 玩法,像是陣營對抗、領地爭奪、戰場競技等也都可以在遊戲中體驗。此外,《上古世紀》還擁有少見的房屋與城堡建設、登船海戰、車輛駕駛、種植畜牧、製造組合等高自由度機制。


    #巴溫 #巴蕊 #賽車 #飆車 #尬車 #三寶 #送貨
    #快遞 #吳柏毅 #滑板 #skateboard #沃爾夫岡 #跑車


    ▲ 種族聯盟
    諾亞 諾伊聯盟
    相貌端莊的諾亞具有與生俱來的高貴氣質。諾亞男性堅毅的臉龐散發出強烈的陽剛氣息,而身材高挑的諾亞女性則獨有成熟女性的知性魅力。

    精靈 諾伊聯盟
    夢幻般的美貌與神秘的氣質,成就了精靈在眾多種族間的獨特魅力。他們是高貴的伊弗娜後裔,遠古血脈造就了那淡泊的性格,也給予了他們強大的魔法天賦。

    獸靈 哈里拉聯盟
    獸靈是風神的後裔,他們以血緣部落為紐帶,在大草原上過著不斷遷徙的游牧生活。獸靈男性的身形強壯魁梧,高聳的鼻樑和顴骨使其如同猛虎一般。獸靈女性則擁有杏仁般的大眼睛,靈巧的耳朵和尾巴,張揚出一份自然的野性美。

    哈里蘭 哈里拉聯盟
    金麥色的皮膚使他們能驕傲地自稱“太陽的子民”,烈日下兩把交錯的彎刀是他們永恆的圖騰。哈里蘭,他們是熱情洋溢的冒險家,也是充滿野心的征服者。
    -------------------------------------------------------------------------------------------
    ▲ 特性職業
    格鬥 圓月斬、狂暴、英勇躍擊
    使用破壞性的攻擊,同時應對許多敵人。

    元素 閃電術、霜凍之徑、裂空星殞
    使用火、雷、冰等強力魔法攻擊敵人,各派系的魔法相當平均。

    野性 衝擊箭、騰空之力、狙擊
    使用遠距離攻擊,一旦瞄準獵物,即使追逐到天涯海角也要消滅敵人。

    生命 聖光洗禮、審判之槍、天使領域
    通過治療,可以恢復目標的生命值。冒險隊伍中必不可缺少。
    ▲ 主要天賦
    格鬥,野性,元素,生命,鐵壁,意志,幻術,暗殺,吟遊,死亡,
    -------------------------------------------------------------------------------------------
    ▲ 120種天賦職業組合
    秋之詩人,獅心守護者,死靈術士,冥土守護者,寒夜弦師,幽歌刺客,冬之琴師,戰爭術士,天行者,煉獄刺客,夢之守衛,天鷹遊俠,影子詩人,銀翼遊俠,頌歌遊俠,夜之守衛,地獄魔導士,劍刃遊俠,星之魔導士,幻羽法師,暗影牧師,夢境詩人,秘法武者,混沌支配者,角鬥士,黑夜詩人,攝魂使者,自然學者,聖堂騎士,光明法師,月華行者,天譴復仇者,春之樂手,亡者樂師,吟遊詩人,天啟鬥士,惡靈勇士,魔刃行者,狩魔獵人,野蠻裁決者,戰鬥法師,叢林獵手,暗月流浪者,神之使者,浪漫歌手,守望者,深淵行者,光之守衛,聖職者,聖諭護衛,結界法師,聖殿賢者,戒律詩人,流浪騎士,天之遊俠,遊騎旅者,嗜血修羅,狂野幻象師,神諭者,禱言法師,林中智者,聖歌賢者,蒼翼刺客,磐石祭司,冥域征服者,影舞賢者,星芒遊俠,夜翼狩獵者,命運舞者,冥界導師,夏之舞者,追獵者,祭魂者,白魔法師,暗黑騎士,魔法騎士,噬魂毀滅者,通靈師,影刃法師,幻刃殺手,聖劍賢者,大地獵手,詭術刺客,鬼咒師,風語者,暗夜祭師,沉默術士,奪魂琴師,鷹眼狙擊手,亡魂收割者,龍刃守護者,雲之放逐者,冒險家,浪漫騎士,風之獵手,禦魔使者,秘術師,夢魘騎士,魔影淨化者,銀月賢者,魔劍士,咒術薩滿,暴風策士,幻月舞者,幽影刺客,幻影遊俠,末日行者,幻境哨衛,刀鋒騎士,風暴追逐者,靈魂掠奪者,夢語先知,聖歌守護者,虛幻靈者,塔盾術士,靈魂術士,獵魂者,狂風術士,黑暗法師,黑魔法師,異端審判官,異端審判官,運動家,指揮官,格鬥家,
    -------------------------------------------------------------------------------------------
    ▲ 主要技能
    圓月斬,狂暴,英勇躍擊,閃電術,霜凍之徑,裂空星殞,
    -------------------------------------------------------------------------------------------
    ▲ 地圖
    埋骨之地,黎利爾丘陵,格威爾森林,索茲里德半島,碎石平原,白雪森林,瑪瑞諾普盆地,雙冠丘陵,十字星平原,黃金平原,珊瑚海岸,地獄沼澤,伊尼斯泰爾,古代森林,詠唱之地,黎明半島,摩哈特比,虎脊山脈,彩虹田野,獵鷹高原,棋磐石林,草原之脈,哈里拉廢墟,翡翠谷,光芒海岸,煦日之野,墟境之口,安息之地,西部海岸,地靈之界,諾伊聖域,黃金廢墟,寂靜之海,新月海灣,迷途之海,黃金之海,海域,原大陸,哈里拉大陸,諾伊大陸,東大陸,西大陸,里程碑,咆嘯島,夢幻島
    -------------------------------------------------------------------------------------------
    ▲ 副本
    風刃廢礦,燃燒之城武器庫,呼嘯深淵,王宮下水道,哈迪爾農場,毀滅之源,埃爾納圖書館,納查希伽爾,永痕之島,煙響之庭,迷霧戰爭,徵兆之痕,太初之力,

    東南亞服

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